Literally in the shadow of One World Trade is a memorial for September 11 that has been overrun by tourists since the days after the disaster. Its quiet dignity has been maintained, outlasting the dozens of hawkers who sold Twin Tower replicas just a few feet away. The memorial bears but one name, “Mary Wife of James Miles,” who died on September 11, 1796.
Today’s New York Observer weighed in on the New York Post‘s claim that tourists are turning the September 11 Memorial into a glorified playground. “When the construction barriers finally come down, the lines will be gone, people will come and go as they please. They will pray and they will play, and that is how it should be,” wrote the Observer’s Matt Chaban. As the debate continues as to what constitutes appropriate behavior at the memorial, one need only walk one block east to take in two century’s worth of history on how New Yorkers memorialize.
This morning AN reported that a massive collection of Frank Lloyd Wright’s architectural drawings, photographs, models, and more are heading to a new home at New York’s Museum of Modern Art and Columbia University’s Avery Architectural and Fine Arts Library, opening up the archive to academic and scholarly research. For your enjoyment, below is a sampling of the treasures encompassed in the collection and a video about the news.
A good portion of our editorial staff just boarded an airplane headed for the Venice Biennial, so AN headquarters is pretty quiet this afternoon. For your Friday afternoon enjoyment, check out this time-lapse video of the Manhattan skyline viewed from the Empire State Building being drawn with amazing detail by illustrator Patrick Vale. [h/t E Minor]
Brooklyn Navy Yard and Steiner Studios have come up with a gigantic plan for a media hub to be spread across 50 acres of the former ship yard. According to the New York Times, the $400 million project depends on an influx of $35 million from the state and $2.5 million from the federal government to build out water, sewers, and electric infrastructure.
Navy Yard CEO AndrewKimball gave a pointed shout out to the governor and mayor in the Times piece, indicating yet another project making a mad dash to get on the boards before Mayor Bloomberg’s tenure comes to an end in 2013. Though the Navy Yard lost out on its bid to be the locale for the city’s new tech campus that ended up on Roosevelt Island, it does occupy an all-important corner to the Brooklyn Tech Triangle, where nearly 10,000 people work in that sector.
An interesting trend to hit landscape architecture in recent years is borderless fountains, where water flows flush with the pavement. If so inclined, visitors can kick off their shoes and stroll though damp pavers. Such fountains can be found by Field Operations with Diller, Scofidio + Renfro on the High Line, Digsau’s Sister Cities Park in Philly, and Field Operations’ recently completed plaza fronting New York by Gehry. The trend seems to speak to city dwellers need to touch water.
There are many reasons to love Summer Streets in New York—or open streets programs in most cities across the country—but one of the best is the opportunity to stand in the middle of Park Avenue, Fourth Avenue, or Lafayette Street gawking up at the city’s architecture without becoming roadkill. Walking Off the Big Apple presents a list of notable buildings along the route in easy to use Google map form. Summer Streets is back again tomorrow and the following Saturday from 7:00 a.m. to 1:00 p.m., so look for Mies’ Seagram Building, Stanford White’s 23 Park, or, of course, Grand Central Terminal.
Also be on the lookout for this crazy bike-powered musical instrument called the Cyclo-Phone (above) by Marcelo Ertorteguy and Sara Valente. Curbed New York spotted the crazy contraption made of kiddie pools and PVC pipes at Astor Place.
Joseph Albers Painting on Paper
The Morgan Library & Museum
225 Madison Avenue
Through October 14
Josef Albers (1888–1976) was both a student and professor at the Bauhaus, one of the most influential art and design schools of the 20th century. Known for his precise use of line and unparalleled sense of color, Albers meticulously worked through his ideas in successive studies on paper. Josef Albers in America: Painting on Paper is an opportunity to see Albers’ process at work. The exhibition features approximately 60 studies spanning most of Albers’ career, from the 1930s through the 70s, many of which include hand written notations, including architectural inspirations. The studies, evidence of his mind and hand working toward final painting, are expressive and moving in their own right. The Morgan exhibition is the only US venue for the show, which will travel to several European cities.
Take a minute to imagine what you would do if you had to cram your life into 270 square feet. In a typical ranch-style home, 270 could be a master bedroom, or a small living room, or a one-car garage. Now how about 220 square feet? It might make a shed or a bedroom. Now imagine this 15 by 18 foot or 15 by 15 foot space as your home.
Though it might sound more like another Ikea advertisement, two high-rent cities—New York and San Francisco—have been playing with the concept of permitting very small “micro-apartments” to alleviate high rents. By creating smaller housing, the idea goes, prospective renters will have a less expensive option and the city will be able to increase the density of residential units without increasing building size, always a contested point in neighborhood planning.