Marlon Blackwell uses ribbed ceiling to evoke craft while mitigating contemporary challenges at Arkansas museum.
The setting for the gift shop at the Crystal Bridges Museum of American Art seems idyllic—a vast glass wall opens onto a entry courtyard that gives way to a placid pond reflecting the Ozarks landscape. But to create a design for the 3,100 square-foot space in Bentonville, Arkansas, architect Marlon Blackwell had to overcome multiple hurdles. The first: a thicket of concrete columns supporting the green roof of the Moshe Safdie-designed building. Next: the west-facing glass wall, which made heat gain an issue. And finally: the very small budget (the total project cost was $644,000).
The World Architecture Festival is wrapping up its fourth iteration and AN has been there since the beginning as official United States media sponsor. We have seen it grow from a small mostly British bash in Barcelona to a truly international competition and trade show with over 1,400 participants from 68 countries. One of the functions of our participation is that I serve as official judge in one of the event’s 15 short-listed categories for best built project (plus there are ten categories for unrealized projects). This year I served with Michigan University’s architecture dean Monica Ponce de Leon and Barcelona architect Fermin Vazquez as jurors in the Civic and Community group. We were asked to select the best of show in the category with the winner going on to the final round where it is considered by a super jury including Michael Sorkin, Jo Noera, Odile Decq (who sadly was stuck in China) and engineer wizard Tim Macfarlane.