The view from LaGuardia Place includes the symphony of Skidmore, Owings & Merrill’s 7 World Trade Center at 250 Greenwich Street and its ever-rising companion, One World Trade Center, beyond. I see the buildings every day from the Center for Architecture, and have become a fan of 7 WTC’c magical properties, both geometric and optical. It is a building made out of reflections, refractions, inflections, and colors, expressed in glass and stainless steel.
As night descended on a memory-laden New York City on Sunday, September 11, 88 light cannons were powered up, shooting beams of light into the air representing the profiles of the original Twin Towers. We stopped by Saturday night, as crews were putting the finishing touches on the display and double checking that all the lights performed flawlessly, and the close-up result was nothing short of amazing.
The Architect’s Newspaper‘s main office is just two blocks from the Word Trade Center site, so we’re keeping a photographic eye on increasingly visible developments at the site. One World Trade will soon break the skyline and all throughout the site there are signs of vigor. Over the last couple of weeks, windows began to appear on some of the structures.
It’s hard not to be awed, regardless of how unfashionable that may be in an area where locals studiously observe a nonchalant protocol, as though the massive tower were just another visiting celebrity. So don’t mind us as we join the out-of-town gawkers and snap away.
On Wednesday, architects and developers gathered to hear colleagues hold forth on the topic of “Innovation by Necessity” at New York’s Center for Architecture, a panel that seemed to promise a semi-sleepy discussion of building information modeling (BIM) at the World Trade Center site. But after several speakers outlined the logistics of the vast construction project, the panel veered into another topic entirely: an eye-opening primer on security strategies at Ground Zero.