Brooks + Scarpa’s Contemporary Art Museum Canopy in Raleigh
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The adaptive reuse highlights Raleigh's red-brick vernacular (Brooks + Scarpa)
A folded canopy reinvents a former loading dock in the city’s historic Depot District
Raleigh’s Contemporary Art Museum chose its new home in the city’s Depot District carefully. Located in a former produce warehouse, the project calls attention to the city’s history of railroad transportation and red brick architecture while emphasizing its commitment to sustainability and adaptive reuse. Led by Brooks + Scarpa Architects, the project included renovation of the existing 21,000-square-foot structure and the addition of a 900-square-foot entry pavilion. The glass-enclosed lobby reinterprets the location of the original building’s loading dock with an expanded and folded canopy that announces the building’s new purpose and balances the effect of daylight on its interiors.
WRL’s Allen Theater Renovation: Eventscape
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Perforated scrims enhance acoustics in the 1920s Italian Renaissance-style theater (Eventscape)
Faceted steel screens solve acoustical problems while keeping the theater’s ornate 1920s architecture on view
The Allen Theater is one of eight venues in Cleveland’s Playhouse Square performing arts district. Opened in 1921 as a silent movie house, the Italian Renaissance-style building was renovated in 1998, when it began to host large Broadway productions and concerts. More than ten years later, the Broadway productions had moved to the nearby State Theater, leaving the door open to new resident companies Cleveland State University and Cleveland Play House. Last year, the 81,500-square-foot theater closed to undergo a dramatic transformation from its 2,500-seat format to a more intimate 500-seat proscenium theater. In the new space, designed by Westlake Reed Leskosky (WRL) and opened in September, faceted steel screens created by Toronto-based architectural fabricator Eventscape not only enhance acoustics but also hide or reveal the theater’s traditional interior finishes depending on the desired aesthetic.
Quick Clicks> Cooper, Dharavi, Evolution, Charts
35 Cooper Square in 1917 (Courtesy Bowery Alliance)
Keeping Cooper. There’s a fight brewing over the demolition of the 186-year-old 35 Cooper Square. A demolition permit had been issued and subsequent stop work orders and candlelight vigils. The small federal style structure was once home to descendants of Peter Stuyvesant and beatnik Diane DiPrima. Keep tabs on the little building at EV Grieve and the Bowery Alliance (And in other Cooper Square preservation news, what’s going to happen to the Astor Place mosaics under the planned pedestrian plaza upgrades?)
Slum for Sale. In the heart of Mumbai, India, the Dharavi settlement is under pressure to redevlop. Polis has a review of a new documentary on the struggles of a “city tearing at the seams” trying to balance capital growth and the needs of its inhabitants.
Urban Evolution. Cities are constantly changing, but we rarely take the big step back and look at how an area has evolved over, say, the past 500 years. Aid Watch put together a visual history of one block in New York’s Soho neighborhood, from wilderness, to brothel central, to home of high-end retail. (Via Economix.)
Infographic. Gothamist uncovers an interesting chart comparing Chicago and New York by the statistics. Categories include miles of transit track, cost of living, and even who has better pizza.
Check out an even older view of 35 Cooper Square after the jump.
Hyatt Takes It Higher in Union Square
The new hotel at the corner of 13th Street and 4th Ave will be run by Hyatt.
Gene Kaufman is putting the finishing touches on designs for the new Hyatt Hotel intended for the southwest corner of 13th Street and Fourth Avenue. Though its interior will be gutted, a century old limestone face will remain to sheath a two-story atrium/lobby. Just behind the facade the building sets back to form a large terrace holding a hydroponic bamboo garden, then continues to climb another eleven stories.
But what does Kaufman and the neighborhood say about preservation?
The Other Side of Ellis Island
Most visitors to Ellis Island only get to see the Ellis Island Immigration Museum. I was fortunate enough to go on a hard hat tour of the island’s south side, which is not open to the public, and explore newly stabilized structures including the new (‘new’ as of 1934) ferry building and part of the old South Side Hospital Complex.
photo by Alyssa Nordhauser
Potential Pyramid Scheme in DUMBO
photo by Missy S./Flickr
Is NYC’s next architectural adventure shaped like a pyramid? Maybe, if one of the groups competing for usage space in Brooklyn’s historic Tobacco Warehouse has its way. The recently stabilized structure is currently under the purview of the powers-that-be at the new Brooklyn Bridge Park, which sees the Warehouse as “most compelling public spaces” in the city’s quest to spruce up the Brooklyn waterfront.
Preservationists Mob Austin for Density, Community, and Tacos
View of downtown Austin from the Long Center. (Photography by Alyssa Nordhauser)
The National Preservation Conference landed in Austin, Texas, last week under the banner “Next American City, Next American Landscape.” Exploring preservation’s role in the future of the country’s urban, suburban, and rural landscapes, the 2010 conference showed that preservationists aren’t all stuck in the past. (In fact, they’re pretty savvy when it comes to new media. Check out the NTHP’s Austin Unscripted on their website, Twitter, and YouTube to see how preservation can appeal to a new generation.) The opening plenary was held at the Long Center for the Performing Arts, which is sited to take advantage of the unobstructed views of downtown Austin. Read More
Slideshow: Zonnestraal Sanatorium Saved From Ruin
Zonnestraal Sanatorium in Hilversum after restoration (Courtesy WMF)
Abandoned and nearly lost, the Zonnestraal Sanatorium in Hilversum, Netherlands has been meticulously restored to its former glory by Bierman Henket architecten and Wessel de Jonge architecten. In honor of their efforts, the two firms were awarded the 2010 World Monuments Fund / Knoll Modernism Prize. Alan Brake penned an article for the print edition of The Architect’s Newspaper:
Designed in 1926–1928 by Johannes Duiker and Bernard Bijvoet and completed in 1931, the sanatorium is considered a seminal work of early modernism. Though it was well known when it was built, the structure was eventually abandoned, and since then nearly subsumed by the surrounding landscape. Portions of the three-building complex were almost completely lost, so many parts of the sanatorium had to be meticulously reconstructed, including formerly mass-produced elements that had to be recreated by hand.
Mainstreaming Modernist Landmarks
The Spring Mills Building in 1963, the year of its completion. (Courtesy Abramowitz, Kingsland & Schiff)
On Tuesday, the Landmarks Preservation Commission named the former Spring Mills headquarters at 104 West 40th Street the newest New York City landmark—arguably the most important designation of the year so far. What makes Spring Mills so special is, well, that it’s not exactly special. Unlike notable predecessors—Lever House, the Guggenheim, the Ford Foundation—Spring Mills was preserved less for its architectural pedigree than its historical significance. Designed by skyscraper savants Harrison & Abramowitz, and completed in 1963, it is less the 21 stories of green glass on a slender facade that sets this building apart—though that is important, too—than its serving as a marker for the 1960s arrival of the Garment District in Midtown from its former Tribeca home. This makes Spring Mills more in line with, say, West-Park Presbyterian Church, a cultural and community icon, than Chase Manhattan Plaza, an architectural standout for being the first of its kind downtown. In other words, modernist landmarks have reached a point where they are akin to their brick-and-mortar predecessors, becoming simply another architectural style or era to be grappled with on its own merits. Read More
Neutra Dodges Gettysburg Bullet
The Cyclorama in 1962. (Photo: Lawrence S. Williams Inc. Photography/Courtesy National Park Service)
Preservationists have won a small victory in the long-running battle over Richard Neutra’s modernist Cyclorama building at Gettysburg, Pennsylvania. On Wednesday, U.S. District Court Judge Thomas Hogan told the National Park Service that it must fully comply with the National Environmental Policy Act before tearing down Neutra’s 1961 landmark. Preservationists filed a lawsuit in December 2006 arguing that the park service did not follow the law in its 1999 General Management Plan, where it was decided to raze the building. Read More
The Return of Cousin St. Vinny
Might the courts override the LPC and save Albert C. Ledner's National Maritime Headquarters in Greenwich Village? (Courtesy MAS)
Back in March, Protect the Village Historic District sued the Landmarks Preservation Commission over its granting of a hardship to St. Vincent’s Hospital, so that it might demolish Albert C. Ledner’s National Maritime Union Headquarters, now known as the O’Toole building, and replace it with a new hospital tower designed by Pei Cobb and Freed. The focus of PVHD’s suit is that the hospital did not explore suitable alternatives, nor did the commission require them, but now, the state Supreme Court appears to be questioning the very nature of the hardship finding—that retaining the O’Toole buildings prevented the hospital from carrying out its charitable mission—or at least that is the finding of a brief filed today by the Municipal Art Society and half-a-dozen preservation groups that directly challenges the LPC on the matter. Read More
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