A. Quincy Jones: Building for Better Living
The Hammer Museum
10899 Wilshire Boulevard
Through September 8
Archibald Quincy Jones (1913–1979) was a Los Angeles–based architect known both for the glamorous homes he designed for actors like Gary Cooper, as well as his dedication to the redevelopment of middle-class housing using effective, innovative, and sustainable building methods during the 1950s and 60s. His 5,000 built projects were centered on the premise of “better living” and “greenbelt planning.” He experimented with materials like plywood, steel, and masonry block construction and intentionally built in locations where his buildings would have access to natural light, air, ventilation, and views. This exhibition is presented as a part of Pacific Standard Time Presents: Modern Architecture in L.A. The documentation on view—including original architectural drawings taken from the architect’s personal and professional archive, a case study house model, and vintage photographs—highlights a variety of Jones’s projects, including community developments, churches, libraries, restaurants, residential homes, work spaces, and schools.
The rumor-mill has been churning non-stop over LACMA director Michael Govan’s and architect Peter Zumthor’s plans for the museum. Basically it looks like they are planning to take LACMA apart and start over; an effort that failed when attempted by Rem Koolhaas and OMA back in the early 2000s. The full scope of the plans will be unveiled in June, with LACMA’s exhibition The Presence of the Past: Peter Zumthor Reconsiders LACMA. But for now we’ve gleaned that under Zumthor’s plan, not only would there be a new indoor/outdoor art park, but four of the museum’s midcentury structures would be replaced by “curvaceous modern glass structures.” That basically includes everything but the Bruce Goff pavilion and Renzo Piano’s new structures. Let’s see if the second time’s the charm.
LA architect Shawn Keltner, whose day job is lead designer at Los Angeles-based tecDESIGN (the design branch of Swiss firm tecARCHITECTURE), is doing some important work on the side: developing a wondrous play structure for his two young daughters, Kelty and Kree, aged five and two. The irregularly-shaped, 50-square-foot building, which he will put together on his family’s sloped lot in Glassell Park, will be made out of home-made SIPs and clad with Hardie Panels and polycarbonate.
There has been no official confirmation, but we’ve heard from several people involved with the show that Thom Mayne and his firm Morphosis are now leading the show, not curator Christopher Mount. Participants confirm that emails are now coming from Morphosis, not MOCA, while the show’s assistant curator Johanna Vandemoortele last week sent out an email that she had already departed from MOCA. Mount was not available for comment, but Mayne’s spokesperson Legier Stahl noted: “It is a collective, community effort. We are just helping to facilitate.” Rumor has it that Mayne is considering adding more participants, including Wes Jones, John Enright, Hitoshi Abe, and Qingyun. Stay tuned as the saga continues.
Los Angeles architect Arshia Mahmoodi, founder of the firm VOID, has launched an online petition to try to help save the troubled exhibition, A New Sculpturalism: Contemporary Architecture in Southern California at MOCA. The show, scheduled for a June 2nd opening, is currently in a holding pattern, and its curator Christopher Mount told AN he feared it would be cancelled. Mount blames mismanagement at MOCA, while several news reports have pointed to general apprehension about the show, and the recent withdrawal of Frank Gehry. Mahmoodi released the petition—directed to MOCA director Jeffrey Deitch—yesterday.
OVERDRIVE: LA Constructs the Future, 1940-1990
The J. Paul Getty Museum
Through July 21
Gleaming cars speeding down an intricate freeway system, flashy movie theatres, quirky coffee shops, sleek corporate towers and residential spaces, drive-in churches, the infamous Hollywood sign, LAX Airport (above), and a lucrative petroleum industry are just some of the many impressive characteristics associated with the rich culture of Los Angeles. This exhibition at The J. Paul Getty Museum explores a metropolis that remained in “overdrive” throughout the 20th century, implementing cutting-edge architectural design to effectively respond to civic, environmental, and socioeconomic challenges that plagued the city. In just 50 years, the city rapidly evolved into one the most influential industrial, creative, and economic capitals in the world. Through drawings, photographs, models, animations, oral histories, and ephemera, the exhibition celebrates the notable transformation of the city of Los Angeles from 1940–1990.
The intrigue continues at MOCA, whose upcoming show A New Sculpturalism: Contemporary Architecture in Southern California, is close to being cancelled, according to multiple sources. The show’s curator Christopher Mount has told AN that Frank Gehry’s withdrawal is not the cause for the exhibition’s possible demise, as was suggested yesterday in the Los Angeles Times. The real reason, he said: MOCA director Jeffrey Deitch, who halted installation of the show a few weeks ago, claiming that money for the undertaking had run out. Mount, however, says there is plenty of money left in the show’s budget. Read More
The Wall Street Journal recently published a confirmation of two things we’ve been hearing whispers of for years: One, Michael Govan is more of a builder than a museum director; and two, that Govan and Peter Zumthor are planning to basically take LACMA apart and start over. The full scope of the plans will be unveiled in June, with LACMA’s exhibition, The Presence of the Past: Peter Zumthor Reconsiders LACMA. But for now the story has gleaned that under Zumthor’s plan, four of the museum’s midcentury structures will be replaced by “curvaceous modern glass structures.”