Enclos’ High Performance Facades Series Focuses on Glass, Facade Technology

National
Wednesday, August 28, 2013
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Structural Glass Facades, Station Place: Security & Exchange Commission Headquarters, Washington, D.C. (Courtesy Enclos)

Structural Glass Facades, Station Place: Security & Exchange Commission Headquarters, Washington, D.C. (Courtesy Enclos)

Glass-clad, cable-net structures are one of today’s leading forms of high-transparency facade technology. Since 2009, Enclos has been an authority in the design, engineering, fabrication, and assembly of custom curtain wall systems and structural glass facades. The company has published a number of reports about building skin systems. Volume 1: Skylights of the Facade TecNotes Series focuses on glass in overhead applications and the unique opportunities it brings. On September 11th, Enclos’ Mic Patterson will join AN to discuss glass facades at GlassBuild America: The Architects Forum in Atlanta. Mr. Patterson will share several examples that show how optimal transparency and aesthetic elegance can work together. He will discuss projects such as 51 Louisiana in Washington, D.C., two existing buildings that have been joined by a glass-clad atrium, and Station Place: Security & Exchange Commission Headquarters, also in Washington, D.C., which consists of a 55-foot-long and 60-foot-wide skylight. Mr. Patterson has lectured internationally on various aspects of advanced facade technology and is the author of Structural Glass Facades and Enclosures.

The Architects Forum Welcomes Neil M. Denari to GlassBuild America

National
Wednesday, August 21, 2013
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Neil Denari, Keynote Address Speaker. (Courtesy Glass Build America)

Neil Denari, Keynote Address Speaker. (Courtesy Glass Build America)

Join AN, in collaboration with Glass Magazine, at the Georgia World Congress Center in Atlanta on September 11 for The Architect’s Forum Glass+Performance, an exciting symposium featuring keynote speaker Neil M. Denari. In addition to lunch and three-day access to the GlassBuild America trade show floor, the gathering place for North American glass, window, and door industries, attendees will have the opportunity to learn from Denari, who has taught at UCLA, Columbia, the Bartlett, UC Berkeley, Princeton, and Harvard GSD, and is the author of two bestselling books, Interrupted Projections (1996) and Gyroscopic Horizons (1999).

Continue reading after the jump.

Live At Glassbuild Architects Forum: Experts Talk Engineering Big Glass For Herzog & de Meuron’s Miami Art Museum

National
Friday, August 16, 2013
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Herzog & de Meuron's Miami Art Museum features some of the biggest expanses of glass in Miami Dade County. (Courtesy Herzog & de Meuron)

Herzog & de Meuron’s Miami Art Museum features some of the biggest expanses of glass in Miami Dade County. (Courtesy Herzog & de Meuron)

There are many reasons not to miss the new Architects Forum at Glassbuild this year. For one, Neil Denari will be giving the keynote speech. For two, members of the project team will be giving a presentation on the design, prototype testing, and construction of the facade of Herzog & de Meuron’s new Miami Art Museum. This unique building features integrated plantings, multiple micro climates, and some of the biggest expanses of glass in all of Miami Dade County. The presentation will be led by Peter Arbour, a facade designer with a Master of Architecture from Yale University who currently works in the New York office of German facade builder seele.

More after the jump.

Frank Gehry’s Ice Blocks Chilling Out Inside Chicago’s Inland Steel Building

Midwest, Newsletter
Wednesday, June 19, 2013
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Frank Gehry's new sculpture in the Inland Steel Building lobby. (Lynn Becker)

Frank Gehry’s new sculpture in the Inland Steel Building lobby. (Lynn Becker)

Follow the Architecture Chicago Plus blog as Lynn Becker raises an eyebrow at the new sculpture that quietly popped up in the lobby of downtown Chicago’s celebrated Inland Steel Building.

The 1957 SOM icon seems to have acquired a consortium of ice hunks, courtesy Frank Gehry. Ostensibly a formal counterpoint to the elegant energy of Richard Lippold’s Radiant I, the original lobby art, Gehry’s glass agglomeration (fabricated by the John Lewis Glass Studio of Oakland, California) frames Radiant I and responds to its angularity with carved blobs. It’s admittedly atypical in the setting of the modernist masterpiece, but doesn’t overpower the space or the original artwork.

Pelli Clarke Pelli’s Transbay Center Glass Facade Could Become Perforated Metal

West
Thursday, March 21, 2013
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transbay_facade_01btransbay_facade_01a

 

The perforated aluminum skin would replace the previously proposed glass facade. (Courtesy TJPA)

It looks like Pelli Clarke Pelli’s Transbay Transit Center, which stretches about three blocks through the city’s Rincon Hill neighborhood, might go ahead with its first major piece of value engineering. According to the San Francisco Chronicle, the architects have suggested that the building’s undulating glass skin become perforated aluminum. The move would meet federal safety guidelines and chop $17 million from the estimated $1.59 billion budget for the center’s first phase. The Transbay Joint Powers Authority (TJPA) board will be  asked to approve the change at its March 25 meeting. The structure is not expected to be complete before 2017.

Continue reading after the jump.

Product> Well Clad: Glass & Metal Facade Systems for All Seasons

Product
Wednesday, December 26, 2012
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(All Images Courtesy Respective Manufacturers)

(All Images Courtesy Respective Manufacturers)

You’ve got to have one. A facade, that is. So AN rounded up five leading glass and metal facade systems  whose value is more than skin deep. For instance, Kalzip‘s FC Rainscreen, used on New Orleans’ Superdome. These aluminum panels form a non-penetrative facade system that can be installed in two directions, from top to bottom or from the bottom up. Individual sheets can be removed and installed independently of the rest of the assembly. The system’s quick, cost-effective installation procedure won it the job of renovating the Superdome in Louisiana in the wake of Hurricane Katrina.

More after the jump.

How Nave Can He Be? Parsing Goldman Alley

East, Eavesdroplet
Friday, July 20, 2012
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(Garrett Ziegler/Flickr)

(Garrett Ziegler/Flickr)

Financial giant Goldman Sachs has received lots of attention recently for its headquarters at 200 West St. New York Times architecture critic Michael Kimmelman waxed poetic about the building’s glass canopy by Preston Scott Cohen. The canopy, said Kimmelman, “elevates what is really just a gap between two buildings into something almost as inspired as the nave of a great Gothic cathedral. That’s the power of architecture.” Or, in this case, the architecture of power.

The latest, and more critical, take on Goldmans’ HQ by Times writer N. R. Kleinfield outlines the firm’s impact on the surrounding area which at the time of the buildings completion in 2009, was short on shops and restaurants. So using its $1.65 billion in Liberty Bonds plus $115 million in tax breaks, Goldman just created a neighborhood in its own image.

Highlight> Jorge Pardo at Armory Center for the Arts

West
Wednesday, June 22, 2011
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Courtesy Armory Center for the Arts.

Jorge Pardo
Armory Center for the Arts
145 North Raymond Ave.
Pasadena, California
Through November 6

MacArthur-winner Jorge Pardo gained his reputation by blurring the boundaries between art, architecture, and design. In his temporary exhibit in the courtyard of the Armory Center, Pardo engages the surroundings, deploying four pepper trees to act as three-dimensional framing devices for groups of translucent hanging globes. What at first seems to be a festive environment becomes a contemplative one, as visitors sit on benches surrounding the base of the trees and take a closer look at the spheres. Each reveals an ethereal universe inside: delicate reflective materials sit protected from the surrounding activity, casting shimmering, changing light onto the world around them.

More photos after the jump.

World Trade Update: Glass Rising

East
Monday, March 28, 2011
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The western face of Snohetta's Memorial Museum Pavilion takes on a reflective layer.

It’s been a couple of weeks since we stopped by the WTC site. The most striking aspect from the street remains the speed with which glass surfaces begin to rise. It seems like only yesterday that three stories of glass wrapped around Tower One. Now with ten stories completed, the quartz-like surfaces start to take shape. At the Memorial Museum, Snohetta’s glass has flown up in what seems a matter of days. The facade already reflects the grove, whose trees continue their own march toward West Street.

Check out more photos after the jump.

Plummeting Pei

East, East Coast
Wednesday, December 2, 2009
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The new Goldman Sachs headquarters in Batter Park City loom as large as the company that will occupy it.

The new Goldman Sachs headquarters in Batter Park City loom as large as the company that will occupy it. (Matt Chaban)

Goldman Sachs has been much in the news lately for its continued blockbuster bonuses as much of the workforce continues to languish. But the new headquarters for the company designed by Harry Cobb has also made headlines for some time now thanks (or no thanks) to construction accidents. The latest occurred this weekend, when glass panels fell in the middle of the night from the 38th floor onto the West Side Highway, shutting it down for a few hours according to the Post. The Tribeca Trib also reports the accident also shut down a Battery Park City ice rink that was set to open Sunday, delaying the inaugural opening by a day. What’s worse, though, is the Trib says construction managers knew about a crack in the panes that precipitated their fall but delayed fixing it. Read More

iToldya So

Other
Tuesday, March 10, 2009
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Now doesnt that look familiar? (Georgetown Metropolitan)

Now doesn't that look familiar? (Georgetown Metropolitan)

So it turns out they’ve finally approved designs for the Apple Store in Georgetown. As we speculated, Bohlin Cywinski Jackson came up with a perfectly appropriate glassy-historicist design, as they already have in places like Soho and Boston. Read More

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