Eavesdrop> MOCA Drama…It’s Still Not Over

Eavesdroplet, West
Thursday, May 30, 2013
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Elena Manferdini's installation for "A New Sculpturalism"

Elena Manferdini’s planned installation for “A New Sculpturalism”

Just when we thought the troubled MOCA New Sculpturalism exhibition was finally wrapping up relatively smoothly…

There has been no official confirmation, but we’ve heard from several people involved with the show that Thom Mayne and his firm Morphosis are now leading the show, not curator Christopher Mount. Participants confirm that emails are now coming from Morphosis, not MOCA, while the show’s assistant curator Johanna Vandemoortele last week sent out an email that she had already departed from MOCA. Mount was not available for comment, but Mayne’s spokesperson Legier Stahl noted: “It is a collective, community effort. We are just helping to facilitate.” Rumor has it that Mayne is considering adding more participants, including Wes Jones, John Enright, Hitoshi Abe, and Qingyun. Stay tuned as the saga continues.

Oyler Wu, The Graduation Experts, Design Another Pavilion for SCI-Arc

Dean's List, Newsletter, West
Wednesday, May 22, 2013
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Looking up at Storm Cloud (Clifford Ho)

Looking up at Storm Cloud (Clifford Ho)

After creating their 2011 and 2012 graduation pavilions for SCI-Arc, Oyler Wu has once again produced a striking structure LA-based school, this time on the occasion of their 4oth anniversary. Dubbed the Storm Cloud pavilion, the structure salvages the existing steel from the 2011 Netscape,  which served as the school’s graduation pavilion two years ago. Looking at Storm Cloud, one can hardly tell it shares much of the bones that made up the older pavilion.

Continue reading after the jump.

Petition Launched To Save MOCA’s New Sculpturalism Exhibition

Other
Wednesday, May 8, 2013
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Rendering of P-A-T-T-E-R-N-S' Pavilion for MOCA's New Sculpturalism. (Courtesy P-A-T-T-E-R-N-S)

Rendering of P-A-T-T-E-R-N-S’ Pavilion for MOCA’s New Sculpturalism. (Courtesy P-A-T-T-E-R-N-S)

Los Angeles architect Arshia Mahmoodi, founder of the firm VOID, has launched an online petition to try to help save the troubled exhibition, A New Sculpturalism: Contemporary Architecture in Southern California at MOCA. The show, scheduled for a June 2nd opening, is currently in a holding pattern, and its curator Christopher Mount told AN he feared it would be cancelled. Mount blames mismanagement at MOCA, while several news reports have pointed to general apprehension about the show, and the recent withdrawal of Frank Gehry. Mahmoodi released the petition—directed to MOCA director Jeffrey Deitch—yesterday.

Continue reading after the jump.

Event> Celebrate: The Journey at LA’s A+D Museum

West
Wednesday, May 8, 2013
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WORKS FROM A + D ARCHITECTURE. CHRIS FOX, SALON JETPACKERS, QUIFF, PONYTAIL, BOB, 2011. (A + D Architecture + Design Museum > LA)

WORKS FROM A + D ARCHITECTURE. CHRIS FOX, SALON JETPACKERS, QUIFF, PONYTAIL, BOB, 2011. (A + D Architecture + Design Museum > LA)

What: Gala / Celebrate: The Journey
When: Saturday, May 11, 7:00 to 11:00 PM
Where: Architecture and Design Museum, Los Angeles (5900 Wilshire on LA’s Museum Row)

Join AN, a media sponsor for the annual A + D Fundraiser and Gala, this Saturday for CELEBRATE: THE JOURNEY. The event at The Architecture and Design Museum of Los Angeles connects the design industry with innovators to acknowledge the creative journey that kindles preeminent design. The night’s main focus will center on one-of-a-kind carry-ons created by renowned architects and designers such as traditional train cases, modern day satchels and ultramodern jet-paks. Custom carry-on designers include Adams Morioka, Gensler, Dan Meis and Cristobal Valecillos among others.

The celebrations will consist of several curated silent auctions, intercontinental cuisine, music, drink and much more. Chris Fox ‘Jet Packs’ and Pan AM Vintage Uniforms will provide special presentations while Raul Campos will DJ.

Over 600 people attended CELEBRATE 2012 and 2013’s event will be bigger and better! Tickets are available for purchase online and CELEBRATE: THE JOURNEY silent auction items are accessible for preview and bids.

On View> OVERDRIVE: LA Constructs the Future, 1940-1990

Other
Monday, May 6, 2013
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overdrive_la_01

OVERDRIVE: LA Constructs the Future, 1940-1990
The J. Paul Getty Museum
Los Angeles
Through July 21

Gleaming cars speeding down an intricate freeway system, flashy movie theatres, quirky coffee shops, sleek corporate towers and residential spaces, drive-in churches, the infamous Hollywood sign, LAX Airport (above), and a lucrative petroleum industry are just some of the many impressive characteristics associated with the rich culture of Los Angeles. This exhibition at The J. Paul Getty Museum explores a metropolis that remained in “overdrive” throughout the 20th century, implementing cutting-edge architectural design to effectively respond to civic, environmental, and socioeconomic challenges that plagued the city. In just 50 years, the city rapidly evolved into one the most influential industrial, creative, and economic capitals in the world. Through drawings, photographs, models, animations, oral histories, and ephemera, the exhibition celebrates the notable transformation of the city of Los Angeles from 1940–1990.

Where’s the Money, MOCA? Questions surround the possible cancellation of A New Sculpturalism

West
Thursday, May 2, 2013
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Frank Gehry's Walt Disney Concert Hall. (Courtesy Gehry Partners)

Frank Gehry’s Walt Disney Concert Hall. (Courtesy Gehry Partners)

The intrigue continues at MOCA, whose upcoming show A New Sculpturalism: Contemporary Architecture in Southern California, is close to being cancelled, according to multiple sources. The show’s curator Christopher Mount has told AN that Frank Gehry’s withdrawal is not the cause for the exhibition’s possible demise, as was suggested yesterday in the Los Angeles Times. The real reason, he said: MOCA director Jeffrey Deitch, who halted installation of the show a few weeks ago, claiming that money for the undertaking had run out. Mount, however, says there is plenty of money left in the show’s budget. Read More

LACMA Transformation Coming Into Focus

West
Tuesday, April 30, 2013
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(Diana Lee Photography / Flickr)

(Diana Lee Photography / Flickr)

The Wall Street Journal recently published a confirmation of two things we’ve been hearing whispers of for years: One, Michael Govan is more of a builder than a museum director; and two, that Govan and Peter Zumthor are planning to basically take LACMA apart and start over. The full scope of the plans will be unveiled in June, with LACMA’s exhibition, The Presence of the Past: Peter Zumthor Reconsiders LACMA. But for now the story has gleaned that under Zumthor’s plan, four of the museum’s midcentury structures will be replaced by “curvaceous modern glass structures.”

Continue reading after the jump.

Let The Archi-Sparks Fly: Thom Mayne Fights Back Against Bad Reviews

Eavesdroplet, Newsletter, West
Monday, April 29, 2013
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Thom Mayne's Perot Museum in Dallas. (Iwan Baan)

Thom Mayne’s Perot Museum in Dallas. (Iwan Baan)

Ladies and gentlemen, we finally have a blood feud in Los Angeles. It seems that Los Angeles Times architecture critic Christopher Hawthorne doesn’t care for Thom Mayne’s work. At all. Reviewing his new Perot Museum in Dallas, he called the building, “One of the pricey, preening old breed.” Adding, “it is a thoroughly cynical piece of work, a building that uses a frenzy of architectural forms to endorse the idea that architecture, in the end, is mere decoration.”

Hawthorne has used this vitriol on other Mayne buildings, like the Caltrans building and the Cahill Center at Caltech, which, he said, employs a “skin-and-stair strategy that allows the client to make the rest of the building—every interior office or gallery—conventional at best and banal at worst.”

Mayne, not surprisingly, doesn’t appear happy. In a recent public tour of his new offices in Culver City, led by our friend and design journalist Alissa Walker, Mayne said he would not be allowing a local architecture critic to write about his new building for his firm’s offices—he was asking a science writer to do the story instead. “All local writers are horrible,” he said. “There are no good writers in Los Angeles.” We beg to differ!

Get Going This Weekend In Los Angeles: Venice House Tour, SCI-Arc Party, CicLAvia

West
Friday, April 19, 2013
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Hopper Residence next to Arnoldi Triplex. (Larry Underhill)

Hopper Residence next to Arnoldi Triplex. (Larry Underhill)

For those of us who grew up in the 70s and 80s, it’s time to feel old. As part of its “Curating The City” series, the Los Angeles Conservancy is tomorrow hosting an amazing tour called Venice Eclectic: Modern Architecture from the 1970s and ’80s. The event features looks inside whimsical buildings by, among others, Frank Gehry (Indiana Avenue Houses/Arnoldi Triplex), Steven Ehrlich (Ed Moses Studio), Brian Murphy (Hopper House, above), Frederick Fisher, and Frank Israel. Yes, it’s time to appreciate these decades for more than disco and Madonna. After the tour there will be a panel featuring Ehrlich, Fisher, and Murphy.

And that’s just the beginning of a busy weekend for LA architecture and urbanism buffs. There’s also SCI-Arc’s 40th birthday party on Saturday night and CicLAvia—with an expanded route going all the way to the ocean for the first time—on Sunday. Get going.

View more houses on the tour after the jump.

Los Angeles’ First Complete Street On the MyFigueroa Corridor Close To Moving Ahead

West
Tuesday, April 16, 2013
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Proposed elements include separated bike lanes, improved crosswalks, new lighting, and enhanced plantings. (Courtesy MyFigueroa)

Proposed elements include separated bike lanes, improved crosswalks, new lighting, and enhanced plantings. (Courtesy MyFigueroa)

It’s been about a year since the Los Angeles Department of Transportation (DOT) took the reins over MyFigueroa, a project that hopes to remake the 4-miles in and around Figueroa Street from LA Live to Exposition Park, near USC. But things are quickly wrapping up, because the $20-million Proposition 1C funds it was awarded need to be spent by 2014. On April 9, DOT hosted a community meeting in downtown LA to unveil updated designs for this crucial connective corridor, which when finished, would be the city’s first implemented complete street.

Continue reading after the jump.

Q+A> Is Los Angeles’ Arts District As Hot As We Think?

Newsletter, West
Thursday, April 11, 2013
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Shimoda Design's rendering of Alameda Square (Shimoda Design)

Shimoda Design’s rendering of Alameda Square (Shimoda Design Group)

Last week, AN reported on the development of Alameda Square in Los Angeles, the 1.5-million-square-foot mixed use project being designed at the old American Apparel factory site on the southwest edge of LA’s Arts District. Movement on projects like this beg the question: Just how hot is LA’s Arts District? AN‘s West Coast Editor Sam Lubell sat down for a short chat with James Sattler, a Vice President of Acquisitions at JP Morgan Asset Management, to find out.

Read the interview after the jump.

Bridge Over Troubled Freeway: Secretive Bridge In Los Angeles Moving Forward?

Eavesdroplet, West
Thursday, April 11, 2013
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(Courtesy Google Maps)

(Courtesy Google Maps)

Los Angeles’ impressive new bridges have gotten a lot of press lately, including HNTB’s epic 6th Street Viaduct and Andrew Leicester’s unusual so-called basket bridge for the Metro Pasadena Gold Line extension. But one crossing is being worked on in total secrecy: a span over the 101 Freeway at Los Angeles Street, connecting the Civic Center and the Pueblo de Los Angeles.

Artists Jenna Didier and Oliver Hess, who run the city’s Materials and Applications gallery in Silver Lake, are designing the bridge. No renderings have been unveiled, and it’s all very top secret within the city, which is why eavesdrop is on the case. And while Thom Mayne (101 pedestrian bridge) and Asymptote (Steel Cloud) have both failed to make similar ideas happen, this looks like it’s actually moving. Stay tuned.

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