Who Builds Your Architecture? Panel Considers the Sustainability of Labor

East
Wednesday, April 24, 2013
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(Courtesy Hans Haacke)

(Courtesy Hans Haacke)

The Vera List Center for Art and Politics at the New School has—under its director Carin Kuoni—been an instigator in drawings links between artistic and design practices and the real world of politics. The Center sponsors symposia, lectures, and exhibitions that draw links that are often crucial and obvious but not discussed by professionals and academics in the design professions. Once again it is highlighting such an issue with a series of discussions, Who Builds Your Architecture?, that connects construction and labor.

Continue reading after the jump.

Redevelopment of Manhattan’s Pier 57 Moved Forward With City Council Approval

East, Newsletter
Tuesday, April 23, 2013
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Pier 57

Pier 57. (Courtesy Wikipedia)

As Spring approaches, perhaps in the spirit of rejuvenation, the New York City Council has unanimously approved plans to revitalize Manhattan’s Pier 57, the historic pier located at 15th Street and the Hudson River. In 2009 architecture firm Young Woo & Associates set in motion a plan to transform the Pier into a multi-use cultural, retail, and restaurant hub, and, with the City Council’s approval in hand, the developers can finally begin the long-awaited redevelopment of the pier.

Pier 57 was built in 1952 by Emil Praeger. At the time of construction the engineer received great acclaim for his pioneering design—the Pier floats on three buoyant hollow concrete boxes that were flooded down the river. The new plan to restore the historic landmark conserves the original framing while renovating the 375,000 square feet of interior and rooftop space.

Continue reading after the jump.

On View> Walking “The Web” at the Swiss Institute

East
Monday, April 22, 2013
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(Courtesy Swiss Institute)

(Courtesy Swiss Institute)


The Web
Swiss Institute
New York
Through April 28

Jon Kessler’s The Web, currently on view at the Swiss Institute through April 28, is an immersive array of monitors, enlarged MacBooks, cameras, mechanical and animatronic sculptures—the latter of the artist himself—set to a sound track of the eponymous Apple computer chime. Enabled through mobile technology, the environment plugs you into a closed-circuit feedback loop. You download an iPhone app that allows you to feed your experience of the installation into the system as your movements are also simultaneously tracked, captured, and fed into the system. Cleverly re-staging Jean Tinguely’s self destructive drawing machine for the digital age, you are only image. Caught in this web, you are broadcast at those moments when you think you are most in control. You appear only to disappear and then to reappear somewhere else again, and again. You have your images, but The Web has you.

At 7pm, Saturday, April 28 at the Swiss Institute, Jon Kessler will hold a press conference/performance announcing the launch of his latest business enterprise, GlblVlgIdiot, devoted to the creation of iPhone apps similar to The Web that “bridge the gap between life and art.” Click here for reservations.

On View> At War With The Obvious: Photographs by William Eggleston

East
Monday, April 22, 2013
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(William Eggleston)

(William Eggleston)

At War With The Obvious: Photographs by William Eggleston
Metropolitan Museum of Art
Howard Gilman Gallery 852
New York
Through July 28

William Eggleston, one of the first American photographers to experiment with modern color photography in the 1960s, is known for his ability to capture the essence of southern life through photographs of ordinary people, scenes of everyday life, and commonplace objects, such as a child’s tricycle or a sign reading “Peaches!” set against the backdrop of a cerulean blue sky. Eggleston produced much of his color photography with a dye transfer printmaking process, a technique that was previously used solely for commercial and advertising purposes, and established it as a prominent artistic medium in the American tradition. The Metropolitan Museum of Art exhibition, At War With the Obvious, celebrates Eggleston’s work by presenting together for the first time thirty-six dye transfer prints he created in the 1970s. It also features his first portfolio of color photographs, fifteen prints from his landmark book, and seven other of his most recognized photographs.

More photos after the jump.

Petitions and Design Ideas Sprout to Save Folk Art Museum Building.

East
Friday, April 19, 2013
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(Courtesy FolkMoMA)

(Courtesy FolkMoMA)

As the chorus of criticism swells against MoMA’s plan to demolish the former home of the American Folk Art Museum, designed by Tod Williams and Billie Tsien, a pair of petitions have been posted urging the Modern to reconsider its demolition plans. Also, a crowd-sourced tumblr, #FolkMoMA, is soliciting ideas for reuse of Williams and Tsien’s building. With all the action online, will anyone be taking to the streets for some old fashioned picketing? Will anyone chain themselves to the bronze facade? Has all this worry actually left the bubble of the architecture community?

View some of the FolkMoMA proposals after the jump.

Photo of the Day: Amazing View From One World Trade

East
Thursday, April 18, 2013
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View from the top of One World Trade Center. (Courtesy Port Authority)

View from the top of One World Trade Center. (Courtesy Port Authority)

A couple weeks ago, we took a look at the trippy designs of the newly unveiled observation deck for Lower Manhattan’s One World Trade tower, rapidly adding to its antenna that will take the building to 1,776 feet. But while those renderings were long on the multimedia-rich halls that will presumably be filled with long lines waiting to get to the top, the big unveil was a bit short on the actual view. The Port Authority of New York and New Jersey has corrected that, however, posting a new photo taken from the very top of the tower, and we’re not disappointed. Note that Cass Gilbert’s 1913 Woolworth Building, appearing as just another tower in the center of the photo, was once the world’s tallest until 1930. See you in line for the view in person!

Construction of Expanded Brooklyn Greenway Underway

East
Wednesday, April 17, 2013
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Rendering of the greenway through Brooklyn. (Courtesy NYCDOT)

Rendering of the greenway through Brooklyn. (Courtesy NYCDOT)

With the arrival of the Citi Bike share program just around the corner, and the Regional Planning Association’s Harbor Ring proposal gaining momentum, New York’s cycling community can now set its sights on the Brooklyn Greenway. The proposed 14 miles of bike lanes running from Bay Ridge to Greenpoint aim to provide a safe route for cyclists and pedestrians wishing to cross the borough. As Gothamist reported, the New York City Department of Transportation (NYCDOT) is preparing to begin construction on three more sections of the path, in Red Hook, Greenpoint, and the Brooklyn Navy Yard.

Continue reading after the jump.

Gotham Greens Building Massive Rooftop Farms Across New York City

East
Wednesday, April 10, 2013
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Gotham Greens' Rooftop Farm in Greenpoint (Courtesy of Gotham Greens)

Gotham Greens’ Rooftop Farm in Greenpoint, Brooklyn. (Courtesy Gotham Greens)

Gotham Greens, the company that currently operates a 15,000-square-foot greenhouse on top of the Greenpoint Wood Exchange in Brooklyn—is bringing its green thumb to roofs across New York City with three massive new rooftop farms in the Bronx, Brooklyn, and Queens.

Soon, the biggest of the three planned farms at 60,000 square feet—among the largest rooftop farms in the country—will be built atop an industrial facility in Jamaica, Queens. The New York Daily News reported that Gotham Greens received a $900,000 grant last year from the Regional Economic Development Council (REDC) to cultivate the sprawling new hydroponic farm on a rooftop in Jamaica. The three urban farmers behind the venture anticipate an opening as soon as 2014.

Continue reading after the jump.

Video> Sandhogs Blast Bedrock Beneath Grand Central Terminal

East
Tuesday, April 9, 2013
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New York City’s Metropolitan Transportation Authority (MTA) has completed blasting through bedrock far below Grand Central Terminal for the East Side Access Tunnels that will connect the station with Sunnyside, Queens. As part of the announcement, one of the last production blasts from late March has debuted on YouTube. The video above reveals what has been transpiring beneath the streets of Manhattan during the tunneling process, and the sight is rather impressive. A camera caught the final blast that made way for a massive cavern. So far 2,424 production blasts have occurred below the commuter rail terminal station, which is celebrating its 100th birthday this year. For this explosion, sandhogs drilled more than 200 blast holes and loaded them with over 300 pounds of powder to guarantee a powerful explosion that could rival any action movie’s special effects.

Event> Celebrate Mapping Manhattan’s Cartographic Autobiographies

East
Tuesday, April 9, 2013
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Cover of Mapping Manhattan and two example maps. (Courtesy Becky Cooper)

Cover of Mapping Manhattan and two example maps. (Courtesy Becky Cooper)

For an authentic tour of Manhattan, try following a map of love and hate, bizarre relationships, or perhaps even lost gloves. Author Becky Cooper brings a collaborative art project that has inspired many New Yorkers to share their varied emotions about the city. Mapping Manhattan: A Love (and Sometimes Hate) Story in Maps is the book  featuring 75 maps filled in by strangers, hopeless romantics, and street vendors, among others.

To celebrate the publication of Mapping ManhattanCultureNOW is hosting an event to benefit Summer 2013 Internship Programs on Monday, April 15 from 6:00-8:00pm at architecture firm Snøhetta’s offices.

Continue reading after the jump.

Museum of the Moving Image Will Burn You A DVD

East, Newsletter
Monday, April 8, 2013
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DVD Dead Drop installation at the Museum of the Moving Image. (Courtesy Aram Bartholl)

DVD Dead Drop installation at the Museum of the Moving Image. (Courtesy Aram Bartholl)

A new permanent work by Berlin-based artist Aram Bartholl at the Thomas Leeser-designed Museum of The Moving Image in Queens, New York bridges the gap between digital and physical space, challenging the intangibility of today’s world of cloud computing and instant downloads by adding a sense of materiality to data-transfer. Engaging a medium that is quickly becoming as outdated as the Laser Disc, DVD Dead Drop, a slot-loading DVD burner embedded in the exterior wall of the museum is ready to burn you a hand-picked digital art exhibition, media collection, or another piece computerized content curated by Bartholl. Just insert a blank DVD-R, and let the art begin.

Continue reading after the jump.

MTA Gears Up to Consider Bike Lanes Across Verazzano Bridge

East
Monday, April 8, 2013
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The Verrazano-Narrows Bridge. (Courtesy Harbor Ring)

The Verrazano-Narrows Bridge. (Courtesy Harbor Ring)

With the launch of the Citi Bike share program around the corner, New York City’s bike advocates are focusing their efforts on the next cycling obstacle: the Verrazano-Narrows Bridge. Harbor Ring, an advocacy project of the Regional Plan Association, is calling for a 50-mile cycling and pedestrian route encircling New York harbor. The group has published a new petition with over 1,000 signatures at press time pushing for the construction of a bike and pedestrian lane across the double-decked suspension bridge, which turns 50 next year.

The Brooklyn Daily reported that bike advocates are hoping Governor Cuomo will support the proposal for the new bike path, which would not only connect Brooklyn and Staten Island, but also provide a critical connection for the Harbor Ring.

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