Quick Clicks> Gondolas, Landmarks, Main Streets, Paris
Shifting Skyline. London’s famed skyline may be getting an addition, and it’s not a new building. The Architect’s Journal tells us that Mayor Boris Johnson recently approved a plan by architects Wilkinson Eyre and Expedition Engineering for a proposed cable car system designed to link two key 2012 Olympic venues, the O2 Stadium and the Excel Exhibition Hall.
NYC’s Youngest Landmark. The New York Times City Room blog reports that NYC has four new landmarks: the Engineer’s Club, the Neighborhood Playhouse, Greyston Gatehouse and the Japan Society, which having been completed in 1971, makes it the youngest of the city’s historic landmarked structures.
Red Hook North. Meanwhile NYT Magazine reports that Red Hook developer Greg O’Connell hopes to do for tiny Mt. Morris, NY what he did for a slice of once-decrepit Brooklyn waterfront. Will the former NYPD detective’s progressive form of gentrification and downtown revitalization work in an ailing upstate town?
Onion domes in Paris. Inhabitat shares the news that the Russians are coming to Paris, in the form of a new domed church and cultural center. Situated near the Eiffel Tower, this new structure is the result of bi-national collaboration from the architects at Arch-Group and Sade Sa.
Manufacturers Trust Gets Yellow Light
“Sometimes the best way to restore a historic structure is to reuse it.” The comment came from Landmarks Preservation Commissioner Robert Tierney at the conclusion of Tuesday’s landmarks hearing on revisions proposed by Vornado Realty for interiors of the recently landmarked Manufacturers Trust Building on Fifth Avenue. The statement summed up the mood of the commission with regard to changes in the space, originally designed by Gordon Bunschaft, which include dividing the first floor to make space for two retail tenants. Most of the commission picked apart the specifics while maintaining that the architects from SOM overseeing the renovation were generally on the right track.
Bunshaft Deconstructed?

Manufacturer’s Trust Company, Fifth Avenue, Skidmore, Owings & Merrill, New York, NY, 1954 Gelatin Silver Print © Ezra Stoller, Courtesy Yossi Milo Gallery, New York
The Landmarks Preservation Commission has put the Gordon Bunshaft-designed Manufacturers Hanover Trust Company Building onto its Public Meeting/Public Hearing agenda for tomorrow morning at 9:30AM. Up for discussion will be the building’s first and second floor interiors, including the entrance lobby, escalators, teller counters, and floor and ceiling surfaces.
The iconic vault designed by Henry Dreyfuss, which is visible from Fifth Avenue, and Harry Bertoia’s multifaceted metallic screen both made it on to the agenda. But according to Theodore Grunewald of the Coalition to Save MHT, the Bertoia has already been removed by Chase Bank, the sculpture’s owner.
The Straw That Broke the Silver Towers' Back
I.M. Pei speaks and NYU listens. The university announced this week that plans for a Grimshaw-designed residential highrise planned for Pei’s landmarked Silver Towers block will be scrapped after the architect expressed disapproval over the project. The proposed 400-foot tower set amid three original concrete structures had been a point of conflict between NYU and its neighbors.
Rudolph’s New York Home Passes Landmark Test
The latest Upper East Side landmark isn’t another of its signature rowhouses, but rather what’s atop one of those brownstones. Yesterday, the New York Landmarks Preservation Commission unanimously approved landmark status for mid-century architect Paul Rudolph‘s less-than-context-sensitive home at 23 Beekman Place.
And that’s great news for New York’s modern architectural heritage. Read More.
Crocs Treads Lightly with Soho Flagship

The 1818 structure has been meticulously restored, along with a storefront dating from around the 1920s. (Kristine Larsen)
When shoe retailer Crocs set its sights on Soho, the blogosphere didn’t hesitate grouching about the rubber clog emporium’s arrival at the corner of Spring and Wooster streets. What was feared as an assault of global branding, however, has become an unlikely symbol of a sea change for New York City’s Landmarks Preservation Commission, which pushed for a modern, glassy volume in the heart of the historic cast-iron district. Read More
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