Flummoxed Lenox. Inspired by a Gothamist post about hidden rooms in the Frick, Mark Lamster digs a bit deeper and shares his knowledge of the site when it was occupied by the old Lenox Library. “…sober, imposing, and correct, much like the man who designed it, Richard Morris Hunt,” he says of the old edifice, before delving into the curious history of the Hunt memorial across the street.
Boulevard Blues. Brownstoner is still hammering away at a bleak streetscape along 4th Avenue in Brooklyn, where first floors of the new residential buildings leave a lot to be desired. The site reports that City Planning may be looking at measures to fix mistakes from 2003 upzoning and bring more life onto the street. While they’re at it, perhaps they can tap the DOT to add some green to the median.
House vs. Home. A kinder and gentler Peter Eisenman emerged from nearly 20 years of Jungian analysis, the architect tells The Washington Post. Far from the heady world of theory (“I was a cerebral cat”), Eisenman returns to the world of bricks and mortar. The change helps him expound on the differences between a house and home.
Tick Tock. The clock is ticking for the Brooklyn Bridge Park to make a decision on how to pay for maintaining the park, reports Crains. “If we don’t have a financial model, we won’t be able to proceed with construction,” BBP President Regina Myer tells the paper.
In this week’s Friday review, Mark Lamster parses Don Argott’s new documentary The Art of the Steal, a film that critiques the relocation of the Barnes Foundation from suburban Merion, Pennsylvannia to downtown Philadelphia. Whatever your view of the move, the trailer makes the film look like stimulating viewing. Opens tonight in New York and Philadelphia and On Demand. In select cities nationwide beginning March 12.