Situated on the fringes of Tokyo’s dense urban fabric, House K—designed by Hiroyuki Shinozaki Architects—provides an innovative take on the traditional duplex home. The architects were posed with the challenge of creating a joint-living arrangement for two families on a very narrow piece of land. While the structure may look small and narrow from the outside, the thoughtful design demonstrates that a building’s allocated footprint need not be a limiting factor in achieving a feeling of wide, open spaces.
Placed within Tokyo’s Daikanayama district, architect Arthur Casas has designed a flagship store to appear completely as an opaque box. As fashion trends change, so does the store’s appearance. The exterior walls boast a bold graphic design that will surely be swapped out for the next season’s trends.
Since long before Adolf Loos published his seminal Principles of Cladding, architects have pondered the relationship between the surfaces of our environment and the secrets that lie beneath them. With his new installation at the Rokko Meets Art festival in Japan, street artist Jun Kitagawa has playfully un-zipped our curiosity.
Zaha Hadid wins again! Following a star-studded design competition, the Japanese Sports Council has announced Hadid as the winner of the New National Stadium in Japan, beating out Toyo Ito, SANAA, Populous, UN Studio among others and taking home a $250,000 prize. All-star designer of London’s 2012 Aquatics Center for the summer Olympics and the first female to ever win the Pritzker Architecture prize, Hadid continues her legacy with this new stadium in Tokyo. Estimated to cost around $1.6 billion, the venue will seat 80,000 visitors and sport a retractable roof.
Eleven finalists including Zaha Hadid, Toyo Ito, SANAA, and UN Studio have been announced for a major new stadium project in Japan. Tadao Ando, jury chair for the Japan Sports Council competition, revealed the contending designs for the New National Stadium, narrowing the field from the original 46 entries. First, second, and third place prizes were secretly selected on Wednesday, November 7th, but the winners won’t be named until a ceremony is held later this month. While we anxiously await the final announcement, take a look at the proposed stadium designs by each team.
Scheduled for completion in 2018, the stadium is already slated to host the 2019 Rugby World Cup and will also be offered as a site for the FIFA World Cup, the IAAF World Championships, and a range of entertainment events. The stadium could even play host to the 2020 Olympics and Paralympics if Japan is chosen as their location.
Open to the Elements. A recent collaboration between architect Ryue Nishizawa and artist Rei Naito produced an elegantly curved open-air art museum. Located in Takamatsu, Japan, the Teshima Art Museum is built from concrete and gently mirrors the hilly topography it sits upon. More info at ArchDaily.
Printed Organs. Three-dimensional printing sure is popular. We recently spotlighted the use of printing technology to create chocolates and solar cells, and now, 3D printing is crossing into the realm of medicine. The Wall Street Journal highlights technology that may soon enable printing of self-derived organs—think kidneys. While medical researchers have successfully “grown” organs through 3D printing, they are only structural and not yet functional, but scientists believe a breakthrough is nigh.
Olfactory Aisles. In a strange effort to boost sales, Brooklyn supermarket chain, NetCost Market, is now infusing its store aisles with food scents, such as strawberry in the fruit section and smoky bacon in the meat section, according to PSFK. While scenting clothing stores and movie theaters has been commonplace for a little while now, NetCost’s “food perfume” is taking olfactory branding to the next level.
Transport without Oil. The upcoming issue of Colors, a magazine published by clothing retailer, United Colors of Benetton, will center on transportation in a future without oil. Opening up submissions to the public, the Benetton website Colors Lab invited web users to upload artwork, photography, designs, and stories, envisioning new possibilities for transportation.
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Steel takes on a paper-like appearance at Aomori’s new cultural center, creating a dynamic backdrop for life on the Japanese city’s waterfront.
Nearly a decade ago, Vancouver-based design and production studio Molo Design won an international competition for its design of a housing and community project in Aomori, Japan. As firm founders Stephanie Forsythe and Todd MacAllen worked with the City of Aomori in the years following the competition, the design evolved into that of a cultural center celebrating the city’s yearly Nebuta festival, during which huge mythical creatures made of wood, wire, paper, and lights are paraded through the streets. Though millions attend the festival every August, the cultural center would provide an opportunity for more visitors to witness their creation throughout the year.
If you happen to be a fan of Kurt Anderson’s wonderful radio show Studio 360, perhaps you tuned in this weekend for the trip to Japan, a fascinating account of a place that seems at once otherworldly and yet so much like our own. If not, dare we suggest you tune in for the whole hour. Or, at the very least, consider the wonderful segment on Japanese design. In it, Anderson interviews architectural master Shigeru Ban and the up-and-coming couple behind Atelier Bow-Wow, as well as a fashion designer and a poet. At issue is that undeniable “Japanese-ness” that undergirds their work and that of their country, how it is shaped by their tiny, overcrowded island and, more recently and perhaps importantly, the economic collapse of the 1990s.