The London headquarters of insurance giant Swiss Re at 30 St Mary Axe, known locally as “the Gherkin,” was scheduled to take its true form, today—a giant green pickle—thanks to Jackpot Joy, a British online gambling site, which promised last month to light up Sir Norman Foster’s iconic skyscraper with a digital projection. The foodie facelift called for wrapping the 41-story tower in a special non-reflective film requiring a crew of ten and around 900 man-hours. With no news that the tower is actually glowing, the stunt appears to have been too large a gamble. The jokesters, however, last year successfully sent a 60-foot rubber duck down the Thames. It appears this is strike two for recladding the tower after a campaign to transform it into a penguin went nowhere as well.
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MC/2* is composed of .04-thick laser-cut polypropylene and aluminum rivets. Each component is flexible, but when assembled the surface becomes rigid.
The triangular MC/2* is the latest iteration of London-based Romanian architect Vlad Tenu’s Minimal Complexities Series. With this prototype, he continues to explore the idea of creating minimal surface geometries from modular components—a thread that has been present throughout much of his work. This time, he has pushed the boundaries even further by whittling down the components.
The undulating structure, made of translucent laser-cut polypropylene and aluminum rivets, was first unveiled hanging from the ceiling of the Open House event for Digital Shoreditch Festival 2012. It was then exhibited months later, at the International Architecture and Design Showcase at the London Architecture Festival 2012. This prototype follows a natural progression in this ongoing series, which gained recognition when Tenu was named the winner of the second annual Tex-Fab Repeat Digital Fabrication Competition for his Minimal Complexity structure in 2011.
It’s been a good year for breathtaking views of cities around the world so far. Today the observation deck at the top of Renzo Piano’s Shard Tower in London opened to the public after London Mayor Boris Johnson cut the ribbon on the 800-foot-high platform. To celebrate, The Guardian has launched an interactive panorama of London taken from the top of the Shard, some 1,150 feet above the city streets, complete with the wooshing sound you very well might hear if you were actually perched atop the tower. The panorama also features stories and statistics about buildings and places throughout the city as you pan and zoom for the rest of the evening.
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Making a strong, modular and architecturally significant pavilion on pocket change
For the Designers in Residence exhibition, Design Museum London asked four teams to respond to a brief entitled “Thrift.” The four resulting projects address the notion that “the limitations of economy require more resourceful, inspired and intelligent use of materials and process” and that the constraints of thrift ultimately lead to “a more creative and fully resolved outcome” than a project with limitless resources.
One of the four chosen proposals came from Lawrence Lek, an architect and sculptor who worked with Ken Yeang in Malaysia and Foster + Partners in London before founding his eponymous studio in 2011. For his project, “Unlimited Edition,” he reflected on how he has approached fabricating prototypes since completing his studies at the Architectural Association (AA) in 2008. “I remember a lot of students’ work, and mine especially, could be very extravagant with materials because being in school you have the luxury of many resources… One thing I found difficult just after leaving the academic world was actually fabricating prototypes.”
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A 100 percent PET plastic garden grows in London
If you were fortunate enough to visit the London Olympics this summer and happened to walk through Victoria Park or the main quad at University College London (UCL) on your way to the games, then you experienced BLOOM, a big, bright, architectural garden created by complete strangers who gathered over the course of the two weeks to piece together 60,000 plastic game pieces, all dyed official Olympic hot pink. Designed by Alisa Andrasek and Jose Sanchez, two architecture professors from UCL’s Bartlett School of Architecture, BLOOM was selected by the Greater London Authority for a series of events and installations mounted in two locations during the games with a third location in Trafalgar Square to follow for the upcoming Paralympics.
Andrasek and Sanchez had been developing the idea for an open-ended, crowdsourced game that would encourage interaction between people in a large public space when the opportunity to be involved with the Olympics arose. The timing was perfect. Here was a moment in the city’s history when locals and tourists alike would be in the same location to celebrate athletics, and Andrasek and Sanchez hoped to capitalize on that spirit of camaraderie. The game starts with the pink game pieces, called cells. Each 16 inch-long cell is made of 100% PET plastic and has three points of entry, or notches used to connect the pieces together. Once Andrasek and Sanchez created a design for the cells, they were injection molded at Atomplast, a Chilean plastics fabricator that Andrasek and Sanchez had worked with previously. The cells are flexible, durable and can be bent and twisted into different configurations without warping or breaking. There were also several structural steel components on hand for using with the cells to build benches, tables, forts and other larger formations. Read More
The State Department’s Overseas Building Operations (OBO) released new renderings by KieranTimberlake of the United States Embassy to be located near London’s Vauxhall neighborhood. The project has acted as something of a petri dish for the development of OBO’s Design Excellence program, which was modeled on a similar program at the much-beleaguered GSA. The London project has been watch closely by federally commissioned architects who must comply with design requirements that combine energy efficiency, sustainably, intense security, and high design. “They continue to use this project as a test case for sorting that stuff out and to continue to achieve really high levels of refinement and design excellence,” concurred James Timberlake.
The twelfth Serpentine Gallery Pavilion in London is nothing without the first eleven. The collaborators responsible for the wonderfully intricate Beijing National Stadium (aka the Bird’s Nest) in 2008—Swiss architects Herzog & de Meuron and Chinese artist Ai Weiwei—have designed a temporary pavilion inspired by the archaeology of previous structures by Peter Zumthor, Jean Nouvel, and Zaha Hadid, among others.
Coca-Cola has big plans for an Olympic Park pavilion for London’s 2012 sporting extravaganza. London-based architects Pernilla & Asif have created the “Coca-Cola Beatbox,” a spiraling structure clad in red and white panels that appear to be suspended in frozen animation. It’s not only an intriguing structure but an interactive musical instrument. The experimental architecture works with cutting edge sound technology, encouraging people to interact and “play the pavilion.”
Inspired by sounds of the Olympic games—the plunge of an archer’s arrow into a target, athlete’s quickened heartbeats, squeaking sneakers—the Beatbox will be imbedded with sound-bites created by Grammy Award-winning producer Mark Ronson that allow visitors to remix their own mashed-up productions.
Prairie Hotel. After a 2-year, $18 million renovation, Frank Lloyd Wright’s last standing hotel has reopened in Mason City, Iowa. The Historic Park Inn Hotel is a premier example of the Wright’s Prairie style, and features deep hanging eaves and a terra-cotta façade. A massive art-glass skylight drenches the lobby in multi-colored light. More at ArtInfo.
Library of Glass. Although Philip Johnson’s Glass House library is transparent, Birch Books Conservation will soon offer the public a view the architect’s library without a trip to New Canaan. The non-profit publisher hopes “to preserve the professional libraries of artists, architects, authors, and important public figures through publishing photographic and written research,” with an inside look at Johnson’s personal collection, reported Unbeige.
Mapping Poverty and Rebellion. The Guardian opened up the recent London riots for debate. Journalist Matt Stiles mapped the newspaper’s accumulated data of riot hot spots on a plan of London’s neighborhoods. Deep red stands for the British capital’s poorest regions, while blue represents the wealthiest communities.
Metro In-The-Middle. The long-awaited Culver City Expo Line station was delayed by a disagreement between Culver City and construction authorities. Now, the two parties have agreed to the $7 million budget increase, which will fund a pedestrian plaza, bike lanes, parking facilities and pavement improvements. More at Curbed LA.
Store in Print. Aesop director Dennis Paphitis and Brooklyn architect Jeremy Barbour of Tacklebox stacked 1,800 copies of the New York Times for the new Aesop skin care kiosk in Grand Central Station. While perhaps not our preferred choice for newsprint here at the paper, the gray pages create a rich texture on which to displayed beauty products. More at Co.Design.
Shipping Shop. London hopes to claim the world’s first pop-up shopping center made of shipping containers, to be designed by British firm Waugh Thistleton. Renderings of BoxPark revealed on Treehugger show the site-manufactured boxes stacked and outfitted with reusable materials.
Bagging a House. At the Studi Aperti Arts Festival in Ameno, Italy, design studios Ghigos Ideas and LOGh presented their architectural response to the seemingly endless supply of plastic bags. With help from students at Milan Polytechnic, the architects transformed an unfinished building with a wing made entirely of grocery bags. More at We Heart.
Green Talk. DesignIntelligence released their 2011 “Green & Sustainable Design Survey,” claiming that despite innovation in sustainable building, green construction is not yet mainstream practice. DI editor James Camor said sustainability and LEED is on the table, but maintained architects have not recognized the initiative’s urgency. More at The Dirt.