City Planning hasn’t missed a beat since celebrating the 50th anniversary of the 1961 Zoning Amendment with a conference in November that brought together zoning czars from academia, business, and government to discuss challenges ahead for planning in New York City. On Monday, Amanda Burden of the City Planning Commission (CPC) announced a new Zone Green initiative making it easier —at least zoning-wise—for sustainable upgrades of residential and commercial buildings across the city.
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A custom-perforated screen balances lighting and privacy in a three-story New York office space.
Ceilings are not just for the ceiling anymore. “With architecture becoming more organic in shape, we are becoming the architecture, not just a ceiling or wall,” said Nancy Mercolino, the president of architectural ceiling, wall, and enclosure manufacturer Ceilings Plus. This fall, the company completed a 33-foot-tall painted aluminum feature wall at the Manhattan offices of a global investment management firm. Designed by New York-based a+i design corp, the project was a consolidation of the firm’s offices in the city, adding three floors to the company’s existing three-story office space in a Midtown building.
If Bjarke Ingels‘ ascension into starchitecture hasn’t been dramatic enough, the Danish architect is again moving up in the world. On Friday, Ingels’ firm BIG threw a party to christen their new office space in Manhattan. BIG has expanded its Chelsea presence, moving up from the third to the twelfth floor of the Starrett-Lehigh Building. A press preview of the new space preceded the party a couple floors above. Among those in attendance were Crown Prince Frederik and Princess Mary of Denmark, who earlier this month awarded Ingels the $90,000 Culture Prize—the MacArthur of Scandinavia—for his emerging work in architecture.
Now it looks like Ingels’ October has just been getting started. The Wall Street Journal Magazine will declare the Danish architect among its inaugural Innovators of the Year. Read More
A rainy day couldn’t dampen the spirits of the fourth graders that we met playing hoops in the brightly lit gym of the East Harlem School. It looks to me that there are two geniuses behind this wonderful building: Peter Gluck, the acerbic and seasoned architect/builder and Ivan M. Hageman, co-founder and Head of School.
Gluck led the tour, but Ivan was ever-present—in the cafeteria leading an appreciation of the chef and servers, and in the reception area meeting with parents. He welcomed us into his office, which is perched at the east end of the building with a clear glass open view up 103rd Street to the Public School embedded in the nearby housing project. Jane Jacobs eyes on the street.
550 West 18th Street
New York, NY
The IAC Headquarters is Frank Gehry’s first building in New York. Neither a symphony hall nor an art gallery clad in riveting titanium that creates its own economic system, it is rather a diminutive swell of faceted glass with a graded white frit. Compared to most big-name office buildings, the IAC is built at a much more personal scale. Built as-of-right and opened to little in the way of the usual starchitect fanfare, some might notice it’s hard to find the front door. What you may not know, however, is how bird friendly the building is.
Let’s face it, outside of Central Park, Manhattan isn’t known for its abundance of open space. This is beginning to change, however, as in this increasingly innovative architectural age, people are looking to odd, underutilized remnants in the city, from abandoned rail lines to decrepit industrial buildings and toxic waterfronts to create the next amazing public space. One such space sits just beneath the Manhattan Bridge, where Architecture for Humanity has secured a grant and invited nine design firms to take on Coleman Oval Skate Park. Holm Architecture Office (HAO) with Niklas Thormark has taken on the challenge and revealed their program-driven proposal.
959 8th Avenue
New York, NY
As written in the AIANY Design Awards issue of Oculus, Summer 2007:
With its efficient use of resources, abundant natural daylight and fresh air, and modern technologies, this 856,000-square-foot building designed by Foster + Partners and completed in 2006 is the first in New York City to receive a LEED Gold rating for its core, shell, and interiors. Most notably, it was constructed using more than 80% recycled steel. The diagrid framing uses 20% less steel than conventionally framed towers, and it was designed to consume 25% less energy than most Manhattan towers.
Mayor Bloomberg’s vision for a pedestrian-friendly Times Square is about to be written in stone. On September 27, Snøhetta gave Community Board 5 a preview of things to come at the Crossroads of the World, and they look a lot more permanent than lawn chairs and painted pavements. Principal Craig Dykers presented designs for dark and darker pavers that largely eliminate any bias for an automotive Broadway, stepping the plaza streetscape up to sidewalk grade and adding elongated benches to indicate long-gone traffic patterns. In homage to New York noir, the designers have also embedded nickel-sized reflectors adding a hard bit of glitz to the dark stones that will not compete with the glam above.
According to an email from Seth Solomonow, Press Secretary at the NYC Department of Transportation: “This long-planned redesign will restore the aging utilities below the street, which itself hasn’t been rebuilt in more than 50 years and still has trolley tracks beneath the asphalt. On the surface, this simple, flexible design will clear obstructions and support the growing number of programs occurring in Times Square, which more than 350,000 people visit every day.”