From coast to coast, micro-apartments are all the rage these days. Right on the heels of announcing the winning design team for its first micro-apartment competition, the New York Observer reported that the New York City Department of Housing Preservation and Development (HPD) Commissioner Matthew Wambua told a crowd at the Citizens Housing Planning Council yesterday that the city is already scouting out two or three city-owned sites for its next micro-unit development. Once these locations are identified, the HPD said it will put out requests for proposals.
The winning team of the city’s adAPT NYC Competition consisted of nARCHITECTS, Monadnock Development, and Actors Fund Housing Development Corporation. This will not only be the city’s first foray into micro-apartment development, but it will also be one of the first projects in Manhattan to use modular construction.
Rem Koolhaas and OMA may have grander commissions and more famous clients (Miuccia Prada?), but probably not a more devoted and long lasting partnership than with David Maupin of the Lehmann Maupin Gallery. The gallerist first commissioned Koolhaas to design a new exhibition space on Manhattan’s Greene Street in 1995 and again when they moved to 26th Street in Chelsea ten years later (there is non-OMA-designed Lehmann Maupin on the Lower East Side). Now the Lehmann Maupin Gallery has asked OMA to design a third gallery, this time in Hong Kong.
After a two-year lull since we broke the story about a potential 440-foot-tall boutique hotel adjacent the Williamsburg Bridge, it looks like developer Juan Figueroa is moving forward with his plans to build a 250-room hotel next to his under-renovation Williamsburgh Savings Bank. The Real Deal reported that the boutique hotel could check in guests as soon as 2015.
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Brooklyn-based Associated Fabrication realized all the merchandise displays, benching, shelving, and cash wraps for Melissa Shoes in Pearl Gray Corian.
Before Kinky Boots came to Broadway, Melissa Shoes opened shop in SoHo. The Brazilian shoe brand, known for its use of brightly colored, recycled PVC material and collaborations with designers like Jason Wu, Vivienne Westwood, and Gareth Pugh, opened its first U.S. boutique in the states last year. With the help of local architecture firm Eight Inc. and Brooklyn-based Associated Fabrication, a distinguished aesthetic was achieved that supports the original Sao Paulo shop’s rotating art theme, but with a much cleaner slate of epoxy floors and Pearl Gray Corian bollard-like merchandise displays.
Working from two-dimensional drawings provided by the architects, Jeffrey Taras of Associated Fabrication used Rhino to model the 34 display platforms. Taras grouped the displays, which resemble blunted stalagmites, into categories of varying heights and configurations—single columns in four different heights, double columns in two groupings, and one cluster of three columns. Read More
While construction has just begun on the first residential tower at Forest City Ratner’s Atlantic Yards in Brooklyn, the developer may be plotting the next construction site. SHoP Architects designed three towers clustered around the Barclays Center arena, but the Atlantic Yards Report blog reported in late March, citing documents from Forest City, that the developer is including a parcel at the southeastern corner of the site at Vanderbilt Avenue and Dean Street in its first phase construction plans. No design exists for the four buildings planned there, but an early site model by Frank Gehry and a massing diagram from the Municipal Art Society based on the approved Gehry site plan show the buildings will not be the tallest in the project.
Critics like AYR-blogger Norman Oder are upset that development atop the railyards at the center and north of the site aren’t being prioritized and have accused Forest City of delaying real investment in the area. The southeast parcel indicated above is the largest remaining terra-firma site at Atlantic Yards and previously was to be among the last developed.
Today when designing a building, an architect is responsible for more than just the “making a building.” He or she must consider the kind of transformative effect a building will have on a neighborhood while simultaneously addressing various organizational, spatial, and technical issues as well. Additionally, when opening up a new practice there is a milieu of constantly changing technological, geographic, political, and economic factors that an entrepreneur must bring into careful consideration.
Join tonight’s panel of architects, creative directors, and business professionals in a discussion on the impending challenges architects face in designing buildings and in opening new forms of practice. The RE: Think / Profit – Architecture in the Age of the Entrpreneur will take place at the Center for Architecture at 6:00 p.m.
Some estimates indicate up to 70 percent of existing building stock is in need of major renovation. Get hip to the latest trends and techniques in facade retrofit at the Facades+PERFORMANCE Conference taking place in New York City next week. Come explore the emerging technology and recent applications in the daylong workshop, Facade Retrofit: The Challenge and Opportunity Presented by an Aging Building Stock, moderated by Mic Patterson, Director of Strategic Development at Enclos.
What better place to explore this topic than Manhattan, surrounded by aging buildings badly in need of facade renovation both to improve performance and appearance. But these buildings and their facades present unique challenges. This full-day workshop will delve deeply into the various issues comprising the renovation of large commercial facades in the urban environment, particularly the retrofit of old curtainwall facades, and also the use of contemporary curtainwall technology to renovate old masonry buildings. A team of local experts will first establish context by defining the scope of the problem, then follow with a discussion of design strategies, and means and methods for implementing facade retrofit projects. A series of exemplary case studies will be presented, among them will be the recently completed recladding of the Javits Convention Center. The workshop program will conclude with a mid afternoon tour of the Jacob Javits Convention Center.
Speakers from: CUNY, Davis Brody Bond Architects, Gensler, Halsall Associates, Mitchell/Giurgola Architects, RA Heintges and Associates, SHoP Architects, Structuretone.
In just one short year the Folly competition, co-sponsored by the Architectural League of New York and Socrates Sculpture Park, has become vastly popular among members of the architecture and design community, receiving 40 percent more submissions than last year. This year a jury examined 150 innovative submissions but selected only one winning entry. The prize? The winner, with the help of a $5,000 grant, gets to see the proposed design come to life in the Socrates Sculpture Park. Toshiro Oki, Jen Wood, and Jared Diganci of Toshiro Oki Architects were selected as the winners of this year’s competition for their design called tree wood.
Thomas Ruff: photograms and ma.r.s
David Zwirner Gallery
525 West 19th Street
New York, NY
Through May 4
This March, Thomas Ruff’s seventh solo exhibition at the David Zwirner Gallery will be dedicated to two of the late twentieth-century German photographer’s most recent projects: photograms and ma.r.s. Ruff’s photograms series features a unique collection of “camera-less” photography—a technique used by photographers in the 1920s in which objects are placed on photosensitive paper and exposed to light. The outcome is the negative image of the object revealing itself in the form of a grey or white shadow glowing against a black backdrop. Ruff adds layers to his visually intriguing compositions—which mostly depict abstract lines, shapes, and spirals—by adding color and implementing varying degrees of transparency and lighting. To create his ma.r.s series, short for Mars Reconnaissance Survey, Ruff manipulated black-and-white satellite images, taken by a NASA spacecraft of the surface of Mars, and dramatically increased the saturation of the images, creating a striking representation of the planet’s rugged terrain.
Look out, there’s been a major announcement at the World Trade Center. No, really. Look out and see all of New York City at your feet, from the 100th through 102nd floors of One World Trade. While the lines are sure to be long, plenty of multimedia on the way to banks of high-speed elevators should provide some entertainment and history lessons. Beginning in 2015, visitors will move through trippy video hallways, into a cave-like foundation room. After a quick 60-second elevator ride up 100 floors showcasing the vertical growth of New York, doors will open onto the One World Observatory and its mesmerizing 360-degree views from floor-to-ceiling windows. It’s certainly not an experience for those with vertigo. The facility will be operated by Legends Hospitality and is expected to generate $875 million in revenue over 15 years. Admission prices to get to the observation deck have not been released.
The people have spoken (well, “clicked”) and the votes are in—NYFi wins the Popular Choice Award for Mayor Bloomberg’s “Reinvent the Payphone Design Challenge!” The winners of the Connectivity, Visual Design, Creativity, Functionality, and Community Impact categories were announced in early March but the Popular Choice winner was decided last week by public vote via the City of New York’s Facebook page.
While the future of the current Penn Station will be up in the air for some time, a theater group plans to commemorate the 50th anniversary of the original Penn Station’s destruction, which takes place on October 28. Taking place this fall, playwright Justin Rivers and director Barika Edwards will present The Eternal Space, a play that chronicles the demolition of the architectural monument and acts out debates over historic preservation that are still relevant today.
According to the play’s website, the set will transport the audience back in time: “Using the latest in projection technology, the photographs will speak for themselves making the audience feel as though they are sitting in the station itself.” Present photographs are also used to create the station in its current form and to show the passing of time.
Architecture and urban planning have taken center stage before in performances such as In the Footprint: The Battle over Atlantic Yards, Murder, Love, and Insanity: Stanford White and the Gilded Age, an opera about Robert Moses, and a series of plays by Moshe Safdie’s son Oren.