On View> Sacred Spaces in Profane Buildings

East
Friday, September 30, 2011
.
(Courtesy SFAA)

A Gucci store converted into a synagogue. (Courtesy SFAA)

SACRED SPACES IN PROFANE BUILDINGS
Storefront for Art and Architecture
560 Broadway
Through November 5

How do we practice our religions, beliefs, or spiritual ideas in New York City outside of established churches, synagogues, and mosques? In the newest exhibit at the Storefront for Art and Architecture, architect and researcher Matilde Cassani explores how we celebrate and observe our beliefs in unconventional spaces: converted shops into prayer spaces, apartments turned into churches, and sidewalks into chapels. Cassani invited New York residents to submit photographs and descriptions of local places of worship to create an online archive, with highlights selected for the Center’s exhibition, such as the photograph of the Soho Synagogue converted from a Gucci store above, by John Hall.

More images after the jump.

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On View> Bertrand Goldberg: Architecture of Invention

Midwest
Thursday, September 22, 2011
.
(Courtesy AIC)

Early scheme for Prentice Women's Hospital. (Courtesy AIC)

Bertrand Goldberg:
Architecture of Invention
The Art Institute of Chicago
111 S. Michigan Avenue, Chicago
Through January 15, 2012

Bertrand Goldberg has become known, and increasingly loved, for his expressive use of concrete, particularly his curved forms in projects like Marina City and the endangered old Prentice Women’s Hospital (an early design for that project is pictured at top, with a San Diego theater scheme). The first retrospective of his work shows there is so much more to admire about this one-of-a-kind Chicago architect who died in 1997 at 84. Drawn from the Art Institute’s Goldberg collection and several other collections, Bertrand Goldberg: Architecture of Invention includes more than 100 drawings, models, and photographs, including designs for housing, hospitals, urban plans, furniture, and graphics. Early in his career, he designed innovative, prefabricated solutions for low-cost housing. His later designs, like “the city within a city” attracted avant-gardes around the world, including the Japanese Metabolists and Britain’s Archigram.

More images after the jump.

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On View> DesigNYC presents Recharging Communities

East
Tuesday, September 20, 2011
.
(590BC and Studio L'Image)

PortSide New York. (590BC and Studio L'Image)

RECHARGING COMMUNITIES
desigNYC
GD Cucine
227 West 17th St.
Through October 1

DesignNYC, an organization connecting New York designers with nonprofits, community groups, and city agencies, presents its current cycle of projects under the banner, “Recharging Communities.” In designNYC’s second annual exhibition, eight teams showcase their in-progress collaborations including among others: Educating Tomorrow, which uses communications design to establish an online forum on sustainability issues for NYC educators; the Greenhouse Project, which creates an urban farm in an unused lot in East New York; Nostrand Park, on the development of an engaging urban corridor in Crown Heights; and PortSide New York (above), a project enhancing a boathouse and community center in Red Hook.

More renderings after the jump.

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On View> Ceci N’est Pas Une Reverie: The Architecture of Stanley Tigerman

East
Tuesday, September 13, 2011
.
Formica axonometric by Stanley Tigerman. (Courtesy Yale School of Architecture)

Formica axonometric by Stanley Tigerman. (Courtesy Yale School of Architecture)

Ceci n’est pas une reverie:
The Architecture of Stanley Tigerman
Yale School of Architecture
180 York Street
New Haven, CT
Through November 4

The exhibition Ceci n’est pas une reverie (“This is not a dream”) celebrates the work of architect Stanley Tigerman. Curated by Yale School of Architecture Associate Professor Emmanuel Petit, this retrospective tells the story of Tigerman’s professional career, beginning with his years at Yale as an undergraduate and then a graduate student in architecture. Organized around several motifs—utopia, allegory, death, humor, and division—the exhibition includes models and objects, documents, cartoons, sketches, and drawings, like an axonometric of formica, above. Video material from lectures and interviews also capture Tigerman’s eclectic style as it has evolved over the past 50 years, encompassing his early work at the Chicago-based firm Tigerman McCurry Architects and his return to Yale as a visiting professor. Ceci n’est pas une reverie will coincide with the publication of Tigerman’s collected writings, 1964-2011 Schlepping Through Ambivalence, Essays on an American Architectural Condition, and his autobiography Designing Bridges to Burn as well as a series of lectures at the Yale School of Architecture.

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On View> PIIOTOS_WTC: 22 Brazilian Photographers Capture the World Trade Center on Film

East
Wednesday, September 7, 2011
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Dive with a WTC View, 1990 by Tuca Reines.

Dive with a WTC View, 1990 by Tuca Reines.

PIIOTOS_WTC
1500 Gallery
511 W 25th St. #607
Through September 17

In honor of the tenth anniversary of September 11th, 1500 Gallery in West Chelsea will present PIIOTOS_WTC, an exhibition of photographs of the Twin Towers taken by 22 of Brazil’s most notable photographers. The images, which all have the World Trade Center site as their subject, span the last three decades of the 20th century. Selected photographers include Victor Andrade, Ali Karakas, and Roberto Linsker, among others. The selection is diverse, with works ranging from distant portrait landscapes of the towers from the Hudson River, to bold aerial views, black and white night shots, glowing, hazy sunsets, andclose-up structural shots, like the work of Tuca Reines, above. Gallery 1500—the only gallery in the world to focus specifically on Brazilian photography—brings together these poetic works, capturing the power, strength, and beauty of the city as it is no longer.

More photos after the jump.

On View> Density Frames: Worship The Puffy Chapel

West
Monday, August 29, 2011
.

If you didn’t catch the giant inflatable pop-up chapel/igloo at Silver Lake’s Materials & Applications gallery last year, now’s your chance to experience it in person.  Well, it’s cousin anyway. The 25-foot-tall second rendition, Density Frames was designed by USC’s architecture director Gail Peter Borden for the school’s Religious Center courtyard. The irregularly-shaped balloon-like structure will be on display through December 15.

Continue reading after the jump.

On View> Brian Ulrich: Copia-Retail, Thrift, & Dark Stores

Midwest
Monday, August 29, 2011
.
(Courtesy Brian Ulrich)

(Courtesy Brian Ulrich)

Brian Ulrich: Copia—Retail,
Thrift, and Dark Stores, 2001–11
Cleveland Museum of Art
11150 East Boulevard
Through January 16, 2012

Using only a hand-held camera, photographer Brian Ulrich captured the fluctuating economic climate’s impact on American consumerism in the last decade. Brian Ulrich: Copia – Retail, Thrift and Dark Stores, 2001–11 at the Cleveland Museum of Art features 50 color photographs, portraying anonymous commercial excess in three distinct venues. Whether engrossed by the saccharine colors and limitless temptation of big box stores or by the discarded whimsies of thrift shops, the photographed subjects are caught in a vicious cycle of spending. The final phase highlights the absent consumer, focusing on the prevalence of ghost stores and dark shopping malls as a result of the 2008 financial crisis, such as J.C. Penney, Dixie Square Mall (above).

More images after the jump.

On View> Noguchi: California Legacy at the Laguna Art Museum

West
Friday, August 26, 2011
.
(Courtesy Laguna Art Museum)

(Courtesy Laguna Art Museum)

Noguchi: California Legacy
Laguna Art Museum
307 Cliff Drive
Laguna Beach, CA
Through October 2

Noguchi: California Legacy features three bodies of work that capture the connection Los Angeles-born sculptor Isamu Noguchi had with the California landscape. California Scenario: The Courage of the Imagination celebrates the 30th anniversary of the Segerstrom commission at the South Coast Plaza sculpture garden; a gallery is illuminated by Noguchi’s famed Akari lights for the 1986 Venice Biennale in What is Sculpture?, shown above; and for Noguchi at Gemini G.E.L., his sculpture for atelier Gemini G.E.L. Los Angeles in 1982 are reproduced as flattened steel plates, described by Noguchi as “short poems pertaining to California where I was born, and to the world I have known.”

More images after the jump.

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On View> Process and Artistry in the Soviet Vanguard

Midwest
Wednesday, August 24, 2011
.

 

Soviet propaganda poster from 1935. (Courtesy Smart Museum of Art)

Soviet propaganda poster from 1935. (Courtesy Smart Museum of Art)

Process and Artistry in the Soviet Vanguard
Smart Museum of Art
5550 South Greenwood Avenue
Chicago
Through December 11

In Process and Artistry in the Soviet Vanguard the Smart Museum examines Soviet propaganda of the 1920s and 1930s, including a number of art pieces that set the creative precedent for mass-produced works. The show features artists Gustav Klutsis and Valentina Kulagina, from their informal drawings, collages, and visual studies to completed designs, posters, and printed material. Concerned with the “politicization of art making,” the works of Klutsis and Kulagina begin to tell a story about artistic expression, political institutions, and mass production. The show presents both experimental modes of representation and what became the iconic graphics associated with propaganda, such as Klutsis’ Glory to the Red Army of workers and peasants – loyal guard of Soviet borders!, 1935, pictured above.

On View> Lyonel Feininger: At the Edge of the World

East
Monday, August 15, 2011
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Lyonel Feininger, Bauhaus, March 26, 1929. Gelatin silver print. Harvard/Busch-Reisinger Museum.

Lyonel Feininger: At the Edge of the World
Whitney Museum of American Art
945 Madison Ave. at 75th St.
New York, NY 10021
T 212-570-3600

“The ultimate aim of all artistic activity is the building! Let us desire, conceive, and create the new building of the future together. . . [and it] will one day rise towards the heavens from the hands of a million workers as the crystalline symbol of a new and coming faith,” Walter Gropius boldly declared in his 1919 “Bauhaus Manifesto,” laying the foundations for a new architecture and a modern approach to design. Seeking to reunite the artist and artisan together, the founders of the Bauhaus looked to medieval guilds as a model for a new design school that would combine the arts and design under one roof.

To illustrate the manifesto, Gropius selected a woodcut by American-born German artist Lyonel Feininger, titled, “Cathedral,” an abstracted depiction of a late Gothic church. This collaboration marked Lyonel Feininger’s first involvement with the Bauhaus—he would be later hired to teach printmaking—that would continue until the school was closed under pressure from the Nazis in 1933.

Continue reading after the jump.

On View> Light Pavilion by Lebbeus Woods & Christoph A. Kumpusch

Newsletter, West
Thursday, July 28, 2011
.
Rendering of Woods & Kumpusch's Light Pavilion. (Courtesy MAK)

Rendering of Woods & Kumpusch's Light Pavilion. (Courtesy MAK)

Light Pavilion by Lebbeus Woods and
Christoph A. Kumpusch: Construction
Drawings & In-Process Photographs at the
Mackey Garage Top
MAK Center at the Schindler House
835 North Kings Road
West Hollywood
Through August 6

The Light Pavilion by Lebbeus Woods and Christoph A. Kumpusch was created for Steven Holl’s Sliced Porosity Block project now under construction in Chengdu, China, and will be Lebbeus Woods’ first built work of architecture. A physical intervention into Holl’s rectilinear structure, the pavilion consists of a series of columns and stairs that are illuminated from with and change color, and the luminous effect will be amplified by the pavilion’s mirrored interior walls. The MAK exhibition includes construction drawings and process photographs of the installation, as well as conceptual renderings of this project, above, and other work of Woods and Kumpusch.

See more after the jump.

On View> Moveable Feast at MCNY

East
Friday, July 15, 2011
.

photo: Will Steacy (all images courtesy MCNY)

Ready access to fresh fruits and vegetables is seen as a key factor in improving public health. In many low income communities grocery stores are scarce. The Bloomberg administration is addressing these “food deserts” with an innovative, small scale program called NYC Green Carts, issuing extra permits to fruit and vegetable vendors in targeted neighborhoods throughout the city. The program is the subject of a photography exhibition at the Museum of the City of New York, organized with the Aperture Foundation.

Continue reading after the jump.

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