Eavesdrop Midwest Goes to the Kentucky Derby

Eavesdroplet, Midwest
Thursday, May 23, 2013
At Churchill Downs the day before the Derby. (The Architect's Newspaper)

At Churchill Downs the day before the Derby. (The Architect’s Newspaper)

Maybe You Lost My Number: Eavesdrop wants to know why we weren’t invited to your Kentucky Derby party, De Leon and Primmer. You guys are practically the only cool architecture firm in the River City! We were down in Louisville the weekend of the Derby and wandered (hungover, naturally) past your office on Sunday morning.

Continue reading after the jump.

On View> Indianapolis Museum of Art Showing “Ai Weiwei: According to What?”

Tuesday, April 16, 2013
(Courtesy IMA)

(Courtesy IMA)

Indianapolis Museum of Art
Allen Whitehill Clowes Special Exhibition Gallery
4000 Michigan Road
Indianapolis, Indiana
Through July 21

Ai Weiwei is internationally recognized as one of China’s most controversial and influential contemporary artists. In his exhibition Ai Weiwei: According to What?, the artist, through various media (sculpture, photography, architectural installations, and video), boldly addresses issues of human rights in China and comments on the nation’s history, traditions, and politics. The exhibit features more than 30 works spanning more than 20 years. One is an early work, Forever (2003), in which Ai arranged 42 Forever brand bicycles into a circle, to honor China’s most popular, and reliable (the bicycles were made of heavy-duty steel), mode of transportation during the mid-1900s. The exhibit is also devoted to Ai’s more provocative pieces, such as a 38-ton steel carpet entitled Straight (2008). The artist used rusted steel rebar taken from the remains of a poorly-built school that collapsed during the 2008 Sichuan earthquake that tragically killed more than 5,000 schoolchildren. The piece commemorates the thousands of lost lives while openly condemning the Chinese government’s stance on human rights.

Michael Graves Appointed to Federal Post on Accessibility in the Built Environment

Friday, March 1, 2013
Michael Graves. (Barry Johnson / Courtesy Michael Graves & Associates)

Michael Graves. (Barry Johnson / Courtesy Michael Graves & Associates)

President Obama’s second-term White House is still in transition, with Ray LaHood out and rumors of an NTSB replacement, Sally Jewell likely in as Secretary of Interior. Among the non-Cabinet-level appointments, the President appointed Michael Graves to a member of the Architectural and Transportation Barriers Compliance Board, an agency “devoted to accessibility for people with disabilities.” Graves, who uses a wheelchair after an illness-induced partial paralysis, has been a leader in promoting accessibility in architecture, recently designing prototype houses for wounded and disabled veterans.

This month, Graves will also be launching a new line of more than 300 products at retailer J.C. Penney, including kitchen appliances, candlesticks, and a toaster shaped like a piece of toast. The Indianapolis-born architect will return to his hometown on March 28 to give a lecture at the Indianapolis Museum of Art, and he recently spoke with the Indy Star about delivering papers for the publication as a child, architecture, and the new product line. An exhibition of Graves’ work, From Towers to Teakettles, is also on display at the Virginia Center for Architecture through March 31.

On View> Alyson Shotz’s Geometry of Light at the Indianapolis Museum of Art

Thursday, December 27, 2012
(Courtesy Indianapolis Museum of Art)

(Courtesy Indianapolis Museum of Art)

Alyson Shotz: The Geometry of Light
Indianapolis Museum of Art
4000 Michigan Rd.
Indianapolis, IN
Through January 6, 2013

Following the U.S premiere of her animated Fluid State, which visualizes the creation of matter in a fictional landscape, artist Alyson Shotz has adapted her installation The Geometry of Light for the Indianapolis Museum of Art’s Efroymson Family Entrance Pavilion Series. Shotz—who is recognized for exploring the physical world by engaging with concepts of light, gravity, and space—uses industrial materials such as stainless steel wire, silvered glass beads, and cut Fresnel lens sheets to form a sculpture that considers the duality of light as both particle and wave. During daylight hours, natural light filters through the lens sheets, and the varying angles bring life to the piece as the position of the sun changes throughout the day. By moving through the room, visitors perceive how light and motion shape the experience of space.

Digitizing Saarinen’s Miller House

Midwest, Newsletter
Tuesday, May 22, 2012

The Miller House (Courtesy of the Indianapolis Museum of Art)

Even if Columbus, Indiana is not on your travel itinerary Eero Saarinen’s Miller House and Garden may come to you via the internet. Last week, the Indianapolis Museum of Art (IMA) announced a $190,000 grant from the National Endowment for Humanities (NEH) to digitize its Miller House and Garden Collection. The house—a celebrated collaboration between architect Saarinen, interior designer Alexander Girard, and landscape architect Dan Kiley—opened for tours last year , and the museum reports more than 6,500 tour tickets were sold. With the increased interest comes a growing number of requests from researchers asking for access to the home’s archives. While in good condition, the museum writes in their NEH proposal that “repeated handling would quickly degrade these important and unique materials.”  Read More

Advertise on The Architect's Newspaper.

Submit your competitions for online listing.

Submit your events to AN's online calendar.



Copyright © 2014 | The Architect's Newspaper, LLC | AN Blog Admin Log in. The Architect's Newspaper LLC, 21 Murray Street 5th Floor | New York, New York 10007 | tel. 212.966.0630
Creative Commons License