A year ago, Hurricane Sandy swept through the East coast—destroying thousands of homes, shutting down infrastructure, and knocking out substations—which resulted in $68 billion in damage. Yesterday, a day before the anniversary of the super storm, ten finalists in the Rebuild by Design competition unveiled their proposals to remake a more resilient coastline. The competition—launched by Hurricane Sandy Rebuilding Task Force and U.S. Department of Housing and Urban Development (HUD), among other participating organizations—called on the final teams to provide ideas for making the affected coastal areas more resilient to withstand future storms and climate change.
A new condo tower designed by Chicago-based Adrian Smith + Gordon Gill was announced late last year, but details of the super-tall tower have been scant. The 88-story tower at 215 West 57th Street will be one of New York City’s tallest buildings, reaching up to 1,550 feet. That means it will top the Empire State Building’s measly 1,454 feet and come in second only to the 1,776-foot-tall One World Trade Center. (If you’re paying attention to the spire / antenna semantics game ongoing at One World Trade, AS+GG’s new tower would beat its midtown rival by a little over 200 feet.) Adrian Smith is no stranger to designing soaring skyscrapers—he designed Dubai’s Burj Khalifa while working at SOM, still the tallest tower in the world. The architects declined to comment further about the tower.
We don’t normally look to the New York Post for stories on architecture and planning. But while getting our shoes shined for tonights black tie Heritage Ball we had a chance to read the paper’s Late City Final. There in the middle of stories on JonBenet Ramsey, a lawyer “ripping a Jet Slugger,” and Lady Gaga’s thigh tattoo was a smattering of the latest in design spectacle.
Next to a story on Mitt Romney’s new 5,900 square foot “secret hideout” in Holiday, Utah (which will apparently feature a bookcase that swivels open and leads into hidden room), there is a long story on Midtown Manhattan street plazas that both Bill de Blasio and Joe Lhota are apparently thinking of “yanking…out,” according to the paper.
At the National Design Awards Ceremony at the White House on September 20, Michelle Obama confessed that Barack really wanted to be an architect—but he wasn’t talented enough. This was recounted by Henk Ovink, senior advisor to HUD Secretary Shaun Donovan, at the 4th Municipal Art Society (MAS) Summit, held October 17-18 in New York City. During the event, the themes of Innovation and Leadership heralded the upcoming New York mayoral election and the one-year anniversary of Hurricane Sandy.
The Summit is a testing ground for MAS’s current and future work, and there couldn’t be a clearer indication that this institution has moved beyond the shadow of its most historic achievement—the saving of Grand Central Terminal—decades ago. MAS’s commitment to New York as a livable, globally-competitive city that is socially, economically, and environmentally resilient—note that last watchword—is a hallmark of President Vin Cipolla’s leadership. In more than 40 sessions over 2 days, here are some of the highlights of the Summit.
2013 Architecture & Design Film Festival
54 Varick Street
“Erecting a building is like making a movie….both processes involve blending light and movement into space and time. A model is like a script: at best it’s a promise and at worst it’s a safeguard. And, as with a script, a moment comes when you have to test your model against reality. You must start shooting the film, start erecting the building.”
—The Interior Passage
We can see these starts when the two art forms come together in the 4th annual Architecture & Design Film Festival at the Tribeca Cinemas where 25 films will be screened through October 20. This year, the trend is toward process films that chronicle movements and initiatives (planning, education, preservation), portraits of buildings more than individuals, and Modernism referenced even when it’s not the direct subject.
Sky High & the Logic of Luxury
The Skyscraper Museum
39 Battery Place
New York, NY
Through April 19, 2014
For Manhattan architecture, the sky has always been the limit. The current trend in super-slender, luxury high-rise residential buildings has excited a niche clientele and captured the attention of skyscraper architects. This October, The Skyscraper Museum explores these ultra slim constructions, from their contextual rise to the modern engineering technologies that have rendered them possible.
Walking along the farthest block of West 34th Street, navigating past queues waiting for MegaBuses going to Boston, Philadelphia, and other cities, is a small white tent behind a chain-link fence. There begins another journey to a world that will exist only until next May. It is the High Line at the Rail Yards, the last stretch of the beloved park between West 30 and 34th streets, still raw before it joins the two completed sections running to Gansevoort Street.
You are first greeted by a dense, green self-seeded landscape, including a tree ripe with green apples. As you gingerly step over battered wooden rail ties and metal tracks, the vista opens up to the portion called the Spur, which runs parallel to the Hudson River with only the West Side Highway in between. Ships pass by, helicopters land, the Javits Center, the Starrett Lehigh Building, and the new Hudson Yards construction site surround you—and then you encounter the first of seven sculptures by Carol Bove sited along the tracks. Read More
On Saturday night, New York’s architecture community gathered in Manhattan’s historic 69th Regiment Armory to celebrate the Architectural League of New York on the centennial of the original 1913 Armory Show. The sold out party welcomed 1,350 design-minded revelers dressed as their favorite “–ism,” the theme of this year’s event, representing everything from surrealism, revivalism, Dadaism, classicism, and brutalism. In all, over $100,000 was raised for the League.
SITU Studio designed an installation to bring scale to the cavernous armory space, working with Renfro Design Group on an integrated lighting scheme. A series of white fabric prisms were suspended from the ceiling, serving to humanize the space while providing an armature for digital projections. Pulsing music built excitement throughout the night, which culminated in a procession of giant vellum marionettes, each controlled by a team of three performance artists, and a troupe of vellum-clad artists wandering through the armory, encouraging attendees to dance.
From October 16th through the 20th, Tribeca Cinemas will serve host to the Architecture & Design Film Festival, the country’s leading film festival for the architecture and design community. The festival will offer 25 film screenings, ranging in length from two to 95 minutes, each offering 15 distinct programs, in addition to panel discussions and book signings with internationally renowned designers and filmmakers. See the full schedule here and check out the full list of films with selected trailers below. Tickets go on sale October 1.
Foster + Partners likes to think of itself as a high-design firm with glamorous projects all over the world. But the banal rendering accompanying this week’s announcement of a new 19-story, “luxury” residential tower, 551 West 21 Street, belies their design skills. Could it be that they have a two-tier design strategy in their office where glamorous cultural institutions get “Sir Norman” and commercial towers get, well, something less?