On View> Made in China With A Human Touch

East
Friday, July 15, 2011
.

Courtesy 0.00156 Acres/Lorena Turner

Lorena Turner: Made in China
0.00156 Acres
114 Smith Street
Brooklyn, NY
Through July 31

Product packaging started primarily for hygienic reasons. General stores used to stock sugar, crackers, and pickles in huge barrels, and for every order the grocer would dip in his scoop. Not only was it unsanitary, but customers also might leave wondering if they got what they paid for (“Was his finger on the scale…?”). Food packaging guaranteed sterile products and standardized portions—in a word, purity.

Continue reading after the jump.

On View> 194X–9/11: American Architects and the City

East
Tuesday, July 12, 2011
.
Mies van der Rohe's Museum for a Small City Project, 1942 (Courtesy MoMA)

Mies van der Rohe's Museum for a Small City Project, 1942 (Courtesy MoMA)

194X–9/11: American Architects and the City
The Museum of Modern Art
11 West 53rd St.
Through January 2

Prompted by the United States’ entrance into World War II in 1942, Architectural Forum magazine commissioned pioneering architects to imagine and plan a postwar American city. At the tenth anniversary of the 9/11 terrorist attacks, 194X-9/11: American Architects and the City features the plans, renderings, and sculpture of Ludwig Mies van der Rohe, Louis Kahn, Paul Rudolph, and Rem Koolhaas and their ideas for cities of the future. Rarely displayed works, such as Mies van der Rohe’s collage Museum for a Small City Project (1942), above, reveal plans for cultural centers and urban life in uncertain times.

On View> The American Style: Colonial Revival and the Modern Metropolis

East
Monday, July 11, 2011
.
(COURTESY MCNY)

(COURTESY MCNY)

The American Style:
Colonial Revival and the Modern Metropolis
Museum of the City of New York
1220 Fifth Avenue
Through October 30

Following the U.S. Centennial of 1876, architecture in New York City was defined by what was known as “the American style,” a visual language referencing both the nation’s nostalgia for its beginnings and its progressive aspirations. A new exhibition reveals the impact of Colonial Revival on the cityscape through vintage photographs and objects like a 1926 mahogany settee by the Company of Master Craftsmen, whose volutes reflect a resurgence in classicism that is the trademark of the Colonial.

More images after the jump.

On View> Blinky Palermo: Retrospective 1964-1977

East
Monday, July 11, 2011
.
(COURTESY DIA: BEACON)

(COURTESY DIA: BEACON)

Blinky Palermo: Retrospective 1964-1977
Dia: Beacon/CCS Bard
3 Beekman Street/18 West 86th St.
Beacon, NY/New York, NY

Though October 31

Dia: Beacon and the Bard Center for Curatorial Studies have co-organized a comprehensive exhibition of the post-war German artist Blinky Palermo. Palermo’s works on paper (1963–1973) are on view at Bard, while his Metal Pictures and later works (1973–1977) are displayed in Dia: Beacon’s expansive galleries. A student of Joseph Beuys, Palermo’s work dealt with the relationship of color and space, and in Europe he gained notice for his abstract large-scale murals. Inspired by a trip to America in the early ‘70s, Palermo created the To the People of New York series, above, based on the colors of the East German and West German flags.

Another painting after the jump.

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