Even after it was lopped off in 2009, Jean Nouvel’s Tower Verre, aka the MoMA Tower, still remains one of New York City’s tallest planned residential towers, sited adjacent to MoMA’s headquarters on West 53rd Street. After fights with the neighbors, Nouvel’s tower has been keeping a low profile, but Curbed (via NY YIMBY) has spotted a few new renderings of the tower at Adamson Associates Architects, the architects of record for the project. While the exterior changes are minor, fans of Tod Williams and Billie Tsien’s now empty American Folk Art Museum can breathe a sigh of relief, for now, as the small, bronze-clad structure remains standing in the rendered views. Also of interest are a couple new renderings of the building’s interior spaces.
The hanging gardens inside the atrium of Jean Nouvel’s 100 Eleventh Avenue sound idyllic: “From planting boxes built into the structure, trees soar upward and plants cascade down the walls, lending their scent to the atmosphere,” states the building’s website. But the smell may not be so sweet. A source familiar with the project told AN that the huge suspended planters lack proper drainage, leading to standing water and the early onset of rust. Maybe Nouvel can argue that he’s taking a cue from the Cor-ten laden High Line next door?
As architects like Herzog & de Meuron and Jean Nouvel tap into the potential of vertical gardens, they’ll often seek the expertise of Patrick Blanc. For the past thirty years Blanc developed vertical gardens while researching adaptive strategies of plants at the National Center for Sceintific Research in France. His research of plant growth in nature’s more hostile environs, such as hanging off of stone cliffs or springing from rocks next to waterfalls, has yielded a uniquely urbanistic solution for gardening. For the next ten days there’s a small window of opportunity left to see the work of Blanc at its most luxurious. The botanist designed the New York Botanical Garden‘s annual Orchid Show which ends on April 22. As a bonus, this also happens to be the moment that the Gardens’ 250 acres are at the height of their springtime burst.
It is unclear whether the newest Jean Nouvel project in Charleroi, Belgium is the first of the hybrid Police Headquarters/Dance Studio typology, but we would guess that it is. The collaboration between Paris-based Atelier Jean Nouvel and the Belgian firm MDW Architecture was selected in a competition and resulted in a scheme for a 246-foot tower and renovation of 19th century brick barracks.
City of Scientists. Russian Prime Minister Putin has recently reviewed plans for a potential $6.4 billion project that could build a 5,000-person—scientists and researchers, specifically—domed village in the Arctic called Umka, about 1,000 miles from the North Pole. Plans call for an isolated artificial climate inspired by “an imaginary Moon city or a completely isolated space station.” More on the Daily Mail and Foreign Policy Blogs.
Abu Dhabi Adjourned. The new 450,000-square-foot Frank Gehry-designed Guggenheim museum planned in Abu Dhabi has been put on hold pending contract review. A similar fate awaits Jean Nouvel’s Louvre satellite previously scheduled to open near Gehry’s site next year. More at Mediabistro.
Sergey’s Secret. Due to his prolific work ethic, the insider joke at Google is that co-founder Sergey Brin is really Batman. More believable, the latest Google rumor is that one of Brin’s secret pet-projects may very well be architectural, with blueprints and all. Business Insider has details.
No bin, no trash. The NY Times reports on the MTA’s seemingly counter-intuitive enviro-social experiment to remove trash cans from subway platforms. The idea: no garbage bin might be the way to achieve no litter. A trial run in Queens and Greenwich Village left some people very unhappy.
Over the weekend, we headed out to Brooklyn Bridge Park to check out the light show of Jane’s Carousel. We had been told that silhouettes of horses were to be projected onto a ceiling scrim until 1AM. We even held ambitions of traipsing across the Brooklyn Bridge to get a better view. But after watching a spectacular sunset reflect off of Jean Nouvel’s acrylic cube, the show was over. We were told that the lights for the magic lantern were much too hot for the recently restored horses. No matter, it’s hard to surpass the carousel’s bulbs reflected in the acrylic, with a glittering Manhattan serving as backdrop.
It’s been a couple of week’s since Jane’s Carousel opened to the public on the Brooklyn Waterfront, allowing us time to reflect on the rainy opening day and see just how the new attraction is being received. It’s seems Jean Nouvel’s pavilion is a study in contrasts, particularly on cold gloom of the opening ceremony when we first stopped by. We made a short impressionistic collage of our observations including the carnivalesque merriment going on inside the pavilion set against the sober geometry outside. (You might also spot Nouvel himself taking a ride or an overly-excited Marty Markowitz astride one of the wooden horses.)
Granted the acrylic-paneled doors of Nouvel’s pavilion can be thrown open to the surrounding park, but the celebratory atmosphere seems contained, anchored even. Viewed from across the park, the riverside building takes on the feel of a ferry terminal. Inside, however, the playful carousel offers distorted views through the giant door panels that give downtown Manhattan and the Brooklyn Bridge a fun-house-mirror effect.
Have you been to the carousel yet? What are your thoughts of Nouvel’s contrasting design?
The season got off to wet and windy start with the launch of Urban Design Week. We started in Brooklyn and while the opening of Brooklyn Bridge Park’s Jane’s Carousel wasn’t on the official agenda, there were plenty architecture world heavyweights in attendance. AN‘s Julie Iovine got there early to chat with the architect of the carousel’s pavilion, Jean Nouvel. Later, we popped over to the BMW Guggenheim Lab and with minutes to spare even got to hear a lecture over at the Neighborhood Preservation Center.
The man in black designing a Merry-Go-Round seems a jarring fit. But out on the Brooklyn waterfront buffeted by winds on a raw point between the muscular grandeur of the Brooklyn and Manhattan bridges, Nouvel seems just the right man to insinuate something as delicate as a life-size interactive music box into a setting as tough as the Brooklyn waterfront. Read More
Increasingly, the architects chosen each year to design the Serpentine Gallery Pavilion in London hail from a pool of the usual suspects. This past summer, it was Jean Nouvel. SANAA, and Frank Gehry ran up the mast in 2009 and 2008 respectively. The 2011 pavilion, we hear, will be by Swiss mystic architect, Peter Zumthor.
There’s certainly abiding fascination in a series of heavyweights forced to design a lightweight structure on the double-quick (about six months) but the young and restless might actually have more to explore and certainly more to gain than the big names. Then again, more than most, Zumthor has maintained his mystique as an architect. Lightweight he is not: For the 2002 Venice architecture biennale, he submitted a six ton concrete model of his Cologne museum that was too hefty to be contained in the vast Arsenale.