Today, thousands of tourists and New Yorkers make a loop on the Staten Island Ferry between the borough and Manhattan, but as soon as 2016, they will also be able to make a vertical loop on the world’s tallest Ferris wheel, anchoring a new mixed-use project on the North Shore waterfront in St. George. Mayor Bloomberg today unveiled plans for Harbor Commons, which includes 350,000 square feet of retail space for 100 outlet mall stores, a 200-room, 120,000 square foot hotel, and a massive green-roofed parking structure, but all eyes were on the project’s neighbor; the 625-foot-tall New York Wheel will offer stunning views of New York City and its Harbor to an estimated 4.5 million people per year.
From Farm to City: Staten Island 1616–2012
Museum of the City of New York
1220 Fifth Avenue
Through January 21, 2013
From Farm to City: Staten Island 1616–2012 explores the history, evolution, and future of New York’s often overlooked fifth borough. The island has served as the city’s breadbasket, a pastoral escape for the city’s elite, an industrial center, an international port, and a toehold for new immigrant communities. Divided into four sections—Farms, Pleasure Grounds, Suburbs, and City—the exhibition examines the major forces that have shaped land use on the island, including the development of the Verrazano-Narrows Bridge. The exhibition includes historic photographs, maps, and other ephemera and objects, as well as an online mapping component tracing the chronology of major developments on the island.
|Chris Payne: One Steinway Place|
|Bonni Benrubi Gallery
41 East 57th Street
Through September 29
South Street Seaport Museum
One Steinway Place, the address of the venerable Steinway & Sons piano factory in Astoria, Queens, is also the title of photographer Chris Payne‘s latest show at the Bonni Benrubi Gallery in midtown Manhattan. The series of large-format photographs are the result of his days and weeks spent in the factory, to which Steinway gave him full access. Payne captures the unexpected and striking forms, patterns, and textures that emerge when he turns his lens to pianos-in-the making. “A piano is something we all think of and love as a whole, but like anything complex, it is really just a kit of parts, built up gradually out of raw, messy materials. And yet, the deeper I look into its construction, the more I revere it as one of the supreme accomplishments of the human hand and imagination,” said Payne.
On September 13 at the South Street Seaport Museum, Payne will speak about his Steinway project as well as his photographic series about North Brother Island. The lecture (6:30-8pm) is hosted by Open House New York. For information and tickets, click HERE.
Literally in the shadow of One World Trade is a memorial for September 11 that has been overrun by tourists since the days after the disaster. Its quiet dignity has been maintained, outlasting the dozens of hawkers who sold Twin Tower replicas just a few feet away. The memorial bears but one name, “Mary Wife of James Miles,” who died on September 11, 1796.
Today’s New York Observer weighed in on the New York Post‘s claim that tourists are turning the September 11 Memorial into a glorified playground. “When the construction barriers finally come down, the lines will be gone, people will come and go as they please. They will pray and they will play, and that is how it should be,” wrote the Observer’s Matt Chaban. As the debate continues as to what constitutes appropriate behavior at the memorial, one need only walk one block east to take in two century’s worth of history on how New Yorkers memorialize.
This morning AN reported that a massive collection of Frank Lloyd Wright’s architectural drawings, photographs, models, and more are heading to a new home at New York’s Museum of Modern Art and Columbia University’s Avery Architectural and Fine Arts Library, opening up the archive to academic and scholarly research. For your enjoyment, below is a sampling of the treasures encompassed in the collection and a video about the news.
A good portion of our editorial staff just boarded an airplane headed for the Venice Biennial, so AN headquarters is pretty quiet this afternoon. For your Friday afternoon enjoyment, check out this time-lapse video of the Manhattan skyline viewed from the Empire State Building being drawn with amazing detail by illustrator Patrick Vale. [h/t E Minor]
Brooklyn Navy Yard and Steiner Studios have come up with a gigantic plan for a media hub to be spread across 50 acres of the former ship yard. According to the New York Times, the $400 million project depends on an influx of $35 million from the state and $2.5 million from the federal government to build out water, sewers, and electric infrastructure.
Navy Yard CEO AndrewKimball gave a pointed shout out to the governor and mayor in the Times piece, indicating yet another project making a mad dash to get on the boards before Mayor Bloomberg’s tenure comes to an end in 2013. Though the Navy Yard lost out on its bid to be the locale for the city’s new tech campus that ended up on Roosevelt Island, it does occupy an all-important corner to the Brooklyn Tech Triangle, where nearly 10,000 people work in that sector.
An interesting trend to hit landscape architecture in recent years is borderless fountains, where water flows flush with the pavement. If so inclined, visitors can kick off their shoes and stroll though damp pavers. Such fountains can be found by Field Operations with Diller, Scofidio + Renfro on the High Line, Digsau’s Sister Cities Park in Philly, and Field Operations’ recently completed plaza fronting New York by Gehry. The trend seems to speak to city dwellers need to touch water.