Where’s the Money, MOCA? Questions surround the possible cancellation of A New Sculpturalism

West
Thursday, May 2, 2013
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Frank Gehry's Walt Disney Concert Hall. (Courtesy Gehry Partners)

Frank Gehry’s Walt Disney Concert Hall. (Courtesy Gehry Partners)

The intrigue continues at MOCA, whose upcoming show A New Sculpturalism: Contemporary Architecture in Southern California, is close to being cancelled, according to multiple sources. The show’s curator Christopher Mount has told AN that Frank Gehry’s withdrawal is not the cause for the exhibition’s possible demise, as was suggested yesterday in the Los Angeles Times. The real reason, he said: MOCA director Jeffrey Deitch, who halted installation of the show a few weeks ago, claiming that money for the undertaking had run out. Mount, however, says there is plenty of money left in the show’s budget. Read More

LACMA Transformation Coming Into Focus

West
Tuesday, April 30, 2013
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(Diana Lee Photography / Flickr)

(Diana Lee Photography / Flickr)

The Wall Street Journal recently published a confirmation of two things we’ve been hearing whispers of for years: One, Michael Govan is more of a builder than a museum director; and two, that Govan and Peter Zumthor are planning to basically take LACMA apart and start over. The full scope of the plans will be unveiled in June, with LACMA’s exhibition, The Presence of the Past: Peter Zumthor Reconsiders LACMA. But for now the story has gleaned that under Zumthor’s plan, four of the museum’s midcentury structures will be replaced by “curvaceous modern glass structures.”

Continue reading after the jump.

Let The Archi-Sparks Fly: Thom Mayne Fights Back Against Bad Reviews

Eavesdroplet, Newsletter, West
Monday, April 29, 2013
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Thom Mayne's Perot Museum in Dallas. (Iwan Baan)

Thom Mayne’s Perot Museum in Dallas. (Iwan Baan)

Ladies and gentlemen, we finally have a blood feud in Los Angeles. It seems that Los Angeles Times architecture critic Christopher Hawthorne doesn’t care for Thom Mayne’s work. At all. Reviewing his new Perot Museum in Dallas, he called the building, “One of the pricey, preening old breed.” Adding, “it is a thoroughly cynical piece of work, a building that uses a frenzy of architectural forms to endorse the idea that architecture, in the end, is mere decoration.”

Hawthorne has used this vitriol on other Mayne buildings, like the Caltrans building and the Cahill Center at Caltech, which, he said, employs a “skin-and-stair strategy that allows the client to make the rest of the building—every interior office or gallery—conventional at best and banal at worst.”

Mayne, not surprisingly, doesn’t appear happy. In a recent public tour of his new offices in Culver City, led by our friend and design journalist Alissa Walker, Mayne said he would not be allowing a local architecture critic to write about his new building for his firm’s offices—he was asking a science writer to do the story instead. “All local writers are horrible,” he said. “There are no good writers in Los Angeles.” We beg to differ!

Get Going This Weekend In Los Angeles: Venice House Tour, SCI-Arc Party, CicLAvia

West
Friday, April 19, 2013
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Hopper Residence next to Arnoldi Triplex. (Larry Underhill)

Hopper Residence next to Arnoldi Triplex. (Larry Underhill)

For those of us who grew up in the 70s and 80s, it’s time to feel old. As part of its “Curating The City” series, the Los Angeles Conservancy is tomorrow hosting an amazing tour called Venice Eclectic: Modern Architecture from the 1970s and ’80s. The event features looks inside whimsical buildings by, among others, Frank Gehry (Indiana Avenue Houses/Arnoldi Triplex), Steven Ehrlich (Ed Moses Studio), Brian Murphy (Hopper House, above), Frederick Fisher, and Frank Israel. Yes, it’s time to appreciate these decades for more than disco and Madonna. After the tour there will be a panel featuring Ehrlich, Fisher, and Murphy.

And that’s just the beginning of a busy weekend for LA architecture and urbanism buffs. There’s also SCI-Arc’s 40th birthday party on Saturday night and CicLAvia—with an expanded route going all the way to the ocean for the first time—on Sunday. Get going.

View more houses on the tour after the jump.

Los Angeles’ First Complete Street On the MyFigueroa Corridor Close To Moving Ahead

West
Tuesday, April 16, 2013
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Proposed elements include separated bike lanes, improved crosswalks, new lighting, and enhanced plantings. (Courtesy MyFigueroa)

Proposed elements include separated bike lanes, improved crosswalks, new lighting, and enhanced plantings. (Courtesy MyFigueroa)

It’s been about a year since the Los Angeles Department of Transportation (DOT) took the reins over MyFigueroa, a project that hopes to remake the 4-miles in and around Figueroa Street from LA Live to Exposition Park, near USC. But things are quickly wrapping up, because the $20-million Proposition 1C funds it was awarded need to be spent by 2014. On April 9, DOT hosted a community meeting in downtown LA to unveil updated designs for this crucial connective corridor, which when finished, would be the city’s first implemented complete street.

Continue reading after the jump.

Q+A> Is Los Angeles’ Arts District As Hot As We Think?

Newsletter, West
Thursday, April 11, 2013
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Shimoda Design's rendering of Alameda Square (Shimoda Design)

Shimoda Design’s rendering of Alameda Square (Shimoda Design Group)

Last week, AN reported on the development of Alameda Square in Los Angeles, the 1.5-million-square-foot mixed use project being designed at the old American Apparel factory site on the southwest edge of LA’s Arts District. Movement on projects like this beg the question: Just how hot is LA’s Arts District? AN‘s West Coast Editor Sam Lubell sat down for a short chat with James Sattler, a Vice President of Acquisitions at JP Morgan Asset Management, to find out.

Read the interview after the jump.

Bridge Over Troubled Freeway: Secretive Bridge In Los Angeles Moving Forward?

Eavesdroplet, West
Thursday, April 11, 2013
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(Courtesy Google Maps)

(Courtesy Google Maps)

Los Angeles’ impressive new bridges have gotten a lot of press lately, including HNTB’s epic 6th Street Viaduct and Andrew Leicester’s unusual so-called basket bridge for the Metro Pasadena Gold Line extension. But one crossing is being worked on in total secrecy: a span over the 101 Freeway at Los Angeles Street, connecting the Civic Center and the Pueblo de Los Angeles.

Artists Jenna Didier and Oliver Hess, who run the city’s Materials and Applications gallery in Silver Lake, are designing the bridge. No renderings have been unveiled, and it’s all very top secret within the city, which is why eavesdrop is on the case. And while Thom Mayne (101 pedestrian bridge) and Asymptote (Steel Cloud) have both failed to make similar ideas happen, this looks like it’s actually moving. Stay tuned.

Giant Solar Array at Occidental College Wows Los Angeles

West
Wednesday, April 10, 2013
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Oxy Solar Array (Sam Lubell/ AN)

Oxy Solar Array. (Sam Lubell/ AN)

At a DeLab (Design East of La Brea) Tour this Saturday, Los Angeles-based firm Lettuce Office shared the epic story of its new solar array for LA’s Occidental College. The 1 megawatt installation, made up of 4,886-panels, follows the contours of its hilly site, with its angled panels raised just two or three feet off the ground. To guard against sliding, each set of panels had to be imbedded into the earth via concrete-supported columns.

Continue reading after the jump.

My LA2050: Vote to Change Los Angeles

West
Thursday, April 4, 2013
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Maker-13

Think LA has too many issues? Then start voting in the My LA2050 Challenge, a competition handing out $1 million in grants to some of the most innovative and creative ideas meant to tackle the city’s biggest problems. Voting, which is all online, began on April 2nd and lasts until April 17th.

More than 275 ideas have been proposed. One is AN West Coast Editor Sam Lubell’s exhibition, Never Built: Los Angeles, which brings to life more than 100 innovative, often unbelievable, unbuilt schemes—many dashed by LA’s inability to embrace innovation—and challenges the city to change its culture of public timidity and banality. Another favorite is Farm on Wheels, by LA-Más, in which food trucks will serve as citywide “hubs of healthy food.”

Continue reading after the jump.

Tech Tidal Wave at Los Angeles’ Silicon Beach

Eavesdroplet, West
Wednesday, April 3, 2013
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GENSLER'S IMPROVEMENTS TO THE PLAYA JEFFERSON OFFICES IN MAR VISTA. (COURTESY GENSLER)

GENSLER’S IMPROVEMENTS TO THE PLAYA JEFFERSON OFFICES IN MAR VISTA. (COURTESY GENSLER)

Well it looks like the tech craziness on LA’s west side—a.k.a. Silicon Beach—is just getting going. Of course, Google has basically taken over Venice, and a number of tech companies, including YouTube, are taking over Howard Hughes’ old facility in Playa Vista. Now we hear that Amazon is looking for a huge space in Santa Monica. The new LA outpost could measure as much as 80,000 square feet, putting this development in the upper echelons of the city’s tech world. It will certainly compete with the new campus they’re building up in Seattle, designed by NBBJ. Meanwhile, in Silicon Valley, the architectural one-upmanship continues. That same firm (NBBJ) just unveiled designs for its new HQ for Google, which it hopes will stand out among the other ambitious schemes for Apple, Samsung, Nvidia, and so many more.

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Tonight> MAK Center’s Dialogues Series Concludes With Impressive Exhibition

West
Tuesday, April 2, 2013
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Berdaguer & Pejus, Gue(ho)st House, Delme, 2012.

Berdaguer & Pejus, Gue(ho)st House, Delme, 2012.

Dialogues, the series of conversations between architects and artists that took place at the MAK Center in Los Angeles over the last couple of months, is finishing up tonight with an exhibit of the designers’ work. The show features drawings, images, and models from a serious lineup at For Your Art on Wilshire Boulevard. Contributors include: Doug Aitken, Barbara Bestor, Escher Gunewardena, Fritz Haeg, Jorge Pardo, Linda Taalman, Xavier Veilhan, Pae White, Peter Zellner, and many many more. The show will be up until April 16.

 

Dissecting Natural Design at the LA Natural History Museum

West
Monday, March 18, 2013
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(Sam Lubell/ AN)

Staggered rocks contain plant life that sprout from their many in between spaces. (Sam Lubell / AN)

On Saturday I moderated one of two AIA/LA-sponsored panels about bio-inspired design at the Los Angeles County Natural History Museum. The first panel looked at the general influence of nature on design, from the Mars Rover to the San Diego Zoo, and ours zeroed in on architecture’s envelopes and skins, with insights about breaking away from the static, heavy, and largely-unresponsive architecture of today by architect Tom Wiscombe, Arup engineer Russell Fortmeyer, and evolutionary biologist Shauna Price. Speaking of bio-inspired design, before the panel I got an early look at the new gardens at the Natural History Museum, designed by Mia Lehrer + Associates.

Continue reading after the jump.

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