There is an ongoing architectural quest to find new and innovative sustainable materials. Some products could appear in the next science fiction film, such as the fungus-grown packaging material by Ecovative. Other materials have been with us for a long time, under guise of other uses. Some products—like the lowly shipping container—have served one function for so long they beg to be reinvented.
The Architecture firm Sejima & Nishizawa and Associates (SANAA), in partnership with Israel’s Nir-Kutz Architects, recently unveiled a proposal for a new 400,000 square-foot building for Jerusalem’s Bazalel Academy of Arts and Design. The design of the new building aims to promote collaboration between the school’s eight different—and currently separate—departments by housing them under one roof for the first time. There will be space for classrooms, studios, offices, two auditoriums, public galleries, and cafes.
Storefront for Art and Architecture
97 Kenmare Street
Through April 27
Aircraft Carrier examines the dramatic changes that occurred in Israeli architecture between two catalyzing moments in global capitalism, 1973 and 2008. The events of the former, marked by irreparable changes in American relations to the Middle East and the fundamental structures of Israeli society, drastically altered the course of Israeli architecture. Presented through diverse works of photography and video art from international artist Florian Holzherr, Nira Pereg, Jan Tichy, Asaaf Evron, and Fernando Guerra, the exhibition explores this transformative period, the American imprint that endowed it, and the radical changes in Israeli architecture that emerged from it.
The Storefront for Art and Architecture is bringing Aircraft Carrier, the 2012 Israeli pavilion at the Venice Biennale, to New York. The exhibit—one of the most pointedly political statements at the biennale—confronts the influence of the United States and its foreign policy in the Middle East and how it has affected Israeli architecture. The pavilion points to the year 1973 and the OPEC oil crises as a watershed in global capitalism when American strategic interests helped enable a new level of corporate architecture in Israel. The resulting reflected glass skyscrapers set against the optimism of Tel Aviv’s White City could not be more a poignant modernist image.
The exhibition is accompanied by a catalogue published by German publisher Hatje Cantz and edited by the curators, which contextualizes the phenomena in larger transformative processes. The book include texts by Milton Friedman, Justin Fowler, and Eeva-Liisa Pelkonen and visual works by participating artists Florian Holzherr, Nira Pereg, Jan Tichy, Assaf Evron, and Fernando Guerra.
Exhibition Opening: March 7, 2013, 7PM
Exhibition: March 7 – April, 29 2013