LPC Approves Plans for Ol’ O’Toole

East
Tuesday, August 2, 2011
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The latest renderings show restored executive offices atop the building as well the cantilevered form below. (Courtesy Perkins Eastman)

The latest renderings show restored executive offices with the cantilevered form below. (Courtesy Perkins Eastman)

After a protracted land use review with vitriolic community meetings that disquieted even battle-hardened presenters, the Landmarks Preservation Commission finally approved plans by the Rudin development family and North Shore Long Island Jewish Medical to renovate the St. Vincent’s O’Toole building in Manhattan’s West Village. As of Tuesday, the former Maritime Union headquarters is set to become a comprehensive health care facility with emergency services.

Continue reading after the jump.

LPC Approves Adjmi’s Concrete Riff on Cast Iron

East, Newsletter
Tuesday, June 14, 2011
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Detail rendering of a cast iron facade in reverse.

With unanimous approval from the Landmarks Preservation Commission, Morris Adjmi‘s deceptively subtle take on the classic cast iron building is on its way to becoming reality. What at first glance appears to be a cast iron facade is actually a reverse bas relief cast in glass reinforced concrete—essentially a form in which you could mold a true cast iron facade. “This makes  you think of how these buildings were built, from the initial casting to being assembled as components,” said Adjmi. “So this is really taking that and inverting it so it becomes a record of the process.”

Continue reading after the jump.

Moderne Twist Update

East
Wednesday, April 13, 2011
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The redesigned 837 Washington (at right) lops off two floors from the original seven story version.

It’s been few months since Morris Adjmi presented plans for his twisted tower at 837 Washington to the Landmarks Preservation Commission. He returned on Tuesday with a scaled-down version of the original design. The architect brought two 3-D models to better illustrate the before and after versions. The body of the exoskeletal steel structure still pivots clockwise atop a 1938 art moderne market building, but now it does so at a reduced height of 84 feet, instead of 113. Still, lopping off two of the seven stories from the original design may not be enough to satisfy commissioners who seem to be scratching their heads over how to address the major mood changes in Gansevoort Market Historic District, which sits within the ever expanding design glow of the High Line.

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Quick Clicks> Gondolas, Landmarks, Main Streets, Paris

Daily Clicks
Wednesday, March 23, 2011
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Rendering for a gondola to connect Olympic venues in London (courtesy Expedition Engineering).

Shifting Skyline. London’s famed skyline may be getting an addition, and it’s not a new building. The Architect’s Journal tells us that Mayor Boris Johnson recently approved a plan by architects Wilkinson Eyre and Expedition Engineering for a proposed cable car system designed to link two key 2012 Olympic venues, the O2 Stadium and the Excel Exhibition Hall.

NYC’s Youngest Landmark. The New York Times City Room blog reports that NYC has four new landmarks: the Engineer’s Club, the Neighborhood Playhouse, Greyston Gatehouse and the Japan Society, which having been completed in 1971, makes it the youngest of the city’s historic landmarked structures.

Red Hook North. Meanwhile NYT Magazine reports that Red Hook developer Greg O’Connell hopes to do for tiny Mt. Morris, NY what he did for a slice of once-decrepit Brooklyn waterfront. Will the former NYPD detective’s progressive form of gentrification and downtown revitalization work in an ailing upstate town?

Onion domes in Paris. Inhabitat shares the news that the Russians are coming to Paris, in the form of a new domed church and cultural center. Situated near the Eiffel Tower, this new structure is the result of bi-national collaboration from the architects at Arch-Group and Sade Sa.

 

Manufacturers Trust Gets Yellow Light

East, East Coast
Wednesday, March 16, 2011
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Manufacturers Trust Company Building in 1955 (Courtesy Municipal Art Society)

Manufacturers Trust Company Building in 1955 (Courtesy Municipal Art Society)

“Sometimes the best way to restore a historic structure is to reuse it.” The comment came from Landmarks Preservation Commissioner Robert Tierney at the conclusion of Tuesday’s landmarks hearing on revisions proposed by Vornado Realty for interiors of the recently landmarked Manufacturers Trust Building on Fifth Avenue. The statement summed up the mood of the commission with regard to changes in the space, originally designed by Gordon Bunschaft, which include dividing the first floor to make space for two retail tenants. Most of the commission picked apart the specifics while maintaining that the architects from SOM overseeing the renovation were generally on the right track.

Continue reading after the jump.

Turrets, Trumpets, and Baseball Greats

East, East Coast, Newsletter
Wednesday, February 2, 2011
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Addisleigh Park residents clockwise from top: Ella Fitzgerald, Count Bassie, Fats Waller, Milt Hinton, Jackie Robinson and Lena Horne. (Courtesy: NYC LPC, Jazzagemusic.com)

Yesterday morning, after a bevy of Modernist aficionados crowded into the Landmarks Preservation Commission hearing room to tout the merits of Bunshaft’s interiors at the  Manufacturers Hanover Trust, the commission turned their focus to two historic African American neighborhoods: Sandy Ground in Staten Island and Addisleigh Park in Queens. The unanimous vote for the landmarks designations passed on the first day of Black History Month.

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Bunshaft Deconstructed?

East, East Coast
Monday, January 31, 2011
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Manufacturer’s Trust Company, Fifth Avenue, Skidmore, Owings & Merrill, New York, NY, 1954 Gelatin Silver Print © Ezra Stoller, Courtesy Yossi Milo Gallery, New York

The Landmarks Preservation Commission has put the Gordon Bunshaft-designed Manufacturers Hanover Trust Company Building onto its Public Meeting/Public Hearing agenda for tomorrow morning at 9:30AM. Up for discussion will be the building’s first and second floor interiors, including the entrance lobby, escalators, teller counters, and floor and ceiling surfaces.

The iconic vault designed by Henry Dreyfuss, which is visible from Fifth Avenue, and Harry Bertoia’s multifaceted metallic screen both made it on to the agenda. But according to Theodore Grunewald of the Coalition to Save MHT, the Bertoia has already been removed by Chase Bank, the sculpture’s owner.

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The Straw That Broke the Silver Towers' Back

East, East Coast
Friday, November 19, 2010
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Fourth tower at NYU cancelled (Rendering courtesy Grimshaw and MVVA)

The proposed fourth tower at NYU is being reconsidered. (Rendering courtesy Grimshaw and MVVA)

I.M. Pei speaks and NYU listens. The university announced this week that plans for a Grimshaw-designed residential highrise planned for Pei’s landmarked Silver Towers block will be scrapped after the architect expressed disapproval over the project. The proposed 400-foot tower set amid three original concrete structures had been a point of conflict between NYU and its neighbors.

Read more after the jump.

Rudolph’s New York Home Passes Landmark Test

East, East Coast
Wednesday, November 17, 2010
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23 Beekman Place (Courtesy Paul Rudolph Foundation)

23 Beekman Place (Courtesy Paul Rudolph Foundation)

The latest Upper East Side landmark isn’t another of its signature rowhouses, but rather what’s atop one of those brownstones.  Yesterday, the New York Landmarks Preservation Commission unanimously approved landmark status for mid-century architect Paul Rudolph‘s less-than-context-sensitive home at 23 Beekman Place.

And that’s great news for New York’s modern architectural heritage. Read More.

Crocs Treads Lightly with Soho Flagship

East
Friday, July 9, 2010
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The 1818 structure has been meticulously restored, along with a storefront dating from around the 1920s. (Kristine Larsen)

When shoe retailer Crocs set its sights on Soho, the blogosphere didn’t hesitate grouching about the rubber clog emporium’s arrival at the corner of Spring and Wooster streets. What was feared as an assault of global branding, however, has become an unlikely symbol of a sea change for New York City’s Landmarks Preservation Commission, which pushed for a modern, glassy volume in the heart of the historic cast-iron district. Read More

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