We knew Rem Koolhaas had a crush on Miuccia Prada, but now Frank Gehry and her have teamed up, and it’s not for a new “epicenter.” As The New Yorker details in a Talk piece this week, the Santa Monica architect was asked by his artist friend Francesco Vezzoli to design a hat for none other than walking art piece Lady Gaga, and the hat, along with her dress, were made by Prada for a benefit at LA’s Museum of Contemporary Art last month. As Dana Goodyear describes it, “Gaga wore the Gehry hat all folded in on itself, a millinery version of Walt Disney Hall.” But this being The New Yorker, there were no pictures, only a drawing, so we had to see the hat for ourselves, which, thanks to Gaga Daily, we found it. Read More
David Rockwell’s star turn at the Oscars last year won the designer considerable plaudits, so he’s been asked to reprise his role, according to UPI. “We loved the look and feel that David created for the Oscar show last year,” one of the producers said. “David is so creative and has such a great big-picture approach to set design,” said another. The well-known interiors ace has done considerable amount of work on Broadway as well as the Kodak Theater where the Oscars are taped, so really, it’s like a homecoming.
Architect and SCI-Arc Director Eric Owen Moss talked to us the other day to correct our recent post on SCI-Arc’s future in the LA Arts District. Yes, he agreed, SCI-Arc does want to eventually own its own home (it tried unsuccessfully to buy its building from its landlord, developer Meruelo Maddux, a few years ago) . But the school’s lease is not up next year, nor does SCI-Arc face any pressure to leave anytime soon.
“SCI-ARC’s not going anywhere. SCI-Arc has no plans to go anywhere, and is not obligated to go anywhere,” he said. Read More
We’ve just learned thanks to the LA Times and Curbed that LA Community Redevelopment Agency (CRA/LA) CEO Cecilia Estolano is stepping down from her post at the end of this month. Estolano was widely-praised for her aggressive moves to promote affordable housing, turn around struggling neighborhoods, establish a Clean Tech corridor in Downtown LA, and bolster the agency’s funding, even in difficult economic times. We just ran a Q+A with Estolano in our last issue, which can be read here. Estolano is reportedly taking a job with Green For All, an Oakland-based environmental group focused on generating green jobs in underserved neighborhoods. We’re trying to get a follow-up with Estolano now, so stay tuned…
Granted he’s won the Pritzker Prize and had a string of recent successes, but all the same we were more than surprised to get a forwarded White House press release from Morphosis today touting the appointment of Thom Mayne, one of the industry’s gruffer individuals, to the President’s Committee on the Arts and Humanities. He is the only practicing architect on the list. Created in 1982, the committee, according to its website, brings, well, the arts and humanities into the White House. Headed by the First Lady, activities under the previous administration included an “unprecedented” cultural exchange with China, a “bi-national cultural communique” with Mexico, and the creation of the Coming Up Taller awards to honor school-age artists. Read More
On Saturday the LAPD cut the ribbon on its new police headquarters in downtown LA. The $437 million dollar facility, designed by AECOM, will house officers and staff within a 10-floor building that includes a rooftop helipad, glass-walled passageways, a large plaza, and exterior concrete walls with energy efficient high-performance glazing. Visitors will be able to eat at the 200-seat restaurant, LA Reflections, before viewing the outdoor memorial created to honor officers killed in the line of duty. AECOM partnered with a massive team that also included landscape architect Melendrez, Gensler, John Friedman Alice Kimm, and many many more. Read our review of the building in the next California issue, where we also give props to interesting new police buildings in LA by A.C. Martin, Perkins + Will and others.
As the LA Times and Curbed LA both reported yesterday, the LA County Metropolitan Transportation Authority (METRO) finally voted yesterday (after several postponements) to approve its Long Range Transportation Plan. The plan outlines how METRO will spend about $300 billion over the next 30 years, focusing on mass transit projects like the Westside subway extension of the Red Line to Santa Monica, for which the county will be seeking substantial federal funding (most of the projects will need support from the feds, although LA County is aided by its new sales tax increase approved last year).
Other major initiatives include the Gold Line extension east from Pasadena, a downtown regional connector, the continuation of the Expo Line to Culver City and Santa Monica, and a Green Line extension to LAX. Of course before Angelenos get too excited about all this rail-related news, it’s worth noting that more than 2/3 of the plan is dedicated to highway (widening and surface improvements) and bus-related expenditures (rail makes up about 1/6). And then there’s the timeline: is there one? We haven’t seen it yet… Please help us find it!
It’s been a long time coming, but the fully-entitled One Santa Fe mixed-use project, designed by Michael Maltzan in downtown Los Angeles’ Arts District, is finally nearing the start of construction. After nearly a year of reworking the final drawings to minimize costs, the $150 million project, developed by a partnership that includes the McGregor Company, Polis Builders, and Goldman Sachs, will begin construction in mid 2010 with an anticipated completion 36 months thereafter. Read More
The once-great Ambassador Hotel is gone. And in its place rises the Central Los Angeles Learning Center #1, a 4,000+ student megacomplex that will include elementary, middle, and high schools. The elementary school was just completed (article forthcoming in our next issue) by Gonzalez Goodale Architects, and the other two schools will be done next fall. On our tour we got a preview of the Ambassador, circa 2010. The High School will have a huge glass curtain wall, allowing onlookers on Wilshire Boulevard to spy into classes. The Ambassador’s Cocoanut Grove nightclub is being recreated to form the school’s new auditorium. Like the Cocoanut, it will have some intricate ornamentation and even recreations of trees (via projector). Two pieces from the original building will remain: its east wall, and its west canopy (pictured above). Other recreations will include the hotels’ cavernous ballroom, which will hold the school’s library (pictured below). Read More