Dallas as Architectural Destination

Architecture, Southwest
Wednesday, October 1, 2014
.
Dallas is home to the largest concentration of Pritzer Prize-winning projects. (skys the limit2 / Flickr)

Dallas is home to the largest concentration of Pritzer Prize-winning projects. (skys the limit2 / Flickr)

If Dallas is not already on your list of top United States architectural destinations, it is past time to make a correction. The city boasts the largest concentration of Pritzker Prize–winning architects’ work anywhere, including Philip Johnson‘s Thanks-Giving Square, I.M. Pei‘s Dallas City Hall, Fountain Place, and Morton H. Meyerson Symphony Center, Renzo Piano‘s Nasher Sculpture Center, Foster+ Partners‘ Winspear Opera House, and MorphosisPerot Museum of Science. The thriving Dallas Arts District is bursting with performance venues and architectural gems like Edward Larabee Barnes’ Dallas Museum of Art, SOM‘s Trammell Crow Center, and REX/OMA‘s Dee and Charles Wyly Theatre. And more projects are in the works: Cesar Pelli is designing an office complex for Uptown, and a second Santiago Calatrava-designed bridge is planned to span the Trinity River. Read More

October 30–31: Facades+ Makes its Dallas Debut

Facades+, the premier conference on high-performance building envelopes, is coming to Dallas this October. (Bart Fields / Flickr)

Facades+, the premier conference on high-performance building envelopes, is coming to Dallas this October. (Bart Fields / Flickr)

Home to MorphosisPerot Museum of Nature and Science, the Santiago Calatrava–designed Margaret Hunt Hill Bridge, and a starchitecture-studded cultural district, Dallas is increasingly an architectural destination in its own right. This fall, AEC industry professionals have one more reason to visit: the inaugural Facades+ Dallas conference, taking place October 30–31 at CityPlace Events. Read More

Eavesdrop> Tettamant Booted: Could Dallas’ Nasher Sculpture Center Get a Sunlight Reprieve?

(Courtesy Nasher Sculpture Center)

(Courtesy Nasher Sculpture Center)

Thirty-four months have gone by since the Scott Johnson–designed Museum Tower hove into view and the Nasher Sculpture Center is still, er, gnashing its teeth. Every afternoon at around three o’clock glaring sunlight reflects off of the condo’s mirror like glass curtain wall, invading the Renzo Piano–designed skylit galleries, burning holes in the lawn, defoliating the trees, and no doubt increasing the air conditioning bill. Thirty-four months and nothing has been done to make it right, until June.

Read More

Advertise on The Architect's Newspaper.

Submit your competitions for online listing.

Submit your events to AN's online calendar.




Archives

Categories

Copyright © 2014 | The Architect's Newspaper, LLC | AN Blog Admin Log in. The Architect's Newspaper LLC, 21 Murray Street 5th Floor | New York, New York 10007 | tel. 212.966.0630
Creative Commons License