MoMA’s renowned Abby Aldrich Rockefeller Sculpture Garden will be open and free to the public from 9:00 to 10:15 am, beginning September 9. Designed by Philip Johnson—and preserved during the recent Yoshio Taniguchi expansion—the sculpture garden is one of the great modern landscapes in the U.S., and currently features sculpture by Pablo Picasso, Joan Miró, Alberto Giacometti, Tony Smith, and others. With coffee and beverages available for purchase, the garden is sure to become a destination for quick business meetings and quiet moments of cultural immersion amid the hubbub of Midtown mornings.
Barry Bergdoll is stepping down as Philip Johnson Chief Curator of Architecture and Design at the Museum of Modern Art, a position he has held since 2007. He will return to teaching at Columbia University and will take up an endowed chair in the Department of Art History and Archaeology. He will stay on part-time at MoMA to continue working on a major exhibition on Latin American architecture currently scheduled for 2015. He will also advise on the use and development of the Frank Lloyd Wright archive, which is jointly owned by Columbia and MoMA.
While at the Modern, Bergdoll has curated a wide variety of shows, addressing topics ranging from prefabricated housing to the Bauhaus to rising sea levels. His recent exhibitions have included a widely praised show on the french architect Henri LaBrouste, and Le Courbusier: An Atlas of Modern Landscapes (co-curated with Jean-Louis Cohen), which is currently on view.
Bergdoll’s tenure as chair has been marked both by a deepening of the historical and scholarly quality of the exhibitions and programming as well as greater engagement with social issues, such as affordable housing and climate change. In an email to AN, Bergdoll wrote, “I look forward to…continuing to be associated not only with the world’s oldest curatorial department of architecture and design, but I think its most vibrant and finest.”
MoMA will begin a search for his successor at the end of August.
Cut ‘n’ Paste: From Architectural Assemblage to Collage City
The Museum of Modern Art
11 West 53rd Street
New York, NY
Through December 1
Cut ‘n’ Paste: From Architectural Assemblage to Collage City, on view at The Museum of Modern Art from July 10 to December 1, examines the essential yet overlooked role of collage in architectural representation. The exhibition places Ludwig Mies van der Rohe’s early photomontages next to the cut-and-pasted experiments of artists, photographers, and graphic designers. Together, these pieces suggest an immersive “collage city,” originally conceived by Colin Rowe and Fred Koetter in the 1970s, that becomes animated through superimposing various elements.
The gentle drumming sound of rainfall is one that many of us find soothing, but it is a natural phenomena that we can only experience at a safe distance without suffering the consequence of being drenched. With their one-of-a-kind installation, Rain Room, the designers at rAndom international made what you thought was impossible possible—presenting anyone who is curious for a new sensation with the opportunity to fully experience standing unprotected in the rain without ever getting wet.
As the chorus of criticism swells against MoMA’s plan to demolish the former home of the American Folk Art Museum, designed by Tod Williams and Billie Tsien, a pair of petitions have been posted urging the Modern to reconsider its demolition plans. Also, a crowd-sourced tumblr, #FolkMoMA, is soliciting ideas for reuse of Williams and Tsien’s building. With all the action online, will anyone be taking to the streets for some old fashioned picketing? Will anyone chain themselves to the bronze facade? Has all this worry actually left the bubble of the architecture community?
The Art Newspaper is out with its latest listing of top exhibitions and museum attendance for 2012 and in the category “Architecture and Design” there are some surprises. MoMA, the first museum in the world to have an architecture department, has led this category for many years and in 2011 as usual had the top three architecture and design exhibitions in the survey. But for 2012 St. Petersburg’s Hermitage Museum’s first show dedicated to a living architect, Santiago Calatrava: The Quest For Movement, broke MoMA’s monopoly of the category and became the most popular exhibit in the world.
Caroline O’Donnell’s Ithaca-based studio, CODA, is preparing to build a towering pavilion in the courtyard of MoMA PS1 in Queens out of scrap from the manufacture of skateboards. O’Donnell talked to AN when the pavilion, called Party Wall, was unveiled in January, saying, “There are eight different kinds of skateboard forms, and each board has its own errors, which produce surprising effects.”
CODA has now released a stunning video rendering showing Party Wall peeking over the walls of the PS1 courtyard adjacent to landmarks like the graffiti-covered Five Pointz building across the street. It suggests how the crowds that flock to MoMA PS1 each summer might interact with the structure showing benches also made from scrap wood. (Plus, an easter egg: check out what the pavilion’s shadow spells at the 1:40 mark!) Party Wall will open in late June and we’ll be sure to see you there!
The Rockaways was one of many waterfront communities that sustained serious damage from Hurricane Sandy, which makes it an appropriate site for MoMA PS1’s upcoming exhibit. But first, MoMA PS1 and MoMA’s Department of Architecture and Design are reaching out to artists, architects, and designers to come up with ideas for creating a sustainable waterfront—whether that touches upon protection of the shoreline or alternative housing—to be presented at the show.
But hurry, the deadline for proposals is tomorrow. Submissions should be in the format of a short video (under 3 minutes).
In MoMA’s Applied Design exhibition, which opened over the weekend in The Phillip Johnson Architecture and Design Galleries, celebrity curator Paola Antonelli brings us a diverse sampling of recent and contemporary design, from old school video games like Tetris and Pac-Man to 3D printed furniture and energy efficient medical equipment. As in last year’s Talk to Me exhibition, museum guests get the opportunity to interact with the objects on display, including playing the video games. While the connections between the different pieces may be tenuous and visitors may struggle to identify the relationship between Ido Bruno’s Earthquake Proof Table and The Sims, Applied Design allows viewer to see items that have been churning up quite a bit of hype around the blogosphere, such as Massoud Hassani’s wind-powered mine detonator, pairing them with modern relics from the MoMA archives, including drawings from Lebbeus Woods and Douglas Darden. While disjointed, Applied Design does afford a glimpse of the wide varieties of methods, technologies, and materials utilized by today’s design vanguard. The exhibition is on view through January 14, 2014.
Here in New York, we’re excited to see CODA’s massive Party Wall installation made of scrap from skateboard manufacturing rise at MoMA PS1 for this year’s Young Architects Program (YAP). But the annual YAP, which recognizes emerging architects and invites them to design and build a temporary installation, has gone global. MoMA has announced the third installment of YAP at Rome’s MAXXI museum designed by bam! bottega di architettura metropolitan and has launched a new program in Istanbul won by SO? Architecture and Ideas.
Decon Artists: Wigley, Tschumi, Eisenman Reflect on MoMA’s Landmark “Deconstructivist Architecture” Exhibit
On January 22, Mark Wigley, Bernard Tschumi, and Peter Eisenman took the stage in MoMA’s theater to reflect upon Deconstructivist Architecture, the landmark 1988 exhibit curated by Wigley and Philip Johnson. The press release at the time described the featured architects—including Coop Himmelblau, Frank Gehry, Zaha Hadid, Rem Koolhaas, and Daniel Libeskind, along with Tschumi and Eisenman—as “obsessed with diagonals, arcs, and warped plans.”
In a where-are-they-now moment, Wigley said, “It occurred to me that only Daniel Libeskind thought the show was about the future, and he still seems to be designing for the show, and that seems to be not a good idea.” And the sniping didn’t stop there. Eisenman, despite refusing to hold the microphone to his mouth, could be overheard saying what kind of exhibit he would—or rather, wouldn’t—do, if given the chance: “Well, it wouldn’t be like the biennale of last fall, which was sort of a discount supermarket of everything that was going.” “Including you,” zinged Wigley.
‘Tis the season for bestowing “Best Ofs”, and this edition of SHFT+ALT+DEL includes some of the recent laurels laid upon architects and designers by business and consumer press…
Across the pond, David Adjaye is at the tippy-top of the 2013 Power List, ranked number one in the annual publication’s list of the most influential black people of the UK.
Congratulations to them all! Meanwhile, back in the salt mines…