With all the news coming out of Gensler lately we’ve officially declared November Gensler Month. The latest is the firm’s new offices inside the Jewel Box building in Downtown LA, a glassy former bank branch located between huge towers at City National Plaza.
Yesterday, Gensler unveiled its newest plans for Farmers Field, Downtown LA’s proposed football stadium, which, of course, is still awaiting a team to play in it (as are several other proposed stadiums in California). The biggest changes to the design involve the roof, which will now have large projecting wings (likely made of ETFE, said one Gensler architect). The roof will no longer be retractable, but “deployable,” meaning the roof can be taken off, but not instantaneously, which will bring the structure’s cost down significantly, Gensler pointed out. The new roof design, which will open up views to the city, was likened to “shoulder pads” by Curbed LA, perhaps a fitting design for a football stadium?
So that the stadium doesn’t dwarf the rest of the adjacent LA Live, it will be partially sunken into the ground, noted Curbed. Meanwhile two levels of stadium meeting and suite space will connect directly to the new convention center that developer AEG is also planning for the site. AEG hopes to have the stadium ready by the 2016 football season.
Just when we were getting used to Behnisch Architekten having an office in Venice we learn that leader Christof Jantzen is leaving and the office is closing. Stuttgart-based Behnisch opened the outpost back in 1999 and the location has worked on projects ranging from a lab at Yale, student housing at UC Berkeley, and an upcoming parking garage in Santa Monica. Now Behnisch’s only U.S. office is in Boston.
“It’s an evolution,” described Jantzen. “We had a successful story together.”
Here comes the good news: Jantzen is starting his own firm, Christof Jantzen Architecture, just down the street, and he hopes to take some of Behnisch’s eight Los Angeles employees with him. Jantzen described the venture as on the “smaller scale” to begin but noted, “we’ll see how it develops.” The web site isn’t yet live, but it will be www.cjantzen.com.
In last issue’s Eavesdrop we noted that world famous LA architectural writer Reyner Banham (Architecture of Four Ecologies), who died back in 1988, now has a Facebook page with over 600 friends, most of whom think he’s still around. We’ve discovered who’s behind the fake page. Architect Parsa Khalili tells us he started it for an assignment in a seminar course at Yale School of Architecture in 2008. Khalili says he forgot about the account until one day he signed in and saw 30 people waiting to be his friend. Since then Banham has accrued friends from around the world, sending him birthday wishes and thanking him for the great honor of friending them. “Honestly I have no idea why I even bother but it has become such an absurdity it’s hard to totally let go,” explained Khalili.
New York isn’t the only city celebrating Archtober. In Los Angeles, October has officially been “Architecture Month” since Mayor Villaraigosa declared it so back in 2007. The AIA/LA hopes the month-long festivities will help to “educate the public about architecture and architects, celebrate the profession and encourage the dialogue between those interested in the built environment.”
Diller Scofidio + Renfro’s Broad center for contemporary art features a distinctive structural honeycomb facade. It may be getting a neighbor with another notable facade, a new 19 story apartment building with staggered windows in a variety of sizes designed by Miami-based Arquitectonica. According to blogdowntown, the building would include 258 units with 52 set aside for affordable housing and 308 parking spaces in a three level below-grade garage. Developed by Related Companies, the tower would share the plaza with DS+R’s museum and back up to the planned Regional Connector light rail station.
Chimes Bridged. It seems there’s something to making music while we walk. First a Swedish architect designed piano stairs and now an artist has created a musical bridge. Blending the sculptural, auditory, and kinetic, artist Mark Nixon designed a whimsical bridge that “sings.” Chimes hidden below the span are activated as visitors walk across, Gizmodo says. The musical creation was last displayed at Sculpture by the Sea, an exhibition in Aarhus, Denmark.
Village Uncovered. Villa Epecuen, a town located on Lake Epecuen, southwest of Buenos Aires, was flooded in 1985, but now after more than two decades, the water is receding. Photographs by The Atlantic uncover a strange, haunting landscape: aerial views expose the original street layout of the town, while others reveal original trees and cars visible amid the rubble.
Carmageddon Averted. For two days last weekend, the busiest stretch of highway in America—the 405 Freeway in LA—was shut down for construction. While many feared disastrous traffic jams bringing life in LA to a halt, it turns out that life went on without incident, according to the LA Times. During the traffic-non-event, JetBlue offered to fly residents between two of the city’s airports in Burbank and Long Beach, sparking a challenge from cyclists who said they could make the trip faster. As reported in Slate, it turns out the bikes were right, making the trip nearly an hour-and-a-half faster than by plane.
Destruction Archived. Information Aesthetics points us to the “Hiroshima Archive” which documents the extensive societal and structural devastation the atomic bomb caused 66 years ago. Using Google Earth’s virtual globe, the digital archive exhibits topographical maps, contemporary building models, photographs, and personal accounts from the Hiroshima Peace Memorial Museum, the Hiroshima Jogakuin Gaines Association, and the Hachioji Hibakusha (Atomic Bomb Survivors) Association.
This Saturday the Natural History Museum of Los Angeles County will unveil Dinosaur Hall, a 14,000 square-foot permanent dinosaur exhibit featuring 20 dinosaur skeletons and over 300 fossils, as well as interactive displays and informative excavation videos. The majority of the prehistoric bones are real, giving viewers an authentic glimpse into the world 65 million years ago.
With its footprint unchanged, the museum was rejiggered to accommodate the super-sized Hall. The new exhibit boasts two, two-story galleries that are conjoined into a mesmerizing display of jumbo-sized specimens that visitors can walk under, around and even come face-to-face with. Designed by CO Architects in collaboration with exhibition design firm Evidence Design, the new dinosaur digs encompass the museum’s original, recently restored, 1913 Beaux Arts structure and its 1920s addition which has been outfitted with floor-to-ceiling windows.