The Saga Continues: Congress Rejects Funding for Gehry’s Eisenhower Memorial

City Terrain, East
Wednesday, February 26, 2014
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Frank Gehry's design for the Eisenhower Memorial. (Courtesy NCDC)

Frank Gehry’s design for the Eisenhower Memorial as it stands now. (Courtesy Eisenhower Memorial Commission)

Despite earlier indications of progress, Frank Gehry’s design for a planned Eisenhower Memorial continues to encounter stumbling blocks. In November the US Commission of Fine Arts asked Mr. Gehry to make eight revisions to the proposal, a request that was then echoed and amplified in January when Congress turned down the Eisenhower Memorial Commission‘s request for $51 million in funding, a denial that was accompanied by a message imploring the architect “to work with all constituencies—including Congress and the Eisenhower family—as partners in the planning and design process.”

More after the jump.

Los Angeles County Supervisors Approve Frank Gehry’s Grand Avenue Project

Development, West
Wednesday, January 15, 2014
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Gehry Partners' newest proposal for Grand Avenue. (Related Companies)

Gehry Partners’ newest proposal for Grand Avenue. (Related Companies)

Yesterday the Los Angeles County Board of Supervisors approved Gehry Partners’ and  Related Companies’ long-stalled Grand Avenue Project, all but assuring that it will go ahead after years (and years, and years) of delay. The only remaining vote comes later today as the Grand Avenue Authority, the city-county agency overseeing the project, votes on the project.

Continue reading after the jump.

Cincinnati Art Museum seeks new director; Aaron Betsky steps down

Art, Midwest, Shft+Alt+Del
Monday, January 6, 2014
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The cincinnati art museum. (Erica Minton via flickr)

The cincinnati art museum. (Erica Minton via flickr)

Aaron Betsky, director of the Cincinnati Art Museum for seven years, announced Thursday he’ll step down.

Cincinnati’s WVXU reported that the museum’s board will set up a search committee, and that Betsky will help pick his successor. Betsky, an architect, oversaw the first phase of a renovation for which he helped raise more $13 million, and increased the art museum’s endowment by 18 percent. His leadership was at times controversial, as when he oversaw an exhibit by artist Todd Pavlisko that included firing a .30-caliber rifle in the 132-year-old museum’s Schmidlapp Gallery.

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On View> Form/Unformed: Design from 1960 to the Present

On View, Southwest
Wednesday, December 4, 2013
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(Courtesy The Dallas Museum of Art)

(Courtesy The Dallas Museum of Art)

Form/Unformed: Design from 1960 to the Present
The Dallas Museum of Art
1717 North Harwood Street
Dallas, TX
Extended through December 2014

The Dallas Museum of Art is celebrating the work of prolific designers and architects from the 1960s to the present with its first comprehensive design exhibition. Some of the featured designers include Robert Venturi, Frank Gehry, Aldo Rossi, Zaha Hadid, and Donald Judd. Drawn entirely from the Museum’s own collection, the exhibition reveals the evolution of forms and ideologies that have shaped international design over the last half century.

“Several of the works on view are recent acquisitions that reflect the continuing expansion of the Museum’s decorative arts and design program to include historic American and European work, as well as contemporary objects of international significance,” said Bonnie Pitman, The Eugene McDermott Director of the Dallas Museum of Art. From modern jewelry like The Golden Fleece, to iconic furniture, the exhibition spotlights the extraordinary work of some of the best designers of our time.

Gehry Gets Another Like: Architect Hired to Design Two International Facebook Offices

International
Wednesday, November 13, 2013
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Frank Gehry's plans for a new Facebook campus. (Courtesy Gehry Partners)

After working with Zuckerberg on the new Silicon Valley campus, Frank Gehry is hired to design for Facebook internationally. (Courtesy Gehry Partners)

Facebook has chosen architect Frank Gehry to design the interiors of its relocated and expanded international offices in London and Dublin. This commission comes just a few weeks after Gehry was hired with Foster + Partners for the London Battersea Power Station redevelopment, his first project in the United Kingdom capital.

Continue Reading After the Jump.

Wealthy Neighborhood Coalition Demands Halt in Santa Monica Development Projects

West
Friday, November 8, 2013
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(Courtesy HKS)

OMA’s Proposed Expansion of the Fairmont Miramar Hotel is One Project Causing Debate in Santa Monica. (Courtesy HKS)

Just west of Los Angeles, a relaxed beach town on the California coast has recently received some major architecture news headlines. In 2013, some of the biggest firms in the country, from OMA to Gehry Partners, have set their sights on development projects in Santa Monica, planning to raise the skyline and increase the architectural density of the city.

Not everyone is happy about this attention, though. This week, Curbed LA reports that the Wilmont Neighborhood Coalition, a group of Santa Monica residents from the high profile neighborhood from Wilshire Boulevard to Montana Avenue, have called for a moratorium on all development plans in the city. With a unanimous vote at their annual meeting, the group pleaded with the City Council to stop architectural projects in Santa Monica until the solidification of a zoning ordinance next year.

Continue Reading After the Jump.

Power Couple: Gehry & Foster to Build at London’s Battersea Station

International
Monday, October 28, 2013
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Battersea Power Station (Flickr: Scott Wylie)

Battersea Power Station (Flickr: Scott Wylie)

Frank Gehry and Foster + Partners have been selected to design the third phase of the mixed-use Battersea Power Station development in London, which includes a retail pedestrian street that serves as the entryway to the complex. Gehry and Foster will collaborate on the High Street section, and each firm will design residential buildings on the east and west sides, respectively.

This will be Gehry’s first building in London. He will approach the project with the “goal to help create a neighborhood and a place for people to live that respects the iconic Battersea Power Station while connecting it into the broader fabric of the city.”

The iconic Battersea Power Station  has captured the imagination of everyone from furniture designers to rock stars. Take a look below at AN‘s roundup of 12 of the most amazing Battersea Power Station photos.

View the gallery after the jump.

Jean Nouvel’s National Art Museum of China Design Inspired by Calligraphy

International, Newsletter
Tuesday, October 15, 2013
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Jean Nouvel's Design for new National Art Museum of China. (Courtesy Jean Nouvel)

Jean Nouvel’s Design for new National Art Museum of China. (Courtesy Atelier Jean Nouvel)

Over a star-studded semi-finalist list of Western architects, Pritztker-Prize winning French architect Jean Nouvel has been awarded the commission to design the world’s largest art museum: the new National Art Museum of China in Beijing. The 130,000 square meters NAMOC building is intended to exhibit works by 20th-century and traditional artists from worldwide. The Financial Times reported earlier this year that Jean Nouvel’s design idea as that of a single ink brushstroke, a concept of traditional Chinese art and calligraphy. With sweeping glass and a reflective facade, the museum’s exterior takes obvious inspiration from the art visitors will encounter within its walls.

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Neil Meredith of Gehry Technolgies Presents The Burj Khalifa Ceiling at Facades+PERFORMANCE

National
Monday, September 30, 2013
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Gehry Technologies, SOM and Imperial Woodworking Company created the wooden ceiling of the Burj Khalifa, Dubai (SOM)

Gehry Technologies, SOM and Imperial Woodworking Company created the wooden ceiling of the Burj Khalifa, Dubai (SOM)

October is upon us, which means that the Chicago edition of Facades+ PERFORMANCE is only a few weeks away! Be there as leading innovators from across the AEC industry converge on Chicago from October 24th and 25th at AN and Enclos’ highly anticipated event to discuss the cutting-edge processes and technologies behind the facades of today’s most exciting built projects. Don’t miss your chance to take part in our groundbreaking lineup of symposia, keynotes, and workshops, and work side-by-side with the design and construction visionaries who are redefining performance for the next generation of building envelopes. Our Early Bird special has been extended until Wednesday, so register today to save on this unbeatable opportunity!

More information after the jump.

Letter to the Editor> Master Architect or No, Gehry is Wrong About Los Angeles

Letter to the Editor, West
Friday, August 30, 2013
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(Joel Mann / Flickr; Montage by AN)

(Joel Mann / Flickr; Montage by AN)

[ Editor's Note: The following is a reader-submitted comment from the AN Blog in response to the post, “Gehry Lets Loose on Los Angeles, Downtown Ambitions,” which cites an interview Frank Gehry did with Los Angeles Magazine. It appeared as a letter to the editor in a recent print edition, AN07_08.14.2013. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

The only thing that makes Los Angeles unique is that so much of it was built during the auto era (albeit on an infrastructural framework established during the interurban rail era). Different parts of Los Angeles were developed in a manner that was identical to how other cities across North America were being developed at the same time. The same succession of transportation, construction, and development technologies created a downtown in Los Angeles that is nearly indistinguishable from portions of San Francisco, Chicago, and Manhattan.

Continue reading after the jump.

On View> Metropolitan Museum Presents “Ken Price: A Retrospective” Through September 22

East, Newsletter
Friday, August 23, 2013
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Pastel (1995)

Ken Price’s colorful, sensual ceramic sculptures have always posed the question as to whether they are art or craft. But the blur may also include the architectonic. His signature forms—cups and eggs—set up a tension between exterior and interior. New York Times art critic Roberta Smith has written: “Their forms oscillated between the biomorphic and the geometric, the geological and the architectural.”

Price’s friend, Frank Gehry, designed the installation of the exhibition, Ken Price Sculpture: A Retrospective, currently on view at the Metropolitan Museum of Art through September 22. He lives with Price’s ceramics, his first purchase being a cup festooned with snails. Gehry wrote of Price’s work, “They were like buildings.” He cited a cup with a twisted piece at the top, and sees the similarity to his California Aerospace Museum, 1982-84, featuring an airplane jutting out of the structure. “I think the similarity of form was totally unconscious. Now I think a lot of architects must have been looking at those cups…the relationships are amazing.”

Continue reading after the jump.

Gehry Lets Loose on Los Angeles, Downtown Ambitions

Eavesdroplet, West
Thursday, August 1, 2013
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biennale_frank_gehry

Writer Anne Taylor Fleming recently interviewed Frank Gehry for Los Angeles Magazine, getting a glimpse into what the architect thinks about Los Angeles and the meaning of his work there. Gehry tells Fleming about some of the missed planning and architectural opportunities that continue to challenge the city, including the push to make a bona fide downtown, which he believes stems from clinging to old ideas about what a city should be.

Continue reading after the jump.

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