MoMA PS1 Opens Temporary Geodesic Exhibition Space in the Rockaways

East
Tuesday, April 2, 2013
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(Courtesy MoMA PS1)

(Courtesy MoMA PS1)

Rockaway Beach, the waterfront community severely battered by Hurricane Sandy, is now the site of MoMA PS1′s geodesic dome, a temporary cultural center offering lectures, exhibits, performances, and community events. PS1 kicked off the opening of the VW Dome 2 last Friday with a performance by singer Patti Smith, a fellow Rockaways resident. The museum will collaborate with local organizations in Queens to provide a range of programming over the next few months.

Continue reading after the jump.

Oklahoma City Developer: Take My Geodesic Dome And Get $100,000!

Southwest
Friday, March 22, 2013
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The Gold Dome in the 1950s. (Roadsidepictures / Flickr)

The Gold Dome in the 1950s. (Roadsidepictures / Flickr)

Oklahoma City just cannot tear down its architectural landmarks fast enough! The city and its developer community have been trying to do away with John Johansen‘s famous Mummers Theater and now David Box, a local developer, wants to get rid of a unique geodesic dome built in 1958 on Route 66. The developer—who claims among other things that the roof leaks and “you can’t just call a normal roofer and say hey we got a geodesic dome here can you fix it”—will give anyone who wants the dome a $100,000 bonus to take it off his property so he can fill it in and “make it safe.” The structure was originally built to house a bank and has been declared eligible to be listed in the National Register of Historic Places in 2002 and was designed by local architects Bailey, Bozalis, Dickinson, and Roloff based on Buckminster Fuller‘s patented dome.

More images after the jump.

Inside the MOMA PS1 Performance Dome

Other
Thursday, May 10, 2012
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Walking into the large, egg-like structure of the MoMA Ps1 Performance Dome, the German electronic band Kraftwerk’s song “Man-Machine” was the perfect accompaniment to the architecture.  Their music represents the kind of progressive attitude towards materials (instruments) and aesthetics (sounds) that is captured perfectly in the temporary structure.  A shiny, white, geodesic dome reminiscent of fellow early techno-fetishist Buckminster Fuller, the space features a super-high-fidelity sound system, 8 screens projecting various computer art, and not much else. It is the ideal pairing of minimalism and technology with Kraftwerk’s slick electronic melodies. Read More

Miami on the Make: Adjaye, Fuller, and Foster

National
Tuesday, December 6, 2011
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David Adjaye with his pavilion. (Courtesy Design Miami)

David Adjaye with his pavilion. (Courtesy Design Miami)

Design Miami, the high-design fair that runs with the giant, Art Basel Miami Beach, exhibited two objets d’architecture over the Miami Art Week, and named an architect, David Adjaye, as its 2011 Designer of the Year. Both objets were sculptural pavilions: one is an installation by Adjaye, commissioned for the fair, and the other a restored modernist icon with a utopian agenda. Continue reading after the jump.

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