Zaha Hadid’s Los Angeles Opera Set Completes Mozart Trilogy

Architecture, Art, On View, West
Wednesday, May 28, 2014
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Hadid's set for Cosi fan tutee. (Mathew Imaging)

Hadid’s set for Cosi fan tutee. (Mathew Imaging)

The Los Angeles Philharmonic has a thing for star architects. As part of a trilogy of Mozart operas directed by Gustavo Dudamel (himself a global celebrity), in 2012  Frank Gehry designed the set for Don Giovanni, in 2013 Jean Nouvel designed one for The Marriage of Figaro, and this month Zaha Hadid Architects has designed the backdrop for Così fan tutee, the trilogy’s finale.

Continue reading after the jump.

Another Lautner-Designed Building in Los Angeles Threatened With Demolition

AbilityFirst's Paul Weston Work Center, John Lautner's most recent endangered building (Los Angeles Conservancy)

AbilityFirst’s Paul Weston Work Center, John Lautner’s most recent endangered building. (Los Angeles Conservancy)

According to the Los Angeles Conservancy, yet another John Lautner building is in imminent danger. This time it’s the architect’s Crippled Children’s Society Rehabilitation Center, now known as the AbilityFirst Paul Weston Work Center, in Woodland Hills. Current owner AbilityFirst and Oakmont Senior Living, the potential buyer, submitted for a demolition and new construction permit in February, hoping to build a new Eldercare facility on the site, and the project was presented at a city Zoning Administration public hearing this week.

Continue reading after the jump.

Neil Denari Designing New School In Los Angeles

Architecture, News, West
Thursday, May 22, 2014
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Neil Denari. (Courtesy NMDA)

Neil Denari. (Courtesy NMDA)

Neil Denari‘s firm NMDA was recently awarded the commission for the Wildwood School, a 65,000 square foot building for 500 students on Olympic Boulevard in West Los Angeles. Other firms considered for the commission included Koning Eizenberg and Gensler. Since the selection was based on a team, not a scheme, “We are starting from scratch basically,” Denari said, adding that the “politics, culture, and academic agendas of the school are directly in line with our ideas as architects.” Stay tuned to see how that translates into a design. Meanwhile Denari is waiting for approval on another ground up structure in the area: 9000 Wilshire, a curvaceous, highly three dimensional speculative office building in Beverly Hills.

 

On View> Chicago’s Graham Foundation Presents “Everything Loose Will Land”

Midwest, On View
Thursday, May 22, 2014
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L.A. Fine Arts Squad (Victor Henderson, Terry Schoonhoven), "Isle of California," 1971. (Joshua White)

L.A. Fine Arts Squad (Victor Henderson, Terry Schoonhoven), “Isle of California,” 1971. (Joshua White)

Everything Loose Will Land
Graham Foundation
4 West Burton Place, Chicago
Through July 26

Everything Loose Will Land explores the intersection of art and architecture in Los Angeles during the 1970s. The show’s title refers to a Frank Lloyd Wright quote that if you “tip the world over on its side and everything loose will land in Los Angeles.” This freeness alludes to the fact that this dislodging did not lead to chaos but rather a multidisciplinary artistic community that redefined LA.

Continue reading after the jump.

Here’s Rem Koolhaas’ “Floating” Runner-Up Proposal for Los Angeles’ Broad Museum

Architecture, Newsletter, West
Monday, May 12, 2014
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OMA's proposal for the Broad Museum. (Courtesy OMA)

OMA’s proposal for the Broad Museum. (Courtesy OMA)

With Eli Broad hyping his DSR-designed Broad Museum in Downtown Los Angeles, we thought it would be appropriate to share The Broad that never was: OMA’s runner up proposal. As featured in this author’s book, Never Built Los Angeles, Rem Koolhaas’s firm proposed a “floating” box covered in a lacy-patterned metal screen and cantilevered via steel brace frames above Grand Avenue.

More images after the jump.

Christopher Mount to Open Architecture and Design Gallery in Los Angeles

Mies van der Rohe, New National Gallery, Berlin, 1968, photograph by Balthazar Korab. (Courtesy Estate of Balthazar Korab)

Mies van der Rohe, New National Gallery, Berlin, 1968, photograph by Balthazar Korab. (Courtesy Estate of Balthazar Korab)

Having observed the absence of architecture and design materials from the American art collection scene, curator and scholar Christopher W. Mount decided to fill the gap himself. His eponymous Los Angeles gallery, housed in the Pacific Design Center, opens to the public on Friday, May 23 with A Modern Master: Photographs by Balthazar Korab. A second gallery, open by appointment, will be located on the Upper West Side in New York. “I really thought that this was the time,” said Mount. “I thought, ‘Here is a subject matter that major museums collect, and there hasn’t been somebody who opened a gallery.’” Read More

Eavesdrop> Is Zoltan Pali Out at the Academy Museum?

Eavesdroplet, West
Thursday, May 8, 2014
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02b-academy-museum-losangeles-renzo-piano-archpaper02a-academy-museum-losangeles-renzo-piano-archpaper

 

In sad but spectacular gossip news, we’ve been informed that Culver City firm SPF:a has been removed from the Academy of Motion Pictures Arts and Sciences’ new museum project in Los Angeles. SPF:a principal Zoltan Pali had been working with Renzo Piano on the project since 2012.

Continue reading after the jump.

Did Boston’s Millennium Tower Break a “Record” With Its 36-Hour Concrete Pour?

Boston's Millennium Tower. (Courtesy Handel Architects)

Boston’s Millennium Tower. (Courtesy Handel Architects)

After a continuous 36-hour concrete pour last weekend, Boston’s Millennium Tower is ready to rise above the city skyline. The day-and-a-half-long pour of 6,000 cubic yards for the Handel Architects–designed project is being called a “record concrete pour” by local press—and it probably is, at least in terms of hours spent pouring. But if you crunch the numbers, as AN did, the pour in Beantown reveals that the tower’s concrete took its sweet, sweet time to flow. We’ll explain.

Read More

Is Los Angeles’ Convention Center Expansion Moving Ahead?

Architecture, Development, West
Tuesday, April 29, 2014
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It appears that Populous's plan for the Convention Center expansion is dead. (Populous)

It appears that Populous’ plan for the Convention Center expansion is dead. (Courtesy Populous)

According to LA Downtown News, while AEG’s proposed downtown football stadium, Farmers Field, remains on hold, the city’s Bureau of Engineering will most likely be holding a three-team design competition to rebuild part of its sister project: the LA Convention Center, down the street.

Read More

On View> Cage Dancing At Los Angeles’ Materials & Applications Gallery

Art, On View, West
Thursday, April 24, 2014
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La Cage Aux Folles (Sam Lubell/ AN)

La Cage Aux Folles (Sam Lubell / AN)

The latest installation at Silver Lake gallery Materials & Applications, Warren Techentin’s La Cage Aux Folles, truly brought out the inner monkey in Los Angeles’ architecture community this weekend. The cage-like structure is made of a vast series of curved structural steel tubes, which simultaneously rigidify the piece and create unique spaces in and around it.

Continue reading after the jump.

Friday> One Day In LA, an Open Source Investigation of Los Angeles

City Terrain, West
Wednesday, April 23, 2014
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Screen Shot 2014-04-01 at 1.14.49 PM

Looking up at Downtown LA’s skyline.  (onedayinla.org)

This Friday hundreds of filmmakers, non-profits, and citizens will take place in One Day In LA, a “media creation event” compiling videos that investigate the future of the city. The resulting shoots, which are being collected on onedayla.org, will be shared in an interactive archive and (in edited form) on a television series on public TV about the future of the American city. Continue reading after the jump.

Apertures, An Organism-like Installation at SCI-Arc, Opens Friday

West
Thursday, April 10, 2014
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B+U's Apertures installation (Courtesy B+U)

B+U’s Apertures installation (Courtesy B+U)

On April 11, Los Angeles–based firm B+U will open their latest installation, called Apertures, at SCI-Arc Gallery. The structure, already assembled inside the space, is 16-feet-tall and made up of 233 1/8-inch-thick plastic panels. Its warped shape resembles a natural organ or organism (a heart? a strange alien plant?), and in many ways it acts like one.

Continue reading after the jump.

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