On View> Layered SPURA: Spurring Conversations Through Visual Urbanism
Layered SPURA: Spurring Conversations Through Visual Urbanism
Sheila C. Johnson Design Center
Parsons The New School
66 Fifth Ave.
Through February 25
The Seward Park Urban Renewal Area (SPURA) that occupies 14 square blocks on the Lower East Side has remained one of the largest underdeveloped city-owned parcels of land for more than 40 years. Very few of the originally-planned buildings came to pass, and vast parking lots created by slum-clearance on the south side of Delancey Street symbolize a hotly contested renewal plan. Gabrielle Bendiner-Viani and students of the New School’s City Studio have spent three years investigating the complex issues surrounding the site, and in an exhibition highlighting their research and artwork they propose to instigate a new grassroots conversation rather than a top-down planning vision.
Seward Park Redevelopment Clears Major Hurdle
Last night, the Seward Park Urban Renewal Area (SPURA) took a giant step forward after 44 years of contentious debate. Community Board 3′s Land Use, Zoning, Public and Private Housing Committee approved guidelines for development of the city-owned land at the foot of the Williamsburg Bridge.
Three New Landmarks for Lower East Side

The Loews Canal Street Theatre may not look like much any more, but it still has flare. CLICK TO ZOOM (Courtesy LPC)
The New York City Landmarks Preservation Commission continued its efforts to preserve what have been, at least historically, unlikely landmarks. There is focus on the not-so-outer boroughs and modernist masterpieces and on the scruffy, increasingly tony “Lower East Side,” one of the oldest, yet long-neglected parts of the city. This is of course not the small neighborhood that had been sequestered by real estate agents, but the real LES, as defined by historians and historic maps, from 14th Street to the Brooklyn Bridge, with the Bowery as its eastern bounds. In 2007 and 2008, the commission surveyed more than 2,300 properties and has been bolstering the landmarks rolls ever since, from Webster Hall to Wheatsworth Bakery. Yesterday, three more were added. Read More
The Dispersion

The Functionality's temporary installation, "Feel It, Take It" disappeared last weekend.
“We all have day jobs, and we don’t all live in the same city, or even on the same continent,” said Andrew Lyon, one of the six members of the multi-disciplinary design collective The Functionality. “But we all have a shared desired – to make something.” Lyon was standing beside Colin Harris, a civil engineer and fellow member of The Functionality. Huddled together against the cold last Saturday, the three of us barely fit inside W Project Space, a diminutive storefront gallery on a grubby block of Division Street, in a neighborhood that’s become a kind of lightning rod for just the kind of art practice the Functionality seems interested in pursuing: work that’s categorically messy, temporary, and site specific. Here, in the tiny storefront there’s a sixer of beer on the floor, half empty. Late ’90s hip-hop issues cheerfully out of the tinny speakers of a portable boom box. Honestly, anything louder would overwhelm the space. It’s like being invited to an art opening inside a VW Bus. Over our heads hangs the reason for the gathering: a seductively tactile, monochromatic felt membrane entitled “Feel It, Take It,” designed and installed by The Functionality for a span of time as brief as W Project Space is small.
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