Flint Public Art Project’s Free City Fest Reclaims Razed Chevy Site

Midwest
Thursday, May 23, 2013
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Raphaele Shirley, Spinning Circle/Shooting Cloud, 2013. (RA Littlewolf and Whisper Willow)

Raphaele Shirley, Spinning Circle/Shooting Cloud, 2013. (RA Littlewolf and Whisper Willow)

The ongoing efforts of artists and designers to reignite the spark of downtown development in aging industrial cities face no simple task. But as architects and developers begin to put pencil to paper, the best public art projects draw on the spiritual side of that renewal.

Flint, Michigan’s inaugural Free City Festival, held May 3-5, did just that when it revived a mile-long stretch of now-razed Chevrolet plants with public art, transformational lighting displays and a reverberating gospel choir.

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Spreading the Placemaking, 80 Projects Funded by National Endowment for the Arts

National, Newsletter
Monday, July 23, 2012
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A yarnbombed statue, Bombshells Flea. (Courtesy of ArtWorks)

A yarn-bombed statue, Bombshells Flea. (Courtesy ArtWorks)

The National Endowments for the Arts (NEA) announced the recipients for this year’s round of Our Town grants—a $5 million investment in creative placemaking all over the United States. Combining grants from 2011, the program has invested over $10 million in projects in all 50 states and Washington D.C.

This year, 80 applicants were chosen from a pool of 317 entries, which were all assigned to one of three panels: Arts Engagement-projects mainly focused on artistic production, Cultural Planning and Design-projects to build local support systems and spaces necessary for creative placemaking, and Non-metro and Tribal Communities-projects based in small communities not adjacent to metropolitan areas.

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