The Center or Urban Pedagogy (CUP), long one of the most provocative, insightful and productive non-profits in New York City, is holding its annual benefit event Thursday ,October 16th at The Green Building, 452 Union Street in Brooklyn. CUP uses the power of design and art to increase meaningful civic engagement. It has a long history of successful collaborations with designers, educators, advocates, students, and communities to make educational tools that “demystify complex policy and planning issues.” There is not organization in New York more deserving of our support than CUP and tickets are now on sale for the evening of conversation, cocktails, and CUP projects! Get your tickets now!
The American Academy in Rome announced the winners of the 116th annual Rome Prize Competition. Drawn from a variety of disciplines including musical composition, literature and design, fellowships have been awarded to 30 Italy-bound scholars. Randall Mason and Elizabeth Kaiser Schulte have been awarded the Historical Preservation and Conservation fellowships; Pablo Castro Estévez and William O’Brien Jr. for Architecture, and Ross Benjamin Altheimer and Karen M’Closkey for Landscape Architecture. Recipients of the 2012-2013 Rome Prizes are provided with a fellowship that includes a stipend, a study or studio, and room and board for a period of six months to two years in Rome, Italy.
It’s a story that’s been told in city after city. If you build it, they won’t leave. Professional sports teams hold cities hostage, playing on the loyalty of fans to get expensive, taxpayer-funded facilities, while displaying little civic loyalty of their own. Anyway! In Minneapolis, the Vikings have said they won’t decamp for Los Angeles if the city and state agree to help build a new $975 million stadium on the site of the Metrodome, according to the Star-Tribune.
The small world of classicist architecture in America–where many former Postmodernists found refuge after the dial of taste turned away from jokey historical references and pasted-on pediments–is working overtime to rehabilitate the 70s and 80s stylistic counter reformation. First was the recent conference, “Reconsidering Postmodernism,” organized by the Institute of Classical Architecture & Art, which brought out many of the movement’s old stars for presentations, chats, and a lot of hand wringing. Today, the Chicago-based Richard H. Driehaus Foundation announced that Michael Graves was this year’s winner of the $200,000 Driehaus Prize.
The Enviornmental Protection Agency is beginning its analysis and cleanup of the filthy yet fascinating Gowanus canal. It’s proving to be full of all kinds of junk, including horrendous carcinogenic chemicals and, as the Brooklyn Paper reports, a 60 foot long sunken ship!
Located where Fifth Street meets the canal, the wooden ship likely dates from the 19th century, the channel’s shipping heyday. What we’re calling the S.S. Superfund was discovered through sonar scanning, its outline is clearly visible in the image above.
This is the second time in a year that New York’s maritime past has resurfaced. Last summer another submerged ship was found buried at the World Trade Center site.
Two new competitions of note explore possible futures for Chicago‘s public realm. The 2011 Burnham Prize ideas competition sponsored by AIA Chicago and the Chicago Architectural Club calls for new visions for the McCormick Place East building, the 1971 modernist covention center on the lakefront designed by Gene Summers of C.F. Murphy Associates.
The massive, Miesian building has a powerful presence on the lakefront, and a vast column-free interior, but parks advocates have long contended it should be removed. Meanwhile, the building’s owner, the Metropolitan Pier and Exposition Authority, says it needs $150 million in repairs and is functionally obsolete.
The competition aims to inspire new dialogue around the future of the building and site. The Street Furniture 2011 competition sponsored by Architecture for Humanity‘s Chicago chapter aims for something more universal, new street furniture that could be deployed to activate almost any vacant site.
The University of Notre Dame School of Architecture announced that Robert A. M. Stern has been named this year’s Richard H. Driehaus laureate. The prize, which comes with a $200,000 purse, “honors the best practitioners of traditional, classical, and sustainable architecture and urbanism in the modern world,” according to a statement. Founded in 2003, the prize has previously honored lesser known architects such as Rafael Manzano Martos of Spain and Abdel-Wahed El-Wakil of Egypt in addition to marquee American traditional and classicist architects like Andres Duany and Elizabeth Plater-Zyberk and Allan Greenberg (several Driehaus recipients have also won or been involved in the National Building Museum’s Vincent Scully Prize).
Click through to see more of Stern’s work
In April, a seven foot tall presentation drawing of the AT&T building was purchased by the Victoria and Albert Museum in London for $71,000, one of the highest prices ever paid for a “modern architectural drawing,” according to a release. The Philip Johnson drawing was sold through the Wright auction house in Chicago, which has become a specialist in selling architectural materials. The V&A will show the piece in an upcoming exhibition on postmodernism. It is one of only a handful of works by an American in the museum’s 35,000 piece architecture collection.
The building is famous for its “Chippendale” top, which, when it opened in 1984, signaled the ascendency of postmodernism and the return of historical styles and classical references to the architectural vocabulary.
The drawing is part of a larger archive of Johnson’s work, which includes thousands of drawings, plans, and photographs of AT&T, Pennzoil Place, PPG Place, and the Chrystal Cathedral. The owner of the archive wishes to remain anonymous, according to the release.