On View> “Marc Newson: At Home” Opens on November 23 at The Philadelphia Museum of Art

East, On View
Wednesday, November 20, 2013
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Lockheed Lounge, 1988. Designed by Marc Newson, Australian, born 1963. Riveted aluminum, fiberglass, rubberized paint (Photography Karin Catt / Courtesy Philadelphia Museum of Art)

Lockheed Lounge, 1988. Designed by Marc Newson, Australian, born 1963. Riveted aluminum, fiberglass, rubberized paint (Photography Karin Catt / Courtesy Philadelphia Museum of Art)

Nearly three decades after he was launched into design stardom by his biomorphic, aluminum Lockhead Lounge (above), famed Australian industrial designer Marc Newson will soon receive his first solo museum exhibition in the United States. Presented by the Philadelphia Museum of Art, “Marc Newson: At Home” will collect furniture, clothing, appliances, and Newsons’ 021C Ford concept car within a mock, six-room home in the museum’s Collab Gallery. Gathered from collections across Europe, Japan, and the United States, in addition to Newson’s personal cache, the objects on display will highlight the various facets of the designer’s distinctive style of flowing lines, bulbous forms, bright colors, and industrial references which helped to define an era of industrial design. The exhibition opens November 23rd and runs until April 20, 2014.

Continue reading after the jump.

MAD Museum gets Out of Hand

Fabrikator
Friday, November 1, 2013
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The ICD/ITKE Research Pavilion by Achim Menges and Jan Knippers is part of MAD Museum's new exhibition. (Achim Menges)

The ICD/ITKE Research Pavilion by Achim Menges and Jan Knippers is part of MAD Museum’s new exhibition. (Achim Menges)

A cross-section of postdigital design work illustrates the role of parametrics in the built environment.

Spawned from his 2011 show on Patrick Jouin, Museum of Arts & Design (MAD) curator Ronald Labaco conceived Out of Hand as a more comprehensive show that clarified the role of digital design, from its capabilities to its significance in our daily lives. “People just didn’t get it,” said Labaco of Jouin’s 2011 MAD show. “Unless you’re immersed in it, it can be hard to understand so I thought if we showed something like this in the galleries again, we needed to provide information that can be digested more clearly.”

Staged across three floors of the museum, with two exterior sculptures, Labaco said the show is an important program for MAD among other New York art institutions like MoMA, Cooper Hewitt, and the New Museum. The goal to raise awareness of 3D printing is timely, by chance. “Paolo Antonelli’s Design and the Elastic Mind, and two shows from Material Connection were complements to my show for the uninitiated,” Labaco explained. Out of Hand’s broad scope includes digital designing and fabrication processes like CNC milling, digital weaving and knitting, laser cutting, and 3D printing to display how these technologies influence the built environment. “It’s a historical look at the last 8 years and works from as early as 2005 are incorporated because, in my mind, that was when the major shift between rapid prototyping and 3D printing really occurred,” said Labaco. Read More

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