Ball-Nogues Studio: Yevrus 1, Negative Impression
960 East 3rd Street
Los Angeles, CA
June 1–July 8
On display at the SCI-Arc Gallery is Los Angeles–based architecture practice Ball-Nogues Studio’s Yevrus 1, Negative Impression, which attempts to call into question the current fashionability of abstracted and digital forms. Through an assemblage of non-architectural objects represented very literally, the project represents a new type of site survey. The objects selected to be part of the structure were picked from the Los Angeles suburban landscape (a pool, above) and become the elements of an installation. The architects used digital scanning technology to make biodegradable paper-pulp castings of 1973 Volkswagen Beetles and speedboats for a lookout tower in the gallery. Yevrus (“survey” spelled backwards) is a new technique pioneered by the firm that rethinks the site survey by utilizing it not as a tool for construction and engineering, but as a methodology of deriving form, creating structures, and realizing meaning.
This editor’s recent piece on the divide between architectural education and architectural practice has spurred a lot of discussion, prompting both high praise for addressing a worsening problem and charges of, ahem, “neoconservatism.” If it’s a debate that interests you, please join us next Tuesday, May 29 at Gensler’s new headquarters for the panel discussion, “A Teaching Moment.” Panelists include UCLA’s Neil Denari, Michael Maltzan, USC’s Alice Kimm, Woodbury’s Barbara Bestor, SCI-Arc’s John Enright, and Gensler’s Li Wen. At the panel we will discuss not only the schism between practice and education, but also new approaches toward technology, urbanism, and more. See you there!
Robert Adams: The Place We Live
Los Angeles County Museum of Art
5905 Wilshire Blvd., Los Angeles
Through June 3
In his 45 years photographing the American West, Robert Adams has documented the evolution of landscape and our relationship to it. In response to the rapid development of his surroundings in Colorado Springs and Denver, Adams began photographing a landscape marked by tract housing, highways, and gas stations. His photographs, Adams says, “document a separation from ourselves, and in turn from the natural world that we professed to love.” Nearly 300 prints showcase Adams’ career, from his early shots of Colorado’s desolate terrain to his recent works documenting migrating birds in the Pacific Northwest, with special focus on his portrayal of the Los Angeles region.
The building of a proposed neighborhood symbol on the corner of Sunset and Santa Monica Boulevards in Silver Lake has been pushed back due to lack of funds. After winning the Envisioning Silver Lake competition last summer, LA firm ALLTHATISSOLID (ATIS) has been working with the city’s Bureau of Street Services (BSS) to scale back and refine the design, called “Bloomrs,” to fit the $100,000 budget with room for curbing and other street improvements included. The saddle-shaped structure, made of Cor-ten steel, has already been re-designed to occupy a smaller footprint and rises to a shorter height.
Breaking Ground: Chinese American Architects in Los Angeles (1945–1980)
The Chinese American Museum
425 North Los Angeles St., Los Angeles
Through June 3
As part of the Pacific Standard Time initiative, the Chinese American Museum presents Breaking Ground to showcase the pioneering contributions made by four Southern California–based Chinese American architects. These architects, Eugene K. Choy, Gilbert Leong, Helen Liu Fong, and Gin Wong, all made contributions to the development of postwar California architecture, from Choy and Leong’s playful Chinatown Modernism to Wong’s radical masterplan for LAX and Fong’s development of the Googie style (think neon signage and cantilevered boomerang-shaped roofs). Original and reproduced photographs, blueprints, renderings, and drawings of works by the architects are on display, including original photographs by architectural photographer Julius Shulman (above, The Choy House).
LA’s proposed 44-acre Hollywood Central Park, which would be set atop the capped 101 Freeway between Santa Monica and Hollywood boulevards, made new friends in Washington last week, according to the LA Daily News. U.S. Transportation Secretary Ray LaHood met with local congressman Adam Schiff and Friends of the Hollywood Central Park (FHCP), a non-profit formed in 2008 to raise funds for the park. LaHood expressed interest in the project, and provided insights on its development and possible benefits. He also offered to have members of his staff contribute to its planning process.