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Capped by a protective steel mesh screen, tresARCA house is built for indoor/outdoor living.
There are two ways to live with Las Vegas’ harsh climate. The first, epitomized by the hermetically-sealed tract houses ringing the Strip, rejects the reality of the desert in favor of air conditioning and architecture evoking far-off places. The second strategy embraces the environment for what it is, and looks to the natural world for cues about how to adapt. In their tresARCA house, assemblageSTUDIO took the latter approach. Glass and granite punctuated by a folded steel screen surrounding the second-floor bedrooms, tresARCA’s facade is a meditation on the resilience of the desert landscape. Read More
Things didn’t work out for installation experts Ball-Nogues Studio at MOCA’s New Sculpturalism show, but the firm has rebounded nicely. They’ve just completed mounting one of their most ambitious works yet: a 70-foot-tall upside-down replica of William Pereira’s Transamerica Pyramid, for the show Modernist Maverick: The Architecture of William Pereira, on view at the Nevada Art Museum in Reno, NV. The installation, made out of chain link and stainless steel plates, hangs from the ceiling via steel cables attached to the museum building’s structure.
“We distilled it to its barest essentials. It looks like the ghost of the building,” said Ball-Nogues principal Gaston Nogues. Each chain could only be attached at a specific point, so the hardest part was fine tuning the model, stretching and moving each possible iteration, added Nogues. “It’s quite labor intensive to make sure it looked flat, and that each chain had the right tension,” he said. The show, which opens next week, runs from through October 13. It looks at many other noted Pereira projects, including the Los Angeles County Museum of Art; the University of California, San Diego Geisel Library, and the Theme Building at LAX.
Each year, we’re continually amazed at the pop-up architecture that rises in Nevada’s Black Rock Desert for Burning Man only to be destroyed in one grand flash of fire. What’s equally awe-inspiring is the pop-up city that forms around the festival. We just came across this time-lapse video of the rise and fall of the city of Burning Man, which shows how the urban form, like the installations, slowly builds before igniting in the night and fading away. Set against the black of the desert night, the video shows how active and dynamic the site really is when the sun goes down. The festival comes alive with the darting about of lights around fixed centers of music and art. At the end, the calm of an abandoned desert returns for another year. [h/t Lost at E Minor.]
Earthshaking Costs. The cost of an earthquake goes well beyond the financial, as the world witnessed with the disaster in Japan, but preventative measures do cost; Architizer cites a report by California Watch that warns of cost-cutting and corruption in the cash strapped state, boiling down the numbers and creating clear cut infographics to illustrate the need and function of base isolation and mass dampers.
Bring Me Your Tired One Arm Bandits. With all due respect to our Nevada brethren, New Yorkers are somewhat chagrined to learn that the Post Office will not fix their goof of putting an image of the Las Vegas rendition of Lady Liberty on a new stamp rather than an image of the original in the New York Harbor. Officials say the teenage version will stay, prompting Ed Koch to sound off to The Times “…the post office is doing a stupid thing.”
Riverfront Fortress. With tax day looming, don’t try to go postal with the IRS in Philly. You won’t stand a chance. The agency has taken over the main branch of the old Post Office overlooking the Schuylkill River. The WPA-era grand limestone edifice took on $252 million makeover, and Philadelphia Inquirer critic Inga Saffron is not impressed. Saffron says the building, heralded as the new gateway to University City, keeps the gates closed by overdoing security measures (via ArchNews).