MC/2* is composed of .04-thick laser-cut polypropylene and aluminum rivets. Each component is flexible, but when assembled the surface becomes rigid.
The triangular MC/2* is the latest iteration of London-based Romanian architect Vlad Tenu’s Minimal Complexities Series. With this prototype, he continues to explore the idea of creating minimal surface geometries from modular components—a thread that has been present throughout much of his work. This time, he has pushed the boundaries even further by whittling down the components.
The undulating structure, made of translucent laser-cut polypropylene and aluminum rivets, was first unveiled hanging from the ceiling of the Open House event for Digital Shoreditch Festival 2012. It was then exhibited months later, at the International Architecture and Design Showcase at the London Architecture Festival 2012. This prototype follows a natural progression in this ongoing series, which gained recognition when Tenu was named the winner of the second annual Tex-Fab Repeat Digital Fabrication Competition for his Minimal Complexity structure in 2011.
The Boston Harbor Islands Pavilion roof channels rainwater for irrigation on the Rose Kennedy Greenway.
Jump on a ferry in Downtown Boston and in twenty minutes, you’ll arrive at the Boston Harbor Islands, an archipelago of 34 islands dotting Boston Harbor managed by the National Park Service. To entice city-dwellers to make the trip, Boston-based Utile Architecture + Planning has designed a composite steel and concrete pavilion with a digitally fabricated roof for the National Park Service and the Boston Harbor Island Alliance to provide travel information and history about the Islands and a shady respite atop the highway-capping Rose Kennedy Greenway.
Two thin overlapping concrete canopy slabs supported by delicate steel beams provide a sculptural shelter. Utile digitally designed the $4.2 million Boston Harbor Islands Pavilion using Rhino to respond to the surrounding cityscape and serve as a playful rainwater-harvesting system to irrigate the Greenway’s landscape.
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The designer’s most recent collaboration with Milgo/Bufkin explores mass customization
Architect-morphologist Haresh Lalvani is continuing his longtime relationship with Brooklyn-based fabricator Milgo/Bufkin with the Morphing Fruit Platter 1D Series 300, which was unveiled at this year’s Design Miami as part of the Moss exhibit, Mass Customization of Emergent Designs. The 100 platters presented at Moss represent the designer’s latest thoughts about the intersection of mathematics and manufacturing based on a process he calls Lautomation.
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Lisa Iwamoto and Craig Scott, principals at IwamotoScott Architecture first established a relationship with Obscura Digital, a digital media company, three years ago in order to collaborate on a new hemispheric theater encased in a geodesic dome in Dubai. While the project was scuttled by the recession, the two firms stayed in touch, and when Obscura acquired new office space in a 1940s-era warehouse in an up-and-coming San Francisco neighborhood, they again called on IwamotoScott to design it, and even invited the architects to move into their new space.
Working with a tight budget, IwamotoScott injected digitally fabricated details that would give focus and add drama to the large industrial space. A black-box conference room that Scott describes as bringing “shrink-wrap to seismic bracing” is perched on the edge of a second-floor mezzanine while a 32-foot laser-cut screen wall comprised of cells that appear to collapse into fluid scales sequesters the architect’s space within the digital media company’s headquarters.