Harvard Names Seven Finalists for the 2014 Wheelwright Prize

The Finalists Projects. (Courtesy Harvard GSD)

The Finalists Projects. (Courtesy Harvard GSD)

Harvard University Graduate School of Design (GSD) has announced seven finalists for the $100,000 Wheelwright Grant which is awarded annually for travel-based architectural research. This prize was first given in 1935 to purely GSD grads until it was revamped in 2013 to be an open competition.

The 2014 competition received nearly 200 submissions from 46 countries. The jury awarded special commendation to seven individuals for their exceptional design talent and imaginative research proposals. The winner will be announced on April 30th.

See the finalists after the jump.

Hopkins Architects to Transform Harvard’s Holyoke Center into New Campus Hub

East
Monday, November 18, 2013
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Josep Lluis Sert's Holyoke Center at Harvard University (Courtesy Docomomo via Harvard)

Josep Lluís Sert’s Holyoke Center at Harvard University (Courtesy Docomomo via Harvard)

Harvard’s Holyoke Center, designed by renowned Catalan architect and former Dean on the Harvard Graduate School of Design, Josep Lluís Sert, will soon be undergoing major renovations, university President Drew Faust announced last Thursday. London-based Hopkins Architects, the designers of Princeton’s Frick Chemistry Laboratory and Yale’s Kroon Hall, have signed on to transform the 50-year-old, cast-in-place administrative building into multifaceted campus center by 2018.

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Le Corbusier’s Carpenter Center for Visual Arts: Fifty Years Later

East
Friday, August 30, 2013
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Folium

Building Facade (Photo Courtesy of Folium from Flickr)

This year marks the 50th anniversary of the construction of the Carpenter Center for the Visual Arts. Completed in 1963, it is Le Corbusier’s only major building in the United States, and one of his final commissions before his death in 1965. The renowned modernist architect envisaged a “synthesis of the arts,” the union of architecture with sculpture, painting, and other arts. In the spirit of Corbusier’s unique style, the building stands out among the more traditional architectural prototypes of the Harvard campus. This is evident right from his initial concept sketch of the building, where Corbusier utilized bold colors to denote the new building, while shading the surrounding Harvard campus in dark brown—a color not typically part of his visual palette.

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Architect Gia Wolff Wins First Harvard Wheelwright Prize

Wheelwright Prize winner, Gia Wolff. (Courtesy Gia Wolff)

Wheelwright Prize winner, Gia Wolff. (Courtesy Gia Wolff)

Yesterday, Harvard University’s Graduate School of Design officially announced the winner of the first Wheelwright Prize, a $100,000 traveling fellowship aimed at cultivating new forms of architectural research through cultural exchange. The jury awarded the fellowship to Gia Wolff, a Harvard graduate and Brooklyn-based architect, for her original proposal Floating City: The Community-Based Architecture of Parade Floats. The young architect and professor, who currently leads her own practice, uniquely explored the cultural significance and design of the traditional parade float, which frequently transforms cities and brings people together during carnival festivals all throughout the world. The competition generated 231 submissions from 45 countries

Continue reading after the jump.

Chasing After Zero

East, East Coast
Monday, July 13, 2009
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Locals and Cambridgians enjoy the latest issue of New Geographies. (All photos Kevin Greenberg)

Locals and Cambridgians enjoy the latest issue of New Geographies. (All photos Kevin Greenberg)

Kevin Greenberg sends us another insightful dispatch from Kenmare Street:

Last Tuesday, the Storefront for Art and Architecture felt like a satellite campus of the GSD as Harvard students and other Cambridgians joined locals at the Storefront for a release party for the second issue of New Geographies, a doctoral student-edited periodical recently launched by the GSD’s Aga Khan Program. The editors of New Geographies, Neyran Turan and Stephan Ramos, told us that they had several meanings in mind when they chose the theme for the second issue. Titled “After Zero,” the issue centers on the slippery idea of a “zero point.” The editors cite zero carbon and “zero context” urban developments (or “cities from scratch”) as contemporary examples that force designers to question design methodologies and justifications. Read More

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