Antoine Predock’s Canadian Museum for Human Rights Opens In Winnipeg

The Canadian Museum for Human Rights, designed by Antoine Predock Architect, opened last Saturday. (Jessica Sigurdson/CMHR-MCDP)

The Canadian Museum for Human Rights, designed by Antoine Predock Architect, opened last Saturday. (Jessica Sigurdson/CMHR-MCDP)

The Antoine Predock–designed Canadian Museum for Human Rights opened in Winnipeg last Friday with a ceremony featuring an indigenous blessing, performances by Ginette Reno, The Tenors, Maria Aragon, and Sierra Noble, plus remarks by several Canadian government officials as well as representatives of the museum. Read More

October 30–31: Facades+ Makes its Dallas Debut

Facades+, the premier conference on high-performance building envelopes, is coming to Dallas this October. (Bart Fields / Flickr)

Facades+, the premier conference on high-performance building envelopes, is coming to Dallas this October. (Bart Fields / Flickr)

Home to MorphosisPerot Museum of Nature and Science, the Santiago Calatrava–designed Margaret Hunt Hill Bridge, and a starchitecture-studded cultural district, Dallas is increasingly an architectural destination in its own right. This fall, AEC industry professionals have one more reason to visit: the inaugural Facades+ Dallas conference, taking place October 30–31 at CityPlace Events. Read More

Antoine Predock on Strata, Motorcycles, and the Building Skin

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Antoine Predock Architect’s Canadian Museum for Human Rights. (Aaron Cohen/Canadian Museum for Human Rights)

Despite his reputation for designing buildings with aesthetically and technically interesting envelopes, Antoine Predock, who will deliver the opening keynote address at next month’s Facades+ Dallas conference, does not spend a lot of time thinking about the facade as a separate entity. “I never use the term facade, because I work spatially,” he said. “I work from an inner process; then all of a sudden, whoops, there’s a facade.” Rather than designing from the outside in, Predock digs deep. “I talk about strata—like geologic strata,” he explained. “Every project has layers of meanings and understandings that finally culminate in this physical thing, but there’s all these strata below that.”

Continue reading after the jump.

Lake|Flato Beats the Heat at ASU

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Lake|Flato replaced an inefficient one-story wing with a two-story volume wrapped in a high-performance facade. (Bill Timmerman)

Lake|Flato replaced an inefficient one-story wing with a two-story volume wrapped in a high-performance facade. (Bill Timmerman)

LEED Platinum renovation reconnects the Health Services Building to the campus core.

Early in their renovation of the Arizona State University Health Services Building, Lake|Flato Architects, working with orcutt | winslow, decided to scrap the university’s initial concept in favor of a plan that would reengage the campus’s historic pedestrian corridor, the Palm Walk. Instead of building an addition to the north side of the existing facility, which included a serviceable two-story building constructed in the 1950s and another structure Lake|Flato partner Andrew Herdeg described as “a rambling one-story rabbit warren of spaces,” the architects elected to demolish the one-story wing and build a two-story addition in its place. “This initial idea that we need to look at the basic concept before we start the design, and think about it from the campus design perspective, changed everything,” said Herdeg. It allowed the design team to reduce the program by about 12 percent and reduce the footprint by 20 percent, as well as to preserve 5,000 square feet of green space for programs and stormwater mitigation. But it also presented a challenge. The renovated building’s primary identity would be on the east facade of the building, where the desert sun had the potential to undo efficiencies gained elsewhere.
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Sustainability Expert Juan Betancur Talks Integrated Facades

Adrian Smith + Gordon Gill Architecture's Federation of Korean Industries office tower. (©Adrian Smith + Gordon Gill Architecture/Namgoong Sun)

Adrian Smith + Gordon Gill Architecture’s Federation of Korean Industries office tower. (©Adrian Smith + Gordon Gill Architecture/Namgoong Sun)

In a high-performance building, argues Juan Betancur, director at Adrian Smith + Gordon Gill Architecture, the envelope must never be an afterthought. Rather, it should be a material expression of the overall environmental strategy. “The key to what we’re doing with energy and sustainability is: how do the systems become the facades themselves?” he said. “If we make it part of the building, it’s an integrated systems solution.” Read More

Packard Foundation Goes Green With EHDD

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EHDD designed the David and Lucile Packard Foundation headquarters as a model of cutting-edge green building techniques. (Jeremy Bittermann)

EHDD designed the David and Lucile Packard Foundation headquarters as a model of cutting-edge green building techniques. (Jeremy Bittermann)

Net zero energy, LEED Platinum project raises the bar on eco-friendly office design.

For its new headquarters in Los Altos, California, the David and Lucile Packard Foundation put its building budget where its mouth is. The philanthropic organization, whose four program areas include conservation and science, asked San Francisco-based EHDD to design a net zero energy, LEED Platinum building that would serve as a model of cutting-edge green building techniques. “They wanted to achieve net zero in a way that was replicable, and that showed the path forward for others to follow,” said project manager Brad Jacobson. “It was not just a one-off thing, not just a showcase.” The building’s facade was fundamental to its success as an example of sustainable design. “We were surprised at how significant the envelope is, even in the most benign climate,” said Jacobson. “Pushing the envelope to really high performance made significant energy and comfort impacts, and could be justified even on a first-cost basis.” Read More

Hands-On Exposure to Cutting-Edge Technology at facades+Chicago

Participants in facades+ tech workshops learn and practice cutting-edge digital design technologies in an intimate setting.

Participants in facades+ tech workshops learn and practice cutting-edge digital design technologies in an intimate setting.

Contemporary architectural practice, and in particular the design of high-performance facades, is as much about mastering technology as it is about grappling with aesthetics and function. Attendees at next month’s facades+ Chicago conference will have an opportunity to explore cutting-edge digital design tools during a series of hands-on technology workshops. The tech workshops, which take place on the second day of the conference, follow a day-long symposium featuring keynotes and roundtable discussions by AEC industry leaders. “If on day 1 you’re being exposed to advancements in building methods, on day 2 you can learn the technology and techniques that are behind those applications,” said Mode Lab’s Ronnie Parsons. “It’s taking the next step from someone who’s in the audience to being a participant. Not just a participant who’s watching and engaged, but one who is actively involved in shaping what happens tomorrow.” Read More

BNIM’s Entrepreneurial Envelope for the University of Missouri-Kansas City

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BNIM and Moore Ruble Yudell wrapped the Henry W. Bloch Executive Hall in multicolored terra cotta and glass. (James Ewing)

BNIM and Moore Ruble Yudell wrapped the Henry W. Bloch Executive Hall in multicolored terra cotta and glass. (James Ewing)

A tight budget and short timeline inspired an innovative concrete and terra cotta facade.

BNIM and Moore Ruble Yudell approached the design of the Henry W. Bloch Executive Hall for Entrepreneurship and Innovation at the University of Missouri-Kansas City with two objectives. The first was to express the creative spirit of the university’s program in entrepreneurship, which at that point lacked dedicated support spaces. The second goal was to tie the contemporary structure to its historic surroundings. Moore Ruble Yudell, who developed many of the project’s interior concepts, tackled the former, creating flexible classroom and laboratory spaces and a multi-story amphitheater that doubles as casual seating and a venue for school-wide gatherings. As for the latter, BNIM designed a multicolored terra cotta envelope that balances singularity with connection. “The idea was to create a building that sat by itself, but somehow bring it into context in terms of materials,” explained BNIM senior project architect Greg Sheldon.
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Facade Expert Francisco Gonzalez-Pulido on the Perils of Homogenous Design

Leatop Plaza in Guangzhou, China. (Courtesy JAHN)

Leatop Plaza in Guangzhou, China. (Courtesy JAHN)

According to Francisco Gonzalez-Pulido, president of Chicago-based JAHN, contemporary facade design neglects one of the building envelope’s foremost responsibilities: storytelling. “There is a focus now on using the building massing to convey the key message,” he said. “However, I think it’s through the facade that we can bring a more compelling narrative about how the building functions.” As an example, Gonzalez-Pulido pointed to Mies van der Rohe’s One IBM Plaza, which he can see from his office. “When you look at the mechanical floors, they’re treated differently,” he said. “In the lobby, the glass is different. This is actually the responsibility of the facade—it’s more than a piece of glass and metal to cover the building.” Read More

Video Sneak Peek: facades+ Chicago, July 24-25

Like our skin, a building’s facade is a critical intermediary between its interior functions and the outside environment. High-performance envelope design thus incorporates a variety of concerns, from aesthetics to sustainability. Next month, leading AEC industry professionals will gather in the Windy City for facades+ Chicago to discuss the future of facade design through the lens of the conference theme: resilience. For more information or to register, visit the facades+ Chicago website.

James Timberlake to US AEC Industry: Bring Facade Manufacturing Home

KieranTimberlake's Edgar N. Putnam Event Pavilion, James A. Michener Art Museum. (Michael Moran/OTTO)

KieranTimberlake’s Edgar N. Putnam Event Pavilion, James A. Michener Art Museum. (Michael Moran/OTTO)

KieranTimberlake has long pushed the boundaries of conventional facade design. The Philadelphia-based firm started using pressure-equalized rain screen systems in the 1980s, well before other architects brought the technology on board. Their Melvin J. and Claire Levine Hall, at the University of Pennsylvania (2003), was the first actively ventilated curtain wall in North America. The designers at KieranTimberlake have introduced new materials and assemblies, such as the SmartWrap building skin deployed at Cellophane House, part of MoMA’s Home Delivery: Fabricating the Modern Dwelling exhibit. One of the firm’s latest projects, the Embassy of the United States, London, incorporates an outer envelope of three-dimensional ETFE (ethylene tetrafluoroethylene) panels with integrated photovoltaic cells.

Continue reading after the jump.

REX’s Joshua Prince-Ramus Unwraps His Approach to Facade Design

REX's Media Headquarters Buildings feature retractable sunshades based on a traditional Arab Mashrabiya pattern. (Courtesy REX)

REX’s Media Headquarters Buildings feature retractable sunshades based on a traditional Arab Mashrabiya pattern. (Courtesy REX)

Joshua Prince-Ramus, principal at REX, has a bone to pick with modernism and its legacy. “For the last 100 years, architecture’s been involved in a silly tension between form and function,” he said. While high modernism privileged function over form, some of today’s top designers argue that architecture is about aesthetics and not much else. REX has a different take: architecture, the firm claims, is both function and form. “We really believe that architecture can do things. It’s not just a representational art form,” said Prince-Ramus. “We talk about performance. Aesthetics are part of performance [as is function.]”

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