Frank Frank on Frank
Video projection of Gehry/Armstrong Conversation taking place 10 feet away while audience chewed steak and mulled on all the unspoken topics
The invitation billed it as an exclusive conversation about “the potential of architecture for urban, economic, and political change.” But when Frank Gehry and Richard Armstrong, director of the Guggenheim Museum, sat down before the mics after one and half hours of benefit chow at a new Wall Street steakhouse and just 15 minutes before the event was to end, the talk, like the $200/plate mashed potatoes and pureed spinach, was noticeably soft. Read More
Ladies Man
Architects and apprentices in the Taliesin West drafting room, ca. 1962 (Courtesy Frank Lloyd Wright Foundation Archives, Taliesin West)
On Wednesday night, the Guggenheim brought together the women behind the man, and apparently the myth of Frank Lloyd Wright, in a program titled “The Architecture of Wright: Wright, Women & Narrative.”
Co-organized with the Beverly Willis Architecture Foundation, the lecture was accompanied by the premiere of A Girl Is A Fellow Here: 100 Women Architects in the Studio of Frank Lloyd Wright, a 15-minute documentary film produced by the Foundation. Throughout his career, Wright employed over 100 women architects and designers, and the film focuses on the lives of six of these women, including Marion Mahony, Isabel Roberts, Lois Gottlieb, Jane Duncombe, Eleanore Petterson, and Read Weber, who worked alongside Wright during his prolific career from his Oak Park offices to Taliesin West. Read More
LEGO My Falling Water
Perhaps we were too busy checking out the jaw-dropping FLW retrospective at the aforementioned museum to notice, but two weeks ago, LEGO and the Wright Foundation announced they would launch two new, rather amazing sets to honor the architect’s centennial, part of a new Architecture line your LEGO-obsessed editors were heretofore also ignorant of. Read More
“The Best Facelift on 5th Ave.”
Last evening a crowd of one hundred or so gathered on museum mile in front of the Guggenheim Museum to mark the completion of its three-year renovation project with a champagne reception and a ceremony officiated by New York City Mayor Michael R. Bloomberg. Arriving fashionably late, Bloomberg addressed the crowd with his typical charisma, candidly remarking that the new restoration is “one of the best facelifts on 5th Avenue.” Bloomberg also stated that despite the tough financial times we have recently come upon, the City will continue investing in art and cultural institutions, like the Guggenheim. At the conclusion of Bloomberg’s speech, the official ribbon cutting ceremony revealed a large sign draped over the front exterior of the building that read, “Good As New.” Marc Steglitz, the Guggenheim Museum’s Interim Director-Elect, later commented that the building is actually “better than new,” but said that he was told that he could not say that in fear of the lurking preservationists in the crowd!
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