Earlier this year, AN assembled a list of the most prominent projects rising in Miami. One of the developments, the Herzog & de Meuron–designed Pérez Art Museum (PAMM, formerly the Miami Art Museum), is nearing completion and is scheduled to open to the public by the end of the year. At The Architects Forum Glass+Performance on September 11th in Atlanta, key participants, including Peter Arbour of seele, Vinu Abraham of Architectural Testing, and Emil Hoogendoorn of John Moriarty & Associates will present on the ambitious design and construction process of the Miami Art Museum facade, calling the endeavor The Biggest Glass in Miami Dade County.
With an invaluable series of programs on the lineup at GlassBuild America: The Glass, Window & Door Expo next month, there couldn’t possibly be another reason to attend, could there? As part of the expo, GlassBuild is collaborating with the National Glass Association’s (NGA) Glass Magazine and The Architect’s Newspaper, bringing over 150 architects to Atlanta for the opportunity to earn five (5) AIA CEU credits at Glass+Performance! Register now for a day of meaningful education and experience the cutting-edge technology and high-performance products the glass and glazing industry has to offer.
Live At Glassbuild Architects Forum: Experts Talk Engineering Big Glass For Herzog & de Meuron’s Miami Art Museum
There are many reasons not to miss the new Architects Forum at Glassbuild this year. For one, Neil Denari will be giving the keynote speech. For two, members of the project team will be giving a presentation on the design, prototype testing, and construction of the facade of Herzog & de Meuron’s new Miami Art Museum. This unique building features integrated plantings, multiple micro climates, and some of the biggest expanses of glass in all of Miami Dade County. The presentation will be led by Peter Arbour, a facade designer with a Master of Architecture from Yale University who currently works in the New York office of German facade builder seele.
(Editor’s Note: FXFOWLE Architect’s PR head, Karen Bookatz, offers a brief, Instagrammed account of architecture and design highlights at Art Basel Miami Beach 2012.)
Don’t get me wrong: I love art and I love attending art fairs. They provide one a unique opportunity to see what’s fresh and new in the art and design industries—or whatever trade is being rep’d—every few months. For me, however, a booth is a booth is a booth. Art fairs must continue to find new ways of further distinguishing themselves or otherwise run the risk of conventionality.
What Frieze did last May with SO-IL’s tent design (and to a lesser extent, Bade Stageberg and Cox’s environmental design effort for The Armory Show 2012) was a major step in the right direction. Likewise, custom installations and collaborative efforts, while public relations/marketing ventures more than anything else, have proven to be undeniably effective in creating buzz and increasing visibility for the respective firm, artist, or collaborative. (This is why I was personally so adamant about my own firm’s presence—with an architectural installation/lounge project at the Miami Project art fair—at this year’s Basel.)
In a series of articles over the past week, The Art Newspaper takes an extensive look at the recently concluded art extravaganza in Miami. It reports that the scene was not as grim as last year, offering this roundup of celebrity-studded Art Basel Miami Beach: “The fair attracted its usual tribes of pop stars, fashionistas, museum directors, actresses in sky-high stilettos and dressed-down buyers, including a denim-clad Roman Abramovich, the Russian billionaire. Lily Allen was sashaying around White Cube, while John Taylor of Duran Duran showed interest in a Richard Prince collage at Gagosian.” But while on the subject of Miami and its art world, the paper reported on Terry Riley’s exit from the Miami Art Museum (MAM), and added a few interesting tidbits to the story. Read More