On View> Doris Duke’s Shangri La: Architecture, Landscape, and Islamic Art at the University of Michigan Museum of Art

Art, Midwest, On View
Thursday, February 20, 2014
.
(Courtesy University of Michigan Museum of Art)

(Courtesy University of Michigan Museum of Art)

Doris Duke’s Shangri La: Architecture, Landscape, and Islamic Art
University of Michigan Museum of Art
525 South State Street, Ann Arbor, MI
Through May 4

Following a 1935 honeymoon that brought her to Morocco, Syria, Iran, Pakistan, India, and Indonesia, enigmatic heiress Doris Duke began work on Shangri-La, her paean to Islamic art and architecture. The Hawaiian estate features rich 
tiling, carefully manicured grounds, and innumerable 
design flourishes all meant to evoke Duke’s own vision of the Islamic world. It also acted as the resting place for much of the heiress’s extensive art collection.

The University of Michigan Museum of Art has launched an exhibition featuring examples from this collection along with extensive documentation of the estate and Ms. Duke’s international travels. These photographs, films, art objects, and correspondences will be joined by work from eight contemporary artists of Islamic background.

On View> New Galleries of the Art of the Arab Lands at the Met

East
Tuesday, November 8, 2011
.
Courtesy MMA / Walter B. Denny

Courtesy MMA / Walter B. Denny

New Galleries of the Art of the Arab
Lands, Turkey, Iran, Central Asia, and
Later South Asia
The Metropolitan Museum of Art
Permanent galleries opened November 1

After a hiatus of nearly eight years, the Metropolitan Museum’s Department of Islamic Art and its extensive collection—one of the most comprehensive gatherings of this material in the world—will permanently return to view this November in a completely renovated space of fifteen galleries. The suite of galleries was constructed by a fleet of Moroccan craftsmen (in action above) recruited specifically for their experience and the precision of their work. Nearly as impressive as the handiwork of different trades is the team of planners, architects, and scholars who collaborated with them. Nadia Erzini, Achva Benzinberg Stein, and other experts worked with Metropolitan’s own curators to create spaces of contextual authenticity. The galleries are arranged geographically, further highlighting the rich and complex diversity of the Islamic world and its distinct cultures within.

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