Lowline Advocates Tout Economic Benefits of Proposed Subterranean Park

East, Newsletter
Thursday, December 27, 2012
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(Courtesy Lowline)

(Courtesy Lowline)

Lowline boosters James Ramsey and Dan Barasch spoke with the Wall Street Journal this week, shedding light on a few economic details surrounding what could become New York City’s first subterranean park, built in an abandoned trolley terminal owned by the MTA underneath Delancey Street in the Lower East Side. Project co-founders Ramsey, an architect and principal at RAAD Studio, and Barasch have most recently been working on creating a full-scale mock-up of their fiber-optic skylight that will bring natural daylight to the cavernous underground space after raising $155,000 on Kickstarter.

The team is now promoting the park armed with a new economic impact summary, claiming that it will add value to the adjacent Seward Park Urban Renewal Area (SPURA). Specifically, Ramsey and Barasch argue that building the park would boost SPURA land values by $10 to $20 million and generate up to $10 million in taxes over the next 30 years. The Lowline also revealed its estimated budget, clocking in somewhere between $44 and $72 million to be paid for by a combination of fundraising, donations, and tax credits. If all goes according to plan, the Lowline could be financially self-sufficient, with a $2 to $4 million operating budget paid for by special events and commercial space. Uncertainty still looms over project, however, as the MTA hasn’t agreed that the space will be allowed to be converted into a park.

Video> Fly Through Norman Foster’s Proposed Changes To the New York Public Library

East
Wednesday, December 26, 2012
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Last week, AN reported on Norman Foster’s newly-rendered plans to transform the landmark New York Public Library at Bryant Park. Foster’s $300 million plan will, most dramatically, gut the off-limits-to-the-public book stacks and replace them with a light-filled atrium and reading space. The NYPL has now released a video fly-through of the project, above. Enjoy!

On View> Marking Time at New York’s Yossi Milo Gallery through January 19

East
Friday, December 21, 2012
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(Courtesy Yossi Milo Gallery)

(Courtesy Yossi Milo Gallery)

Marking Time
Yossi Milo Gallery
245 10th Avenue
New York
Through January 19

Chris McCaw’s continuing work on Sunburned, a series of photographs that began in 2006, will be displayed in his solo exhibit Marking Time. By combining a large-format camera with a high-tech lens normally used for military surveillance and inserting expired gelatin silver photo paper, McCaw captures images of the sun, exposing the paper from anywhere between 15 minutes to 24 hours. The extended exposures intensify the sun’s rays on the photo paper burning holes on the photographs. Thus, McCaw is able to capture and track the earth’s orbit around the sun. His photographs are taken at various locations across the globe including the Galapagos, the Sierras, and the Arctic Circle, enabling him to capture different rotations of the sun due to solar eclipses or equinoxes. In his image Sunburned GSP #429 (North Slope Alaska, 24 hours) McCaw captures the trajectory of midnight sun during the Arctic Circle’s summer solstice. The sun’s path dips to the horizon line then rises, marking the beginning of a new day.

SITU Fabrication Produces a Dev Harlan-designed Projection Wall for Y-3’s 10th Anniversary

Fabrikator
Friday, December 21, 2012
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Dev Harlan’s installation for Y-3′s 10th anniversary greeted revelers with a prismatic display of light and geometry. (Courtesy SITU Fabrication)

SITU Fabrication produces and installs a Dev Harlan-designed projection wall in three weeks flat

For Adidas street fashion line Y-3’s 10th anniversary, the company commissioned New York City-based artist Dev Harlan to produce one of his distinctive 3D light installations. Y-3 wanted the installation to serve as a backdrop for a runway show at this September’s New York Fashion Week. Harlan designed a 170-foot-long wall with a deeply textural pattern of 656 skewed pyramids made prismatic by projected colored light and geometric shapes. He called on Brooklyn-based SITU Fabrication to produce and install the work in three weeks flat.

“We had worked with Harlan before on ‘Astral Fissure,’ a sculpture of folded aluminum plates that he projected light on,” said SITU partner Wes Rozen. “This time the budget and timeframe were much less, so we worked with foam core instead of aluminum.”

Read More

A New Chapter for the New York Public Library: Foster + Partners Reveal Renovation Plans

East, Newsletter
Wednesday, December 19, 2012
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Rendering of Foster + Partners' proposed renovation of the New York Public Library. (Courtesy Foster+Partners / dbox)

Rendering of Foster + Partners’ proposed renovation of the New York Public Library. (Courtesy Foster+Partners / dbox)

New Yorkers, not to mention architecture critics, have been waiting with bated breath to see the plans for the controversial $300 million overhaul of the New York Public Library’s historic flagship branch on Fifth Avenue. And today, the designs by Foster + Partners, were finally unveiled. The renovation of the Beaux Arts-style library, completed in 1911 by Carrère and Hastings, will remove seven floors of stacks under the grand Rose Main Reading Room to make way for a 300-person workspace with an expansive atrium, balconies, floor-to-ceiling windows, bookshelves, and new areas devoted to classrooms and computer labs. As of now, interior finishes will include a combination of bronze, wood, and stone.

More after the jump.

Architect Proposes Greening the West Side Highway with the “Vine Line”

East
Wednesday, December 19, 2012
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Rendering of the Vine Line proposal for Manhattan's Upper West Side. (Courtesy Laurence Tamaccio Architect)

Rendering of the Vine Line proposal for Manhattan’s Upper West Side. (Courtesy Laurence Tamaccio Architect)

Stuck with the post-Sandy realization that buried waterfront highways are unlikely to be buried for fear of flooding, designers are looking to spruce them up, instead. The emerging “funderpass” movement hit Brooklyn last week, and now Manhattan’s Upper West Side has its own proposal, the leafy “Vine Line.”

Architect Laurence Tamaccio has proposed hiding, or rather masking, an elevated section of the West Side Highway between 61st and 72nd streets with a green scheme of vines and waterfalls. Plans had been on the table to bury the highway once and for all after a collapse in the 1970s and the contentious process of rebuilding it, but after Hurricane Sandy, that option seems in doubt. So far, Tamaccio’s plan, which also offers a grey water filtering system and a café, has been greeted with support from the community board and many local residents.

Continue reading after the jump.

Adrian Smith+Gordon Gill’s First Manhattan Skyscraper Among the City’s Tallest

East
Tuesday, December 18, 2012
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Extells new tower will be built on 57th Street east of Broadway. (Courtesy Google)

Extells new tower will be built on 57th Street east of Broadway. (Courtesy Google)

Extell Development made waves as when they announced their 1,004-foot-tall skyscraper One57 by Christian de Portzamparc on Midtown Manhattan’s 57th Street (which made headlines most recently for crane troubles during Hurricane Sandy), but their next project a few blocks down the street looks to climb even higher. Developers announced in the Wall Street Journal on Sunday that Chicago-based Adrian Smith + Gordon Gill Architecture will design an 88-story, 1,550-foot-tall tower on West 57th Street just east of Broadway, an area quickly becoming known for skinny skyscraper proposals.

Read More

On View> Manhattan’s David Zwirner Gallery Presents Diana Thater’s Video Installation, Chernobyl

East
Tuesday, December 18, 2012
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(Courtesy David Zwirner Gallery)

(Courtesy David Zwirner Gallery)

Chernobyl
David Zwirner Gallery
519 West 19th Street
New York City
Through December 22

Diana Thater’s video installation, Chernobyl, captures the effects manmade disasters have on the natural environment. Situating her work on the 1986 Chernobyl nuclear explosion in the Ukraine, which left a no-man’s land with the sudden evacuation of over 100,000 people, Thater highlights the possibilities nature has to rebuild itself when the ruins of industrial infrastructure are left to decay. She focuses on Prypiat, a city that was built to house nuclear plant workers, and the city’s wildlife, specifically the Przewlski’s Horse species that were released post-disaster and left free from human contact. Her work, both beautiful and startling, forces us to consider how we perceive images and their potential to dictate how we see our world.

Look Alive! Paul Rudolph’s Manhattan Loft at 23 Beekman Hits The Market

East, Eavesdroplet
Friday, December 14, 2012
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23 Beekman Place. (Courtesy Bernheimer Architecture)

23 Beekman Place. (Courtesy Bernheimer Architecture)

The Paul Rudolph townhouse at 23 Beekman Place hit the market in early December, listed at $27.5 million. The property consists of four separate apartments, including the four-level penthouse that Rudolph himself lived in, along with his pet rabbits. But buyer beware: the penthouse, which was renovated in 2006 by Della Valle and Bernheimer, retains many signature Rudolph elements, like the death-defying stairways with no rails. Potential buyers should also consider getting “some new sprinklers and a back-up security system installed,” as Chas Tenembaum, one fictional former tenant of The Royal Tenenbaums fame, noted after failing to escape the house in adequate time after a fire drill. “Four minutes and forty-eight seconds. We’re all dead. Burned to a crisp.”

More images after the jump.

Developers Banking on Midtown East Rezoning

East
Friday, December 14, 2012
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Rendering of 1 Vanderbilt. (Courtesy SL Green Realty)

Rendering of 1 Vanderbilt. (Courtesy SL Green Realty)

Even though the Midtown East rezoning is still under consideration, SL Green Realty is counting on it becoming a reality. According to Curbed, the developer has tapped architecture firm Kohn Pedersen Fox to design an office tower at 1 Vanderbilt Street located a block from Grand Central Terminal. SL Green needs the rezoning to be approved to move forward with the construction of their 1.55-million-square-foot building. The proposed rezoning would allow for taller buildings to be built if developers make a contribution to a fund called a “District Improvement Bonus,” which would be used for area-wide pedestrian network improvements.

World Trade Center Antenna Being Hoisted Into Place

East, Newsletter
Wednesday, December 12, 2012
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Antenna segments lifted to the top of One World Trade. (Courtesy Governor Cuomo)

Antenna segments lifted to the top of One World Trade. (Courtesy Governor Cuomo)

After a 1,500-nautical-mile voyage from Canada, half of the World Trade Center‘s antenna has arrived in New York, and, this morning, the first segments were hoisted 104 stories—over 1,300 feet above the streets of Lower Manhattan—for installation. During AN’s site tour in September, the “roots” of the antenna were clearly visible, ready to accept the structure. Building this antenna is no small effort, either. Like the scale of everything at the World Trade site, the structure is gigantic, measuring in at 408-feet tall, higher than most skyscrapers in the rest of the country. Once finished, the antenna will bring the building’s overall height to 1,776 feet.

There remains some contention on how to describe the antenna structure—as simply an antenna or, more poetically, a spire—and despite what seems a semantic argument, the results could have tall repercussions. The Port Authority and the Durst Organization—both who use the term spire—opted to remove an architectural cladding designed by SOM and artist Kenneth Snelson from the antenna earlier this year, trimming millions from the building’s price tag. Without that sculptural finish, however, the Council on Tall Buildings and Urban Habitat (CTBUH), the organization charged with ranking building heights, could opt to exclude the antenna from the overall building height, where an integrated spire would count. That would mean One World Trade won’t clock in as the tallest building in the Western Hemisphere, or even the tallest in New York City.

Read More

Light Show: Computer Controlled LED Lights Wash Park Avenue’s Helmsley Building

East
Tuesday, December 11, 2012
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230 Park Avenue awash in light. (Evan Joseph)

230 Park Avenue awash in light. (Evan Joseph)

On Monday, December 3, the “Jewel of Park Avenue” at 230 Park, aka The Helmsley Building, really began to sparkle as building-owner Monday Properties unveiled a new LED lighting display to a crowd huddled at the base of the building, staring upward with anticipation as rush hour traffic swirled around. Monday Properties President and CEO Anthony Westreich and Manhattan Borough President Scott Stringer stood together to push a giant red button, officially triggering the light show, which flickered into action, turning heads of passers by for blocks around as a live violinist provided musical accompaniment.

Watch a video of the lighting display after the jump.

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