Dutch firm OMA, Australian architecture firms HASSEL and Denton, Corker & Marshall, along with international design practice Populous have been selected to redevelop a large convention, exhibition, and entertainment district along Darling Harbour in Sydney.
Developers Lend Lease will lead the creation of the 2.15 million-square-foot project called “Darling Harbour Live” that will include a red carpet entertainment venue, an exhibition center, a new residential neighborhood called The Haymarket —designed by Denton Corker & Marshall —and a 900 room hotel for which OMA led the conceptual design. As part of this urban renewal plan, there will also be a focus on outdoor public space with a renovated Tumbalong Park, which can accommodate 25,000 people as an outdoor event space; a new Harbourside Place, a palm tree lined street alongside the crystalline ICC; a Chinese Garden Square; and Haymarket Square, a central meeting spot for the Haymarket neighborhood with outdoor tables and seating.
On October 16 thieves nabbed a handful of valuable paintings, including works by Picasso, Matisse, and Monet, from the Kunsthal gallery in Rotterdam. At least one person points the finger at the architecture by home team OMA. Citing an interview with Dutch security expert Ton Cremers, Dezeen.com reports that the open plan and glass walls are a nightmare for guards. Cremers appreciates the design aesthetic of the museum, which was completed in 1992, but noted, “It’s an awful building to protect.”
After today’s announcement of Norman Fosters next project in New York, a luxury condo tower at the United Nations, we just can’t get enough of the British starchitect. Luckily, a stash of video renderings and presentations from the firms behind the planned 425 Park tower can provide just the fix. It wasn’t too long ago that the starchitect-filled competition for the new Park Avenue tower selected Foster + Partners as its winner. Now after the design presentations at the recent MAS Summit and the release of photo renderings from all players—including runners up Richard Rogers, Rem Koolhaas, and Zaha Hadid—we can indulge in the virtual demonstrations of their designs.
OMA has won the design competition for the new École Centrale Engineering school in Saclay, France, a suburb of Paris. The final design calls for an enormous block composed of smaller buildings creating an open plan grid. According to OMA, the concept behind the design is a “lab city” where multiple events can take place while all being simultaneously observed.
The shortlist for the coveted annual Stirling Prize from the Royal Institute of British Architects (RIBA) has been announced! With six contesting projects to choose from, judges will begin visiting all six sites and will convene for a final vote on October 13, 2012. Among the six shortlisted projects are Maggie’s Cancer Centre and New Court Rothschild Bank, both by the OMA, London’s new Olympic Stadium by Populous, and David Chipperfield’s Wakefield, the Barbara Hepworth sculpture gallery in Yorkshire.
What makes the performing arts so thrilling is also what makes them so elusive—they are, by nature, ephemeral. Any documentation of a performance is only a pale reflection of what it’s like to be there in the moment. So when performance artist Marina Abramovic began to contemplate what her own legacy would be, she thought beyond biographies, retrospectives, or monuments and instead began to develop a method of generating the kind of experiences she valued, one that would allow her kind of performances to continue long after the artist was no longer present.
Starting in late 2014, “long duration” (six hours plus) performance pieces as well as facilities intended to initiate the public into performance art will be housed in the Marina Abramovic Institute for the Preservation of Performance Art (MAI) in Hudson, New York. The institute will occupy an old 20,000 square-foot theater that was purchased by Abramovic in 2007 and whose interior is being redesigned by Shohei Shigematsu and Rem Koolhaas of OMA.
Closing Time. Seventy historic state parks across California are slated for closure this year due to budget cuts. The Los Angeles Conservancy has more information on the parks, five of which are in the Los Angeles area, including Los Encinos State Park and the Antelope Valley Indian Museum State Historic Park.
Scary Design. The art, literary, and film magazine Zeotrope: All-Story, founded by Francis Ford Coppola, has invited Rodarte fashion designers Kate and Laura Mulleavy to design the Fall 2011 issue. The theme is “Horror,” where artists, designers, writers, and other contributors explore the scary, the Gothic, and the sublime. More info at Zeotrope.
Broad-casting. Can’t get enough Diller Scofidio + Renfro? Now you can watch the construction of DS+R’s Broad Museum in Los Angeles 24 hours a day on a live camera feed that allows viewers to track construction progress and view high resolution photography taken every 15 minutes. The museum is expected to be completed in 2013. Via the LA Times.
Tourism and The Met. The Met Press Room shared that their summer 2011 exhibition season, including the enormously popular “Alexander McQueen: Savage Beauty” show, brought in $90.8 million for New York City. “Using the industry standard for calculating tax revenue impact, the study found that the direct tax benefit to the City and State from out-of-town visitors to the Museum totaled some $90.8 million,” according to the Met. Sixty-eight percent of museum visitors were not from New York City and stayed for an average of five days.
OMA has won a competition to design the new Parc des Expositions (PEX) convention center in Toulouse, France. Designed to hold conferences, exhibitions, and concerts, the new hall will function as an opening to the city and a hub in the countryside. OMA has configured a plan for that preserves much of the surrounding area while organizing future development along to a 2.8 kilometer centralized stripe, with PEX filling 660 meters of that length. The project is divided into three programmatic bars: the multipurpose event hall for performances and concerts, which opens up to the exterior, a vast column-free exhibition hall, and a large parking silo with ramps that are visible to halls through glass walls. Led by French projects director, Clement Blanchet, the project is expected to be complete in 2016. Read More