Hudson Yards broke ground late last year, but the Kohn Pedersen Fox-designed tower that will one day be the headquarters of fashion-label Coach isn’t the only construction activity causing a buzz on the 26-acre site on Manhattan’s West Side. Wrapping around the south and west sides of the Hudson Yards site, construction crews are busy building out the final segment of the High Line, including sandblasting and refurbishing the steel viaduct, repainting the steel structure’s beams, girders, and columns with the High Line’s signature “Greenblack” color, and removing and storing existing railroad tracks. Landscape construction is expected to begin later this spring.
The Friends of the High Line recently stopped by the construction site with photographer Timothy Schenck to take these photos of work in progress. Be sure to take a look at James Corner Field Operations’ design for the final segment here.
Even though Brooklyn has morphed into a hub of cultural activity, there has been a notable shortage of hotels to serve the spike in visitors, especially in south Brooklyn. But this will soon change. The New York Post reported that a new 200-room hotel, designed by Thomas Leeser, is in the works for the Brooklyn Downtown Cultural District, which recently saw plans for new towers by TEN Arquitectos.
The hotel, with asymmetrical splits in the facade, will replace a five-story building at 95 Rockwell Place, and include a basement performance space, a rooftop bar, a banquet hall, and a restaurant that looks onto an outdoor arts plaza. It will be in a prime location—right next to The Theater for a New Audience and close to a 32-story mixed-use complex from Two Trees and a 50,000-square-feet cultural space that will be occupied by BAM, 651 ARTS, and the Brooklyn Public Library.
Developer Second Development Services (SDS) predicts they will break ground next fall and complete construction within two years.
Decon Artists: Wigley, Tschumi, Eisenman Reflect on MoMA’s Landmark “Deconstructivist Architecture” Exhibit
On January 22, Mark Wigley, Bernard Tschumi, and Peter Eisenman took the stage in MoMA’s theater to reflect upon Deconstructivist Architecture, the landmark 1988 exhibit curated by Wigley and Philip Johnson. The press release at the time described the featured architects—including Coop Himmelblau, Frank Gehry, Zaha Hadid, Rem Koolhaas, and Daniel Libeskind, along with Tschumi and Eisenman—as “obsessed with diagonals, arcs, and warped plans.”
In a where-are-they-now moment, Wigley said, “It occurred to me that only Daniel Libeskind thought the show was about the future, and he still seems to be designing for the show, and that seems to be not a good idea.” And the sniping didn’t stop there. Eisenman, despite refusing to hold the microphone to his mouth, could be overheard saying what kind of exhibit he would—or rather, wouldn’t—do, if given the chance: “Well, it wouldn’t be like the biennale of last fall, which was sort of a discount supermarket of everything that was going.” “Including you,” zinged Wigley.
The Brooklyn Academy of Music (BAM) is expanding its programming to the streets of Fort Greene. Brownstoner reported that the multi-arts center is proposing a series of temporary murals in front of an empty lot at 31 Lafayette Avenue, across from one of its performing arts spaces, the Howard Gilman Opera House. BAM plans to launch the program with a mural by Brooklyn artist KAWS, and then invite other local talent to display their art. There will also be space made for more of David Byrne’s sculptural, letter-shaped bike racks akin to the ones he designed in front of the Peter Jay Sharp Building. Community Board 2 will vote on the art wall tomorrow.
Graphic designer José Guizar is documenting the variety of windows to be found across New York City. His project, Windows of New York, adds a distinctive aperture each week rendered in stunning simplicity, reminding us of another ambitious graphic design project James Gulliver Hancock‘s All the Buildings of New York. According to Guizar, Windows of New York “is a collection of windows that somehow have caught my restless eye out from the never-ending buzz of the city. This project is part an ode to architecture and part a self-challenge to never stop looking up.” [Via Swiss Miss.]
Concrete architecture from the 1970s hasn’t been faring well of late, but while Bertrand Goldberg’s expressionist Prentice Hospital seems destined for the wrecking ball, Paul Rudolph’s Orange County Government Center in Goshen, New York has been spared. In a 15-6 vote, the members of the Orange County Legislature backed a resolution to renovate the building, defeating efforts by County Executive Edward Diana who has pushed for demolition of Rudolph’s dynamic and puzzling structure. The arguments hinged on cost more than on architectural merit, but even so, architecture fans will be relieved that this unique building will be spared.
Brooklyn’s DUMBO neighborhood is home to many a loft, but few, if any, townhouses make up the neighborhood streetscape. Curbed reported that boutique development firm and architect Alloy Development plans on building five adjacent, 6-story houses at Pearl Street in place of a graffiti-covered garage. But these won’t emulate your typical 19th-century Brooklyn-style brownstone, they will include a single facade built of ductal concrete fins with wood on the ground level.
The stars are aligning for Cornell’s proposed technology campus on Roosevelt Island. The Morphosis-designed proposal has successfully made its way through New York City’s Uniform Land Use Review Procedures (ULURP), and recently won the support of Manhattan Community Board 8 and Manhattan Borough President Scott Stringer. Two remaining review processes are left, and if all goes well, Cornell will have the green light to start construction by 2014.