A Wall of Pixels Comes To Life in The Hyper-Matrix

International, Newsletter
Thursday, September 13, 2012
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(Courtesy DesignBoom)

(Courtesy DesignBoom)

Imagine taking the fundamental unit of digital imaging—the pixel—and making it a dynamic part of physical reality. This is precisely what Seoul-based media arts group Jonpasang accomplished at the 2012 Hyundai Motor Group Exhibition. Comprised of what at first appear to be three blank white walls, Jonpasang’s Hyper-Matrix installation quickly comes to life as thousands of individual cubic units forming a field of pixels begin to move, pulsate, and form dynamic images across the room.

Continue reading after the jump.

Tacha Sculpture Saved!.  Tacha Sculpture Saved. (Courtesy Athena Tacha) In an about face, New Jersey Governor Chris Christie reversed a decision to demolish Athena Tacha’s Green Acres, a site specific installation at the State’s Department of Environmental Protection. Tacha is largely credited with bringing the land art movement into the social context of architecture. The 1985 sculpture’s staying power remains contingent upon private funding to restore the piece. With Art Pride New Jersey, Preservation New Jersey, and The Cultural Landscape Foundation all rallying to the cause, Green Acres looks like it will remain the place to be.

 

BLOOM, The Olympic Design-Build Game

Fabrikator
Friday, August 24, 2012
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BLOOM

A 100 percent PET plastic garden grows in London

If you were fortunate enough to visit the London Olympics this summer and happened to walk through Victoria Park or the main quad at University College London (UCL) on your way to the games, then you experienced BLOOM, a big, bright, architectural garden created by complete strangers who gathered over the course of the two weeks to piece together 60,000 plastic game pieces, all dyed official Olympic hot pink. Designed by Alisa Andrasek and Jose Sanchez, two architecture professors from UCL’s Bartlett School of Architecture, BLOOM was selected by the Greater London Authority for a series of events and installations mounted in two locations during the games with a third location in Trafalgar Square to follow for the upcoming Paralympics.

Andrasek and Sanchez had been developing the idea for an open-ended, crowdsourced game that would encourage interaction between people in a large public space when the opportunity to be involved with the Olympics arose. The timing was perfect. Here was a moment in the city’s history when locals and tourists alike would be in the same location to celebrate athletics, and Andrasek and Sanchez hoped to capitalize on that spirit of camaraderie. The game starts with the pink game pieces, called cells. Each 16 inch-long cell is made of 100% PET plastic and has three points of entry, or notches used to connect the pieces together. Once Andrasek and Sanchez created a design for the cells, they were injection molded at Atomplast, a Chilean plastics fabricator that Andrasek and Sanchez had worked with previously. The cells are flexible, durable and can be bent and twisted into different configurations without warping or breaking. There were also several structural steel components on hand for using with the cells to build benches, tables, forts and other larger formations. Read More

FreelandBuck’s Slipstream Installation Hits The Auction Block

International, Newsletter
Tuesday, August 21, 2012
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Slipstream installation at the Bridge Gallery in New York by FreelandBuck. (Courtesy FreelandBuck)

Slipstream installation at the Bridge Gallery in New York by FreelandBuck. (Courtesy FreelandBuck)

Inspired by Lebbeus Woods’ “Slipstreaming” drawing series envisioning the dynamics of flow, New York- and LA-based FreelandBuck architects designed Slipstream, a colorful installation made of CNC-cut birch-veneer plywood currently on display at New York’s Bridge Gallery through August 24. Now the sculpture could flow out of the Lower East Side gallery and into your home or apartment. Citing storage constraints, FreelandBuck has placed Slipstream on eBay and the installation—all 1,400 pieces of it—could be yours for cheap.

More after the jump.

Chris Burden Builds a “Small Skyscraper” in Old Town Pasadena

Newsletter, West
Tuesday, August 21, 2012
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Chris Burden's <em>Small Skyscraper</em> (Sam Lubell / AN)

Chris Burden’s Small Skyscraper (Sam Lubell / AN)

Next time you visit old town Pasadena you may be in for a suprise. When you slink down an alley off of Fair Oaks and Colorado, the next thing you see will be a four-story, 35-foot-tall skyscraper, sitting in the middle of a courtyard. It’s an installation by artist Chris Burden (yes, he’s the one that did the cool lights and all the matchbox cars at LACMA) called Small Skyscraper (Quasi Legal Skyscraper).

Burden collaborated with LA architects Taalman Koch on the open design, which conists of slabs of 2x4s supported by a thin aluminum frame. Burden started envisioning the project back in the 90s, but at that time the idea was for a solid structure made of concrete blocks. This one is lightweight and seems almost like an erector set. Presented by the Armory Center for the Arts, Small Skyscraper will be on display until November.

More photos after the jump.

Festival Floats Hundreds of Umbrellas over the Streets of a Portuguese Town

International
Thursday, August 2, 2012
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(Patricia Almeida/Flickr)

Umbrellas float above Rua Luís de Camões in Águeda, Portugal. (Patricia Almeida/Flickr)

On any typical day, the pedestrianized Rua Luís de Camões in the small Portuguese town of Águeda is a charming place to experience the city, but this July, a cultural festival called AgitÁgueda (Stir Agueda) rolled out the green carpet, suspended hundreds of colorful umbrellas overhead, and invited residents to see the city in a whole new light.

More photos after the jump.

A Glowing Moonscape in France is Skateable Art

International
Thursday, August 2, 2012
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Otro, a glow-in-the-dark skate park in France. (Courtesy L'Escaut Architectures)

Otro, a glow-in-the-dark skate park in France. (Courtesy L’Escaut Architectures)

In the middle of a lightly populated island in the middle of a French reservoir—the Ile de Vassivière—an eerie green glow rises from the crest of a hill at dusk, indicating that you’ve found OTRO, a phosphorescent skate park of sinuous bowls and tunnels. Designed by artist Koo Jeong-A, L’Escaut Architectures, and skateboard consultants Brusk and Barricade, the project is described as “skateable artwork” and located near a large chateau housing the International Center of Art and Landscape, a light house designed by Aldo Rossi, and a humanoid piece of land art only visible from high above.

Check out a photo gallery after the jump.

Flock Houses Land in New York’s Public Spaces

East
Friday, July 27, 2012
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A "Flock House" in DUMBO, Brooklyn. (Courtesy Mary Mattingly)

A “Flock House” in DUMBO, Brooklyn. (Courtesy Mary Mattingly)

“What if mobile, self-sufficient living units were the building blocks for future cities?” asked New York artist Mary Mattingly. She explored this question in her Flock House Project, experimenting with migratory living solutions through fantastical inhabitable installation art. The project is going on throughout the city this summer.

Mattingly’s series of four “Houses” have been traveling around the five boroughs since June. Individually titled the Microsphere, Terrapod, Chromasphere, and Cacoon, they are now on display at the Bronx Museum, Snug Harbor, the Maiden Lane Exhibition Space, and Omi Sculpture Park in Ghent, NY.

Continue reading after the jump.

On View> Garden Folly Installation Opens at Socrates Sculpture Park

East
Wednesday, July 18, 2012
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(Courtesy Architectural League of New York)

(Courtesy Architectural League of New York)

Folly
Socrates Sculpture Park
3205 Vernon Boulevard
Queens, NY
Through October 21

Socrates Sculpture Park and the Architectural League of New York present the inaugural recipients of the park’s “Folly” grant and residency for emerging architects and designers to New Yorkers Jerome Haferd and K. Brandt Knapp. The residency was established to investigate the intersection of architectural and sculptural disciplines and the increasing overlap in references, materials, and techniques between the two. To this end, young architects and designers were asked to propose a contemporary interpretation of the folly, a structure whose purpose is purely decorative but architectural in form. Haferd and Knapp’s winning submission, Curtain (above), is composed of a series of slender wooden posts that define a space of 20 feet on each side and a triangulated roof canopy approximately 8 to 12 feet high. White chains, some suspended between posts and some left hanging, will suggest occupiable spaces within the structure and will sway with the breeze off the East River—a play on the modernist conception of the “curtain wall.”

More photos after the jump.

James Turrell Captures a Slice of the Vast Texas Sky with Twilight Epiphany Pavilion

National, Newsletter
Tuesday, July 10, 2012
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(Courtesy Rice University)

(Courtesy Rice University)

For many, work by American artist James Turrell is instantly recognizable. Using light and basic geometric forms as the material of his compositions, Turrell subtly alters space and perception for visitors, creating weight and depth through visual experience that evokes meditation and contemplation.

Turrell’s work is at its height when gazing skyward. Multiple iterations of his Skyspace series have appeared around the world framing a dramatic slice of the heavens in his pristine geometry. The work is, essentially, a skylight: an opening above a room or pavilion for viewing the sky above, but to reduce the work to its function would disregard the transformative power of a simple yet moving experience. In each installation, a confined aperture begins to decontextualize the sky, featuring the color and texture of what is seen as an element of the art.

Continue reading after the jump.

Wendy Arrives in Queens

East
Friday, June 29, 2012
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Wendy scales a wall in the MoMA PS1 courtyard. (Branden Klayko/AN)

Wendy scales a wall in the MoMA PS1 courtyard. (Branden Klayko/AN)

Last night, crowds of young architecture types filled the courtyard at MoMA PS1 in Queens to meet Wendy, this year’s Young Architects Program winner by HWKN. Visible from the nearby elevated subway station and from the streets around MoMA PS1, Wendy is comprised of pollution-fighting fabric spikes set in a grid of scaffolding intersecting the concrete courtyard walls. Yesterday’s crowds were given special access to the interior of the installation, revealing a complex structure of poles, fans, and misters that will cool visitors this summer.

MoMA PS1 will host its annual Warm Up music series in the courtyard beginning on July 7, showcasing “the best in experimental live music, sound, performance, and DJs.” Wendy will officially open to the public on July 1. Meanwhile, at a taxi garage across the street, small fragments of last year’s installation by Interboro called Holding Pattern are still in use on the sidewalk.

View a slideshow after the jump.

A Spinning Piper Seneca Lands in Central Park

East
Monday, June 25, 2012
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(Courtesy Public Art Fund)

It’s a bird! It’s a plane! No, it’s actually a plane. On the corner of 60th Street and 5th Avenue in Manhattan, a six-seat, twin-engine Piper Seneca aircraft balances on two vertical steel posts positioned at the end of its wings, playfully rotating on its own axis and likely confusing visitors to Central Park. After doing a double take on the surreal scene, find a plaque located nearby and you’ll learn that this mysterious aircraft is actually an installation by artist Paola Pivi, whose portfolio includes scenes of zebras on snowy mountaintops and arenas of screaming people. Working with the Public Art Fund, an organization dedicated to present artists’ work throughout New York City, Paola Pivi opened her newest installation featuring the Piper Seneca, How I Roll last Wednesday, June 20th.

Watch a video after the jump.

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