After today’s announcement of Norman Fosters next project in New York, a luxury condo tower at the United Nations, we just can’t get enough of the British starchitect. Luckily, a stash of video renderings and presentations from the firms behind the planned 425 Park tower can provide just the fix. It wasn’t too long ago that the starchitect-filled competition for the new Park Avenue tower selected Foster + Partners as its winner. Now after the design presentations at the recent MAS Summit and the release of photo renderings from all players—including runners up Richard Rogers, Rem Koolhaas, and Zaha Hadid—we can indulge in the virtual demonstrations of their designs.
Staten Island’s Old Orchard Shoals Lighthouse stood as a protective beacon in Sandy Hook Bat for 119 years, but has now been reduced to rubble atop its rocky outcropping after being slammed by Hurricane Sandy. Built in 1893, the cast-iron lighthouse once stood 51 feet tall and had been listed on the National Park Service’s Maritime Heritage Program, but had been declared obsolete by the General Service Administration and sold at auction in 2008 for $235,000. The US Coast Guard confirmed this week that the stout structure succumbed to the storm. Light House Friends has more history on the Old Orchard Shoals Lighthouse:
In the late 1800s when winter ice closed down Staten Island Sound, the waterway separating New Jersey from Staten Island, an estimated 15,000 tons of shipping were forced to use the narrow channel that ran along the eastern shore of Staten Island. In doing so, the vessels passed dangerously close to Old Orchard Shoal. A bell buoy and a lighted buoy initially marked this shallow area, but mariners considered these navigational aids grossly inadequate…After $60,000 was approved, construction of the lighthouse was completed in 1893. The new fifty-one-foot, cast-iron tower was cone-shaped, built in the “spark plug” style common among offshore lights in that region.
You can’t make a monument without breaking some eggs. Fabergé cosmetics heir Reed Rubin is protesting a decision by the board of Roosevelt Island’s Four Freedoms Park to not include a donor inscription on the Louis Kahn-designed FDR memorial. For a $2.5 million donation in honor of Rubin’s parents Vera D. and Samuel Rubin, founders of the cosmetics firm and the Reed Foundation, the foundation claims it was promised an inscription in a prominent spot (preferably near the bust of FDR on a slab facing Manhattan).
The board of the park, not wanting to compromise the monument’s design, proposed an inscription in another location in the park. Rubin and the foundation are fighting back, and had tried to postpone October’s dedication. The New York Daily News quoted a letter written by the park’s board chairman William vanden Heuvel to the foundation: “You may prevail in a courtroom. But it will be a Pyrrhic victory, dear friends, a scar not a medal on the list of your achievements.”
Hurricane Sandy is bearing down on New York and New Jersey, and the current 55 to 60 mile an hour wind gusts tearing through Central Park have already taken their toll on Manhattan’s starchitecture, partially collapsing the construction crane at Christian de Portzamparc’s supertall One57 tower on West 57th Street.
The Durst Organization is launching a composting pilot program for the 600-unit Helena apartment building on Manhattan’s West 57th Street. The program will start in the next few months and, if successful, will be implemented in Durst’s planned 32-story W57 tower designed by Bjarke Ingels and expected to finish in 2015. This composting scheme, potentially serving 1,350 apartments, will be the largest residential composting project in the New York City.
CRITICAL HALLOWEEN : On Banality, on Metaphor
Saturday, October 27
10pm til Late
The Autumn Bowl
67 West Street, Greenpoint, Brooklyn
The second annual Critical Halloween hosted by the Storefront for Art and Architecture promises to generate a spooky skyline on Saturday. Mixing in a new theme of “Metaphor” with last year’s banner of “Banality,” guests are invited to critique and comment through costume. Judging by 2011 event (see below), it’s the ultimate cathartic carnival for all things architecture and design. Get inspired here.