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Students use parametric design to fashion a porous architectural screen that draws from contemporary marble sculpture.
In the third edition of Mark Foster Gage’s Disheveled Geometries seminar at the Yale School of Architecture, students Mary Burr and Katie Stranix began their exploration of extreme surface textures with marble. Inspired by the sculptural work of Tara Donovan and Elizabeth Turk, the student duo set out to design a delicate yet porous screen that transformed a two dimensional panel into a rhythmic and dynamic 3D structure.
According to Stranix, the first design emerged as an aggregation of several different parts and wasn’t intended for parametric processes. “We wanted to maintain delicacy in our design but add porosity,” she told AN, referencing Herzog & de Meuron’s ground level screen at 40 Bond Street in Manhattan. Working in Maya, the students added elliptical apertures in varying diameters to transform the two-dimensional form in a wavy, 3D screen that departed significantly from a standard panel format. Read More
WE SMELL RATS
Really? The British tabloids (all of them) are reporting that architectural fetishist and actor, Brad Pitt, has built a gerbil “Neverland” for his six children’s herd on his and Angelina’s estate in the South of France. If you believe what they’re reporting, Pitt paid somewhere between $50,000 and $80,000 on an “elaborate gerbil run [that] has a maze of tunnels, seesaws, and platforms for the pets to live in,” according to ever-present anonymous sources. Pets? Gerbils are rodents. Besides, what do gerbils know about architecture? Eavesdrop wants to see the Rodentia brief, renderings, reflected-ceiling and sprinkler plans, specs, etc. Read More