As AN covered earlier this month, Mayor de Blasio’s plan to bring affordable housing to Brooklyn Bridge Park has received steep opposition from local groups in neighboring Brooklyn Heights. They contend new housing development will eat up public space and that under-market housing would not provide necessary funding for park maintenance. Under a Bloomberg-era plan, revenue from private, market-rate development would help cover upkeep at the Michael Van Valkenburgh Associates-designed park. Under de Blasio, 30 percent of the two proposed towers for the park–one 31 stories and the other 16–would be subsidized. The groups opposing that plan have now formalized their opposition against it.
The Architecture Lobby is a new organization that advocates for the value of architecture in the general public but also to raise awareness inside the profession of working conditions for the majority of its practitioners. It also focuses on working conditions for young designers as they leave school and enter the profession—most with little awareness of the actual conditions of their labor and pay. The lobby has just staged two actions where it publicly read its manifesto of architectural labor-first at the Venice Architecture Biennale and recently at the AIA’s national convention in Chicago. In Chicago, the lobby was thrown off the convention floor by testy AIA officials who don’t want to think about the meaning of the Lobby’s protest.
In the decade since it was rezoned, Downtown Brooklyn has grown up in a big way. Just look at its skyline and the new apartment towers and hotels that call it home. The open air between those buildings will soon be filled because development isn’t slowing down—it’s just getting started. But the next decade of change in Downtown Brooklyn could offer much more than the first. That’s because as new buildings rose, the area’s street-level never kept pace: public space is still scarce and underused, streets are hard to navigate and dangerous, and educational and cultural institutions have been disconnected. Today, however, Mayor de Blasio announced strategies to change all that by injecting the booming district with new (or refurbished) parks, redesigned streetscapes, new retail, and better connections between its many cultural and educational institutions.
Ian Schrager and Herzog & de Meuron are at it again. Just weeks after renderings appeared for the team’s Lower East Side boutique hotel, images of the prolific hotelier and Swiss architects’ condo project in the West Village have surfaced. Real estate blog NY YIMBY received renderings for 357 West Street, which show a curving, 12-story building that will become the latest addition to a corridor crowded with starchitecture.
Winners of the 32nd Annual Awards for Excellence in Design were announced last night at the Thomas Leeser–designed BRIC Arts Media House in Brooklyn’s emerging Cultural District. Mayor Bill de Blasio was on hand to honor the winning projects, which were selected by the city’s Design Commission. “While Brooklyn is my home borough, I am proud to be awarding a diverse group of projects representing all five New York City boroughs,” the mayor said in a statement. “This year’s winners exemplify the Design Commission’s mission to enhance every New Yorker’s quality of life through public design, regardless of their size or location of the project.” The 10 winning proposals are all unbuilt, but two special recognition awards were awarded to Tod Williams Billie Tsien’s LeFrak Center in Prospect Park and Louis Kahn’s Four Freedoms Park on Roosevelt Island.
Tales of Two Cities: New York & Beijing
1 Museum Drive, Greenwich, CT
Through August 31
The Bruce Museum’s newest exhibition examines two of the world’s greatest art capitals: New York and Beijing. The show compares works by five New York–based artists and five Beijing-based based artists. The ten creators have been engaged in five different global, cross-cultural, artistic dialogues over the course of two years via email, Skype, and in person, sometimes with translators, about issues ranging from political and social upheaval, the concept of global culture, and questions about materials and techniques.
The Open Streets movement is a wildly popular tool in the Tactical Urbanist‘s arsenal. The concept is simple: shut down city streets to automobile traffic for a day so pedestrians and cyclists can fully utilize our most plentiful public spaces. Cities from New York to Los Angeles now celebrate their open spaces with programs that are about to kick off for the summer season. Here’s a roundup of some of the top programs around the country.
And another glass and metal addition is set to rise atop a low-rise building in the Meatpacking District. The Landmarks Preservation Commission (LPC) has voted to approve the BKSK-designed topper to the two-story building at 9–19 9th Avenue, which is best known for housing Keith McNally’s famous French bistro, Pastis. Continue reading after the jump.
Since news about a Tadao Ando–designed residential building in Manhattan’s Nolita neighborhood broke in March, anticipation has been building about what the Pritzker Prize–winning starchitect had planned for his first large-scale project in New York City. Now, renderings of the seven-story project have been published by Dezeen, but they offer a frustratingly vague sense of what’s in store for Elizabeth Street.
For over 120 years, the Municipal Art Society has been an important organization in New York City’s efforts to promote a more livable environment and preserve the best of its past. It’s successful preservation campaigns and advocacy for better architecture—such as its advocacy to rebuild a better Penn Station—are well known. Now the organization has announced its annual MASterworks Awards, and of the nine buildings selected this year as honorees, many are in Brooklyn, confirming that borough’s continuing upgrading evolution.
Construction has started on two towers set to rise in the BAM Cultural District in Fort Greene, Brooklyn. Unlike most new projects in the area, one of the buildings to rise off Flatbush Avenue, a 32-story structure designed by Brooklyn-based architect Thomas Leeser, will not be luxury apartments, but a 200-room boutique hotel run by Marriot. The tower is one of the most architecturally distinct high-rises to arrive in Brooklyn in quite some time, with prominent, asymmetrical carve-outs along its glass facade that make it appear as if someone—or something—has slashed through its skin with a knife.