MoMA Gets Social

East Coast, International
Wednesday, April 28, 2010
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Quinta Monroy Housing Project, Iquique, Chile (2003-2005), by Elemental. (Photo: Tadeuz Jalocha)

AN has a first look at MoMA’s upcoming architecture exhibition, Small Scale, Big Change: New Architectures for Social Engagement, which will include eleven projects from four continents. The show examines how architects working on small budgets can “bring a positive impact to social conditions,” according to curator Andres Lepik. All the included projects are exemplary for their level of community engagement, which often includes developing the skills of local people. For Lepik, this level of community engagement sets these projects apart from what he calls “charity architecture” or “parachute architecture.” While the American architects are fairly familiar, among them Michael Maltzan, the Rural Studio, and the Estudio Teddy Cruz, many of the international examples will be new to the MoMA audience. Read More

P.S. 1 is SO-IL

East
Thursday, January 21, 2010
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Florian Idenburg and Jing Liu, in the studio with their daughter. (Courtesy SO-IL.org)

UPDATE: Get the full story, including renderings, on our main page.

Well into its second decade, P.S.1 and MoMA’s Young Architect’s Program looked just south of its Queens home for this year’s winner, selecting Brooklyn’s SO-IL Solid Objectives Idenburg Liu to design the now famous summertime pavilion in the P.S. 1 courtyard. They beat out two fellow Brooklynites, Freecell and Easton + Coombes, Cambridge’s William O’Brien, Jr., and a dark horse Danish contender BIG-Bjarke Ingels Group. Renderings will be released at a MoMA event tomorrow, but a press release describes their entry thusly: Read More

Drawing Attention

East
Wednesday, January 20, 2010
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Jean Tschumi's Nestlé Headquarters (Courtesy Artinfo.com)

Just when we thought the season of giving was behind us, Bernard Tschumi has brought out one last gift for MoMA. The architect announced yesterday that he would donate 43 of his father’s architectural drawings to the museum, making it the only non-European institution with a collection of Jean Tschumi originals. Read More

Eavesdrop NY 19

East Coast, Eavesdroplet
Friday, November 20, 2009
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Mr. Carter.

Mr. Carter. (Courtesy the Observer)

PEOPLE’S CHOICE AWARDS
Who among us hasn’t been following the pruning at our beloved Condé Nast? “Cold,” we gasped as the swag was packed up and shipped to the catacombs under 4 Times Square. “Just plain mean!” we stammered when Gourmet was euthanized. Cold and mean are economic realities across the board these days, so we soldier on. Recently, however, we learned of a totally out-of-character editorial move at Vanity Fair editor Graydon Carter sent letters, via FedEx, to 80 architects, critics, historians, and others asking them to contribute to an “opinion survey” from which the “five most important” buildings or works of engineering or infrastructure since 1980 would emerge. Respondents were then asked to name, in their opinion, the single most important work completed thus far in the 21st century. The letter went on to promise a lavishly illustrated feature, including interviews with the winning architects. Read More

Eavesdrop NY 15

East Coast, Eavesdroplet
Wednesday, September 23, 2009
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A full-scale mock-up of Calvin Kleins new home in Southampton—just to be sure nothing is out of place. (Sara Hart)

A full-scale mock-up of Calvin Klein's new home in Southampton—just to be sure nothing is out of place. (Sara Hart)

CHINS UP FOR CHARLIE
The Metropolitan Museum of Art’s Grace Rainey Rogers auditorium (cap. 708) was overflowing with New Yorkers wishing to bid farewell to Charles Gwathmey, who died on August 3. And as impressive as the spoken tributes were by son Eric Steel, director Steven Spielberg, fashion designer Ralph Lauren, and anchor Brian Williams, not to mention by Peter Eisenman and Robert A.M. Stern, the real jaw-dropping detail was that Charlie could do 1,300 sit-ups in 10 minutes. We all knew he was dedicated to ideal proportions, but only suspected he was made of steel. He didn’t need to be made of such solid stuff to earn a permanent place in our admiration. Read More

On Plastic Plants

Midwest
Tuesday, August 18, 2009
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(photos: Quincy Court by Scott Shigley, MoMA Rooftop by Peter Mauss/ESTO)

There is a lot to like about Chicago’s Quincy Court, an alley turned public space outside the Mies van der Rohe-designed Dirksen Federal Building that opened this summer. The General Services Administration (GSA) initiated the project to help beef up security around the federal campus, and they can certainly be praised for hiring a design firm to reimagine the space, in this case Rios Clementi Hale of Los Angeles, instead of just bolting a bunch of bollards into the ground. And while the design has a certain whimsy, which may appeal to some, we’re having a hard time getting over the giant plastic palms. Read More

MoMA Makes for Bad Neighbor

East
Wednesday, August 5, 2009
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A group of Midtown residents and concerned citizens, many from the West 54th/55th Street Block Association, have been the leading opponents of Jean Nouvel’s MoMA tower. They have been very vocal during hearings at Landmarks and, just a few weeks ago, City Planning Commission. Now, The Coalition for Responsible Midtown Development, as the group is calling itself, have launched a website, no2moma.com. There, they succinctly recast their previous opposition to the project–light & shadows, traffic & congestion, out-sized & ugly–as well as presenting a six minute documentary that makes the group’s best case yet. Our favorite part is the clip above, where the Nouvel tower rises, Frankenstein-like, from “a lot no bigger than a McDonald’s drive-thru.” The full video is after the jump, but, given statements made by some commissioners during a meeting Monday, all this flash and frustration may be too little too late. Read More

A New-vel Skyline

Other
Monday, June 15, 2009
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Bon jour, neighbors.

Bon jour, neighbors.

After both impressing and frustrating the Landmarks Preservation Commission last year, Jean Nouvel’s Torre de Verre is making its way through the public review process in order to secure a few zoning variance to allow the funky Moma-ttached tower to be built. Curbed reports the tower was panned by the local community board (it’s a largely symbolic vote, however), but the most striking thing to us was this new rendering, which shows how the now-1,250-foot tower would look from Central Park. Quelle horror!

Esto-ordinary Videos

Other
Thursday, March 26, 2009
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(Albert Vecerka/Esto)

“Everybody’s doing it.”

That’s how Erica Stoller of Esto described the august architectural photo agency’s foray into web video. Now don’t fret. At the heart of these videos remains Esto’s unparalleled still camerawork, but given these changing times, experimentation is in order. And, as Stoller’s colleague Joel Sanders explained, the philosophy remains the same. Read More

MoMA and Taniguchi Get Comfortable (with a little help from Pipliotti Rist)

Other
Tuesday, December 9, 2008
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When the Modern reopened its Yoshio Taniguchi-designed doors in 2004, critical opinion of the new building was split. Some critics and museum visitors complained that the building, and the institution it housed, seemed to lack a point of view, and that it was geared more toward moving hoards of tourists than to contemplative art viewing. One longtime MoMA watcher, however, cautioned me, “We always hate the new MoMA. Then you get used to it and grow to love it.” Read More

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