Pratt Students Raise an AAC Wall

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School of Architecture students designed and fabricated a portion of an AAC facade for display in the lobby of Higgins Hall. (Courtesy Lawrence Blough)

School of Architecture students designed and fabricated a portion of an AAC facade for display in the lobby of Higgins Hall. (Courtesy Lawrence Blough)

Installation investigates the future of facade design and fabrication.

Unlike some student projects, AAC Textile-Block v2.0 was shaped by both practical and speculative concerns. In back-to-back courses at Pratt, undergraduates designed and fabricated a prototype section of a screen wall system made from autoclaved aerated concrete (AAC). Co-taught by Lawrence Blough and Ezra Ardolino, the design studio and prototyping seminar encouraged students to look beyond their computer screens to real-world constraints including block size and light and air circulation. “The idea was that we wanted to make something that has an application later on,” said Blough. “It was more than a run-of-the-mill digital fabrication project,” added Ardolino. “It was really a comprehensive fabrication project.” Read More

On View> Palaces for the People: Guastavino and the Art of Structural Tile

08-guastavino-vault-exhibit-nyc-archpaper

Della Robbia Room Bar, Vanderbilt Hotel, 1912

Palaces for the People: Guastavino and the Art of Structural Tile
Museum of the City of New York
1220 5th Avenue, New York
Through September 7th

Coming to New York City from Washington, D.C., this exhibition illuminates the legacy of architect and builder Rafael Guastavino. A Catalan immigrant, Guastavino created the iconic (and aptly named) Guastavino tile. By interlocking terracotta tiles and layers of mortar to build his arches, Guastavino married old-world aesthetics with modern innovation. The resulting intersection of technology and design revolutionized New York City’s landscape, and is used in over 200 historic buildings including Grand Central Terminal, Carnegie Hall, The Bronx Zoo’s Elephant House, and Ellis Island.

View a slideshow of Guastavino vaults after the jump.

Product> Trade Secrets: Architects Share Their Product Picks

Interiors, Product
Wednesday, April 23, 2014
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Lasvit's Liquidkristal. (Courtesy Lasvit)

Lasvit’s Liquidkristal. (Courtesy Lasvit)

From Andre Kikoski to Leo Marmol to David Mullman, top architects spill the beans on their favorite products—glazing, surfaces, and finish materials.

Lasvit
Liquidkristal

A molded-glass sheet suitable for interior and exterior applications, the relief pattern is continuous between panels.

“In Sophie’s restaurant at Saks Fifth Avenue in Chicago, we installed a wall of digitally-engineered Liquidkristal by Lasvit. The optical effects of cascading ripples of glass create playful reflections, painterly distortions, and elegant abstract patterns that are beautiful in their subtlety and striking in their boldness.”
Andre Kikoski, Andre Kikoski Architect, New York City

Continue reading after the jump.

On View> “Mixtec Stonecutting Artistry: 16th Century Ribbed Vaults in Mixteca, Mexico” Opens August 24

Midwest
Thursday, August 22, 2013
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(COurtesy Goldstein Museum of Design)

(COurtesy Goldstein Museum of Design)

Mixtec Stonecutting Artistry: 16th Century Ribbed Vaults in Mixteca, Mexico
HGA Gallery Rapson Hall, Goldstein Museum of Design, University of Minnesota
89 Church Street SE, Minneapolis, MN
August 24, 2013 to October 13, 2013

Sixteenth century Mexico was home to buildings of extraordinary construction quality erected for the thousands of people converting to Christianity. Indigenous craftsmen utilized the most sophisticated technology and their profound understanding of locally accessible materials in an intricate system of symbiosis to collaborate with Spanish architects who were experienced with the architecture of the ribbed vault. Employing Mixtecan masonry techniques and European geometry, they collaborated to construct three churches in the Mixteca region of southern Mexico with sophisticated geometrical vaults unique to 16th century America. Through digitally scanning San Pablo Teposcolula, Santa Domingo Yanhuitlán, and San Juan Bautista Coixtlahuaca, researcher and guest curator Benjamin Ibarra-Sevilla, Assistant Professor of Architecture at the University of Minnesota’s College of Design, was able to produce scale replicas of each gothic dome.

Mixtec Stonecutting Artistry: 16th Century Ribbed Vaults in Mixteca, Mexico, on view from August 24 to October 13, 2013, reveals the complex digital scanning, documentation, and three-dimensional modeling that facilitated the research and replication of the rib vaults in the late 20th century.

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